Junyafujita

Apples to Apples release event by Junya Fujita & Sasha Iliashenko 🍎🍏 After the duo’s performance, everyone got together for a raffle and an apple pie. Listen to their album on Bandcamp, Nina and Subvert 🥧 📢 📸 @thangible.fart 🎥 @tongkhanhha 🤳🥧 @congee.rats

🍏 Our full-length album is out on 15.04.26 🍎 ⛲️ Available as a digital release on Bandcamp, Subvert and Nina, as well as a Small-Edition Triple Gatefold CD with a soft-touch finish. Link in bio 🛝 Release event on 15.04.26, 19:30 at Hörbar, Brigittenstraße 5, free entrance Apples to Apples is a debut album of studio improvisations by Junya Fujita and Sasha Iliashenko. They navigate the domain of abstract electronic sound using digital and analogue circuitry. The artists implement feedback, microtonality and rapidly morphing timbres, finding extremity in both the loud and quiet, the repetitive and random. Shaped by the aesthetics of play and failure, their unstable sounds attempt to build a syntax as the album unfolds. Existing in a constant restless dialogue where each reply slightly redefines the question, they take turns assembling a shaky structure made of beating drones, irregular rhythms and harsh textures. The utterances heard in the process create meaning, at times unserious or borderline ridiculous, and at others melancholic or sentimental. The album is titled after a 90’s board game, in which players get a set of nouns that they match to an adjective to create word combinations. The artists adapted the game for two people and played a round for each track, attempting to transcribe the abstract sounds into titles. Mastering by Taku Unami Design by Sasha Kulikov

Sound-Performance by @fngrfuia 29.03.26 5pm: Fngr Fuia ist das Musikprojekt von Sophia Leitenmayer und Junya Fujita. Ihr Sound bewegt sich irgendwo zwischen akustisch und elektronisch, subversiv und meditativ. Durch Improvisation in ihren Performances, in denen sie Techniken von Blasinstrumenten, Stimme und analogen Instrumenten mit elektronischem Feedback kombinieren, schaffen sie behutsam seltsame und doch organische Klanglandschaften mit wechselnden Klangfarben, plötzlich auftauchenden Texturen und schwer fassbaren melodischen Möglichkeiten. In ihren Installationen arbeiten sie mit den spezifischen Gegebenheiten der Orte und Mikrofonen. Daraus entstehen Skulpturen, die öffentliche Bereiche belauschen und sie in einem geschlossenen Raum hörbar machen. @fngrfuia Photo @sannaleone_ supported by @bkm_hh

/album/fluxbus-to-not-yet-titled infrastructure disruptions overloaded rail network construction work weather conditions staff shortages technical problems with trains delays from previous journeys #####FLUXBUS with @westwerk_hamburg and @nyt.art.space / photo by @j0ringel

We‘re part of the 3day Sound Performance and Exhibition swap project called FLUXBUS - playtime; 10.10.25 20:15 at @westwerk_hamburg / 11.10.25 14-17:30 in the FlixBus from Hamburg to Berlin / 12.10.25 18:00 at @nyt.art.space / curated by @dienststelle17 @lore____gold

Foley Function, 2025 @blurrededgesfestival Sonic space installation and live performance with Foley sounds and external input channels via outdoor microphones. “Foley Function - passing by sound between” focuses on sound as a powerful mediator between space and its perception. Inspired by early radio productions, the exhibition space at hinterconti becomes a stage, broadcasting station, and production facility all at once—a hybrid space that can be physically experienced by the audience on site, while transforming into an imaginary etheric space for radio listeners. The bustling streets of St. Pauli overlap with blind improvised film soundtracks from the basement of hinterconti and become audible in the exhibition space. Exhibition view “Foley Function,” blurred edges festival 2025, hinterconti Hamburg @hinterconti_hellsclub photos by Gero Sander

FOLEY FUNCTION Blurred Edges @hinterconti_hellsclub

Remix, 2025 SONIC RELATIONS @hyperculturalpassengers 12 omnidirectional microphones, XLR cables, construction pipes, 12 floating papier-mâché bodies with magnets and copper spiral plates The site-specific multi-channel sound installation is a collaboration between Sophia Leitenmayer @sophia.fngr Junya Fujita @junyfuia and Jori Kehn @j0ringel at HyCP Space in Veddel, Hamburg. It is an encounter between live sound transmission from the public space at the intersection of Wilhelmsburger Straße and Sieldeich and the loudspeaker sculptures through which the sound tracks move in real time. Each microphone distributed in the public space around the gallery plays a sculpture in the exhibition space, creating an underground sound atmosphere. Exhibition view “Sonic Relations,” HyCP, Hamburg, 2025

blurred edges 2025 @ hinterconti_hellsclub - passing by sound between This year’s hintercont_hellsclub series “passing by sound between” focuses on sound as a powerful mediator between space and its perception. Inspired by early radio productions, the exhibition space at hinterconti becomes stage, broadcast station, and production site all at once — a hybrid space that can be physically experienced by the local audience, while for radio listeners it transforms into an imaginary ether-space. ***Thursday, 19.06.2025 ***opening: Foley Funcions ***concert: 6pm ***exhibition opened: Fri-Sun, 20.-22.06.25 from 4 -8pm @hinterconti_hellsclub Sonic Space Installation and Live Sound Performance Fngr Fuia is the duo of Sophia Leitenmayer and Junya Fujita. Their music lies between acoustic and electronic, subversive and meditative. By combining traditional wind instrument techniques with electronic feedback, they carefully create strange yet organic soundscapes with shifting timbres, suddenly emerging textures, elusive melodic possibilities and subtle noises. @sophia.fngr , @junyfuia @blurrededgesfestival @hinterconti_hellsclub supported by: #bkm, vamh

live multichannel sound observations at Gängeviertel - listen to a recording of our work „süße punkte im garten“ at @gruppemotto 05.-22. June 2025 10-channel microphone setup, live performance The concept of mapping is generally perceived as an act of violence and power. The garden is part of every drawn map simply by existing, but it is not usually mapped visually—this opens up the possibility of viewing it from all angles. In this performance, the de-mapping of the garden becomes the focus of sonic observations. The microphones are placed as instruments at the inner and outer edges of the Galerie Gruppe Motto and transmit the sound material created at various locations in the Gängeviertel live into the space. The “sweet spots in the garden” where the microphones are placed are sites of performative interventions with various instruments. Exhibition view “Garden,” Galerie Gruppe Motto, 2025

We will play with the Sound of the space at the opening 8pm#####################################The concept of mapping is in general perceived as an act holding both violence and power. The garden, is part of every drawn map by just existing but usually not visually mapped out at all - this opening up for observing it from all angles. In this exhibition we have explored the unmapping of the garden. Where does the garden begin and end, how far under the soil does it reach and is the sky part of the limit? Through which gaze do we observe the concept of a garden and from where do we look? The garden becomes a holder, of any things - histories, vegetation, bodies. Can you end the Garden with a fence or does its arms keep reaching beyond it? In terms of memory of the garden, there is no end really. Opening 05.06.2035 17H 05-22.06.25 Thursday-Saturday: 16-20H Sunday: 14-20H @gruppemotto