Katharine Arnold

@kalmarnold

Vice Chairman, 20th & 21st Century Art, Europe @christiesinc
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Weeks posts
On Tuesday, we came together to celebrate the National Portrait Gallery and Director, Victoria Siddall. It was such a joy to work on this project as part of a committee of incredible people from across the UK creative industries. We are hugely proud to have raised £1,000,000 to support the NPG with its vital education programme, reaching young people all over the country. Thank you to everyone who joined and supported! 👏🏻 superstar team @nationalportraitgallery @victoriamaysiddall
376 15
1 month ago
Earlier this week, we celebrated the triumph of Tracey Emin: A Second Life, @tate The unprecedented queues by the public to enter the exhibition show us just how important her contribution is to culture in this country and around the world. Tracey has an amazing talent to put into words and visual form the complex parts of being alive and being a woman. Her work is powerful, tender, and deeply human all at the same time. Following Tracey over these years has touched me deeply and her courage inspires me. Here are the photos of Tracey in 2014 with My Bed. These are some of the best and most enduring memories of my career. 💙💙💙 @traceyeminstudio @wellerharry
951 15
2 months ago
“A backdrop for selfies before the age of Instagram.” David Hockney’s ‘Christopher Isherwood and Don Bachardy’ (1968) was first owned by Marguerite Littman, a southern belle and Hollywood voice coach who became a society figure in 1970s London. @katherinebucknell @kalmarnold @christiesinc @thechristopherisherwoodfdn @don_bachardy_artist @davidhockneyfoundation @thamesandhudson
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3 months ago
“These were human beings, not angels.” On David Hockney’s ‘Christopher Isherwood and Don Bachardy’ (1968) — a radically real portrayal of a gay relationship — at Christie’s NY, November 2025. @katherinebucknell @kalmarnold @christiesinc @thechristopherisherwoodfdn @don_bachardy_artist @davidhockneyfoundation @thamesandhudson
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3 months ago
“By setting a gay relationship in a historical lineage, Hockney was giving it an important validity – saying, this too could be equivalent to the Arnolfini Portrait.” I spoke with @katherinebucknell & @kalmarnold at Christie’s NY about the hedonistic beauty of Los Angeles, artistic trends in the 1960s, and the art-historical antecedents of David Hockney’s ‘Christopher Isherwood and Don Bachardy’. @christiesinc @thechristopherisherwoodfdn @don_bachardy_artist @davidhockneyfoundation @thamesandhudson
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3 months ago
‘Christopher Isherwood and Don Bachardy’ (1968) is one of the masterpieces of David Hockney’s early Californian era – a life-size portrait of his two friends at home in Santa Monica: relaxed, poised, quietly disarmed by the artist’s gaze. At Christie’s NY last November, ahead of the painting’s landmark sale, I spoke with Katherine Bucknell – author of CHRISTOPHER ISHERWOOD INSIDE OUT – and Katharine Arnold, Vice Chairman, 20th & 21st Century Art, about visualising gay relationships, Los Angeles in the 1960s, and the southern belle who first owned the picture. @christiesinc @katherinebucknell @kalmarnold @thechristopherisherwoodfdn @don_bachardy_artist @davidhockneyfoundation @thamesandhudson
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3 months ago
It was an honour to talk about David Hockney’s groundbreaking painting ‘Christopher Isherwood and Don Bachardy’ (1968), along with Katherine Bucknell (author of ‘Christopher Isherwood: Inside Out’) and Katharine Arnold (Vice Chairman, 20th & 21st Century Art at Christie’s) ahead of the landmark auction on Monday November 17 @christiesinc We discussed Hockney’s monumental portrayal of the English novelist and his artist partner – the first of a grand sequence of double portraits spanning the late 1960s and 1970s – in numerous respects: the charged dynamic between the older man and the younger, the crystalline light and social world of Los Angeles, the painting’s role in enshrining Isherwood and Bachardy as “the first couple” of the gay world (in the words of their friend Armistead Maupin), Bachardy’s influence on the young Hockney, and more. Video recording to follow. The painting is the highlight in New York’s 20th Century Evening Sale, with an estimate of $40-60m. In my essay for the accompanying book, I explore Hockney’s original attraction to Los Angeles – the fascination with Hollywood that began in childhood, with regular trips to the cinema in Bradford, and that was later compounded by the city’s promise of sexual and romantic freedom. “Isherwood seems to have perceived something himself in the young artist. As he would later declare: ‘Oh, David, we’ve so much in common: we love American boys, and we’re from the north of England.’ He had met his own American boy, Don Bachardy, on Santa Monica Beach in 1952, when he was forty-eight and Bachardy was eighteen. In turn, Hockney identified with (perhaps already sought to emulate) Isherwood’s self-determined path – his identity as ‘a happy escapee’, as Alan Hollinghurst put it in his 1975 poem ‘Christopher Isherwood is at Santa Monica’.” @katherinebucknell @kalmarnold @thechristopherisherwoodfdn @rosenthal.norman @davidhockneyfoundation With thanks to @williamfeatherby
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6 months ago
David Hockney’s Christopher Isherwood and Don Bachardy, 1968 tells a very human story of how two people come into each other’s lives and build a world of their own. The two men inhabit an ordinary domestic setting, yet are extraordinary for their place at the heart of vanguard culture in 1960s LA. Isherwood was the legendary author of Goodbye to Berlin, 1939 and the seminal novel, A Single Man, 1964 which changed the course of literature, and Don Bachardy is a celebrated artist and painter of Hollywood’s portraits. In this masterpiece Hockney lends his flair for colour and form to capture California’s golden light, in a picture that distils the spirit of the times and immortalises the freedom of people to choose who to love and how to live. Such an honour to be offering this piece of art and cultural history in New York on 17th November @christiesinc
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6 months ago
Los Angeles to London. What a fortnight it has been and my feet have barely touched the ground. Paris and New York still to come. Friends, Family and Art keep us going.
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6 months ago
Breakfast with Lucian Freud This morning was perfect. It was a privilege to enjoy this extraordinary self-portrait by the artist in the special intimacy of his studio on Kensington Church Street. While the painting was made in 1956 in his studio on Delamere Terrace in Paddington, the presence of the painter was very real. Breakfast at Sally Clarke’s is always wonderful and what better way than to look at paintings by Freud in the place where he often sat. Thank you @davidelidawson @sallyclarkeltd @christiesinc for making it possible. Sally Clarke remembers Lucian Freud’s morning ritual: “It must have been one day in the early 1990s that Mr Freud first wandered into our little shop. Then already in his 70s, he had bought a house five doors up from us on Kensington Church Street and was in the process of moving out of his painting studio in Holland Park in which he had been living. Over the next few months, he also began to visit our restaurant. He would ring up and announce, “This is Lucian Freud.” I would tease him, asking in reply, “Lucy and who?” There would be a long silence, after which he would ask to reserve a table… The daily ritual began around 7:45 am when he and David Dawson, his studio assistant and frequent model, would arrive for breakfast. David would have bought newspapers from the little corner shop, a stack of five, six, seven newspapers. Mr Freud would slip in and head to his regular table, placing his order en route: a juice, a coffee, or sometimes an Earl Grey tea, a pain aux raisins, and scrambled eggs, eggs Benedict or eggs Royale. In those days, our pain aux raisins were even bigger than the ones that we make now, so it almost filled the whole plate. When he did order tea, he would add copious amounts of cold milk, so it was the most revolting colour by the time he’d finished mixing it in his cup. He would also usually grab a bar of our nougat when cutting through the shop, slipping it into his pocket as a joke.“
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7 months ago
Lucian Freud was an extraordinary painter, and had a rare ability to conjure up life into his pictures. I was very grateful to spend time with Jake Auerbach talking about the man he knew and first interviewed in 1988. We discuss three wonderful paintings belonging to a private collector: Woman with a Tulip (1944), Self-portrait Fragment (c. 1956) and Sleeping Head (1961-71). They correspond to three decades of the artist’s life with all the changes that accompanied the passage of time: from Lorna Wishart, Kitty Garman and Caroline Blackwood to greater freedom as a single man in the 1960s. Inevitably each painting is in some way a reflection of the artist himself. We are honoured to be offering these works as highlights in our 20th/21st Century: London Evening Sale on 15 October @christiesinc
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7 months ago
At this year’s AWITA conference, you’ll join leading voices from the cultural, business, and academic sectors to explore the power and practice of intersectional feminist leadership. Date & Time: Monday 7th July 2025, 08:30 AM – 1 PM Location: The Warburg Institute Tickets: Available through the link in our bio - secure yours today. Content from AWITA’s Conference, 2024, which brought together over 200 women, 25 speakers, 6 venues and hosted 5 workshops. #AWITAConference #CreativeCareers #BuildYourOwnArtWorld #ArtNetworking #FutureLeaders #ArtConference
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11 months ago