kang jonggil

@jonggilkang

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γ€ˆμ΄ν–‰ νšŒν™” vol.1 : 가러리 이행 κ°œκ΄€μ „γ€‰μ— μ°Έμ—¬ν•©λ‹ˆλ‹€! - 이행 νšŒν™” vol.1 : 가러리 이행 κ°œκ΄€μ „ - β€’ 2026λ…„ 5μ›” 16일(ν† ) ~ 6μ›” 6일(ν† ), 12:00~18:00 *λ§€μ£Ό 일·월·화 및 곡휴일 νœ΄κ΄€ β€’ μ˜€ν”„λ‹: 2026λ…„ 5μ›” 16일(ν† ) μ˜€ν›„ 5μ‹œ β€’ 가러리 이행 (μ„œμšΈμ‹œ 강남ꡬ μ••κ΅¬μ •λ‘œ 168, μ§€ν•˜ 1μΈ΅) μ°Έμ—¬ μž‘κ°€: κ°•μ’…κΈΈ @jonggilkang , κΉ€λ―Όμ‘° @minzo30 , λ¬Έμœ μ†Œ @moonyooso , 문주혜 @moonjoohye , λ°•μ‹œμ› @cools_parks , μ΄μ½”μ¦ˆ @ekozist 주졜/μ£Όκ΄€: μ‚¬μš΄λ“œ μ•„νŠΈ 코리아 @soundartkorea_iheng λ””λ ‰ν„°: μ–‘μ§€μœ€ @jiyoon_yang_ μ „μ‹œνŒ€: κΉ€λ―Όμ˜ @archive36p5 λ””μžμΈ: κΉ€ν˜„μ§€ @qimhyunji
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6 days ago
<Mycelium rythmanalyse>, 2022, Acrylic, ink, wooden sticks, sand medium, mini-figures on wood, recycled plastic marble frame, 165 x 165cm
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10 days ago
<Mycelium rythmanalyse>, 2022, Acrylic, ink, wooden sticks, sand medium, mini-figures on wood, recycled plastic marble frame, 165 x 165cm
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12 days ago
<Mycelium rythmanalyse>, 2022, Acrylic, ink, wooden sticks, sand medium, mini-figures on wood, recycled plastic marble frame, 165 x 165cm
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14 days ago
λŒ€μ•ˆκ³΅κ°„ 루프 <λ΄„νšŒν™”> ☺️ @alternativespaceloop ▫️ <κ΅¬μŒν’κ²½ [μ‚λ“œλ“]> , 2025, Oil on canvas, 90.9 x 60.6cm <κ΅¬μŒν’κ²½ [λ‘₯λ‘₯두루]> , 2026, Oil on canvas, 90.9 x 60.6cm <ꡬ멍뚫린, κ΅¬λΆ€λŸ¬μ§„, ꡬ겨진 풍경> , 2024, Oil on canvas, 162.2 x 112.1cm ▫️ <κ΅¬μŒν’κ²½ [μ–΄κΈ°μ•Ό μ–΄μ•Ό]> , 2025, Oil on canvas, 22.7 x 15.8cm <λ‚ μ•„κ°„ 곡> , 2024, Oil on canvas, 90.9 x 65.1cm
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15 days ago
. 였랜 μ‹œκ°„μ΄ μ§€λ‚˜κ³  λ°˜κ°€μš΄ 인사λ₯Ό! ν˜Ήμ€, 데면데면; μ§€λ‚œ μ–΄λŠ 날이 문득 λ– μ˜€λ₯Έ λœ¨κ±°μ› λ˜ μ˜€μ „ 11μ‹œ. . 여기에, . ν•˜λ‚˜μ—μ„œ μžλΌλ‚œ ν•˜λ‚˜ ν˜Ήμ€ λ‘˜: . λ„ˆμ™€ λ‚˜λ„ + 0 . 1=1+1, 2021, Oil on canvas, 22.7 x 15.8cm
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28 days ago
μ „μ‹œ μ†Œμ‹μ„ μ „ν•©λ‹ˆλ‹€! : ) μ˜€ν”„λ‹κ³Ό μž‘κ°€μ™€μ˜ λŒ€ν™” λ•Œ λ΅ˆμ–΄μš”! 2026λ…„ 4μ›” 4일(ν† ) μ˜€ν›„ 5μ‹œ, γ€Šλ΄„νšŒν™”γ€‹μ˜ μ˜€ν”„λ‹μ— μ΄ˆλŒ€ν•©λ‹ˆλ‹€. Join us at 5pm, Saturday April 4th for the opening for π˜—π˜’π˜ͺ𝘯𝘡π˜ͺ𝘯𝘨 π˜ͺ𝘯 𝘚𝘱𝘳π˜ͺ𝘯𝘨! β€œλ””μ§€ν„Έ 이미지가 λ¬΄ν•œνžˆ 볡제되고 μœ ν†΅λ˜λŠ” μ‹œλŒ€μ—λ„, ν™”κ°€μ˜ λͺΈμ΄ λ‚¨κΈ°λŠ” λΆ“μ§ˆμ˜ 리듬과 물질, μ‹œκ°„μ€ μ—¬μ „νžˆ μ‚¬μœ μ˜ μž₯μ†Œλ₯Ό ν˜•μ„±ν•œλ‹€. μ΄λ•Œ νšŒν™”λŠ” 고립된 자율적 객체라기보닀, μ—¬λŸ¬ μ‹œκ°„κ³Ό 관계λ₯Ό κ°€λ‘œμ§€λ₯΄λ©° 의미λ₯Ό μƒμ„±ν•˜λŠ” 타동적 쑴재둜 λ“œλŸ¬λ‚œλ‹€. ν™”κ°€μ˜ 손을 거쳐 λ§Œλ“€μ–΄μ§€λŠ” μ œμž‘μ˜ μ‹œκ°„κ³Ό μ „μ‹œμ™€ μœ ν†΅μ„ 톡해 μ‚¬νšŒμ  λ„€νŠΈμ›Œν¬μ— νŽΈμž…λ˜λŠ” μ‹œκ°„μ΄ 쀑첩될 λ•Œ, νšŒν™”λŠ” μžμ‹ μ„ λ‘˜λŸ¬μ‹Ό ν™˜κ²½κ³Όμ˜ 좩돌과 ν˜‘μƒ μ†μ—μ„œ μƒˆλ‘œμš΄ 물질적 μˆœν™˜κ³Ό 감각의 μ§ˆμ„œλ₯Ό μ‘°μ§ν•œλ‹€. 이에 μ™„κ²°λœ 산물이 μ•„λ‹Œ 관계λ₯Ό λ§€κ°œν•˜κ³  λ³€ν˜•ν•˜λŠ” ν†΅λ‘œκ°€ λœλ‹€. 이 μ „μ‹œλŠ” λ°”λ‘œ μ΄λŸ¬ν•œ 타동적 νšŒν™”μ˜ κ°€λŠ₯성에 μ£Όλͺ©ν•œλ‹€. β€œ β€” μ–‘μ§€μœ€ @jiyoon_yang_ γ€Šκ²¨μšΈνšŒν™”γ€‹, γ€Šκ·Έλ¦Όμ²˜λŸΌγ€‹μ— 이어 μ„Έ 번째둜 μ΄μ–΄μ§€λŠ” λ£¨ν”„μ˜ νšŒν™” μ „μ‹œ μ‹œλ¦¬μ¦ˆ γ€Šλ΄„ νšŒν™”γ€‹λŠ” ν™œλ°œνžˆ ν™œλ™ν•΄ 온 쀑견 νšŒν™” μž‘κ°€ 5인의 ν˜‘λ ₯을 기반으둜 κ΅¬μ„±λœ μ‹ μ§„ νšŒν™” μž‘κ°€ 6인의 μ „μ‹œμž…λ‹ˆλ‹€. μ°Έμ—¬ μž‘κ°€μΈ κ°•μ’…κΈΈ, κΉ€λ―Όμ‘°, λ¬Έμœ μ†Œ, 문주혜, λ°•μ‹œμ›, μ΄μ½”μ¦ˆλŠ” λΆ“μ§ˆμ„ 겹치고, 물감이 마λ₯Έ λ’€ λ‹€μ‹œ λ§μΉ ν•˜λŠ” κ³Όμ • μ†μ—μ„œ μΆ•μ λ˜λŠ” 느린 μ‹œκ°„μ„±κ³Ό μ‹ μ²΄μ˜ 흔적을 각기 λ‹€λ₯Έ λ°©μ‹μœΌλ‘œ νƒκ΅¬ν•©λ‹ˆλ‹€. μΊ”λ²„μŠ€λΌλŠ” 물질적 ν˜„μž₯μ—μ„œ λ™μ‹œλŒ€μ  감각과 닀측적인 μ‚¬νšŒμ  쑰건이 μƒν˜Έμž‘μš©ν•˜λŠ”, 비평적 λ§€μ²΄λ‘œμ„œ νšŒν™”μ˜ κ°€λŠ₯성을 λ‹€μ‹œ 묻고자 ν•©λ‹ˆλ‹€. λ΄„ νšŒν™” Painting in Spring μ°Έμ—¬ μž‘κ°€: κ°•μ’…κΈΈ @jonggilkang , κΉ€λ―Όμ‘° @minzo30 , λ¬Έμœ μ†Œ @moonyooso , 문주혜 @moonjoohye , λ°•μ‹œμ› @cools_parks , μ΄μ½”μ¦ˆ @ekozist μ˜€ν”„λ‹: 2026λ…„ 4μ›” 4일(ν† ) μ˜€ν›„ 5μ‹œ μ „μ‹œ κΈ°κ°„: 2026λ…„ 4μ›” 4일(ν™”) - 2026λ…„ 5μ›” 2일(ν† ) μ „μ‹œ μž₯μ†Œ: λŒ€μ•ˆκ³΅κ°„ 루프 (μ„œμšΈ 쀑ꡬ μ²­κ³„μ²œλ‘œ 172-1 3μΈ΅) μ „μ‹œ 기획: μ„œλ™μš± @dongwooksuhart , μ–‘μ§€μœ€ @jiyoon_yang_ , 이선미 @gak.sun.mi μ „μ‹œ ν˜‘λ ₯: λ…ΈμΆ©ν˜„, μ΄κ°•μš± @leekangwook_art , 이제 @leeje_paintingstudio , μ •μ£Όμ˜ μ–΄μ‹œμŠ€ν„΄νŠΈ νλ ˆμ΄ν„°: κΉ€μ€μ„œ @archivefornone 후원: ν•œκ΅­λ¬Έν™”μ˜ˆμˆ μœ„μ›νšŒ μ‹œκ°μ˜ˆμˆ μ°½μž‘μ£Όμ²΄ @arkokorea
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1 month ago
<μ œλΉ„μ˜ λ…Έμ • 뿐만 μ•„λ‹ˆλΌ> ν™©μž¬λ―Ό (λ―Έμˆ ν‰λ‘ κ°€) [...] λŒ€μƒμ—μ„œ μΆœλ°œν•˜μ§€λ§Œ 좔상에 κ°€κΉŒμ›Œμ§€λŠ”, κ·Έλ ‡μ§€λ§Œ κ·Έλ ‡κ²Œ μΆ”μƒν™”λœ 뒀에도 λ‹€μ‹œ ν•œλ²ˆ κ΅¬μƒμœΌλ‘œ λ˜λŒμ•„κ°€λŠ”, κ·Έλ ‡κ²Œ ꡬ상에도 좔상에도 μ™„μ „νžˆ λ¨Έλ¬Όμ§€ μ•ŠλŠ” μΌμ‹œμ μΈ μ§„μž μš΄λ™. κ°•μ’…κΈΈμ—κ²Œ μžˆμ–΄ 풍경을 β€˜μ œλŒ€λ‘œβ€™ κ·Έλ¦°λ‹€λŠ” 건 μ΄λŸ¬ν•œ μš΄λ™μ˜ μ—­λŸ‰μ„ λ‚˜νƒ€λ‚΄λŠ” 것이기도 ν–ˆλ‹€. γ€Šπ‘―π’‚π’—π’† π’šπ’π’– 𝒆𝒗𝒆𝒓 𝒔𝒆𝒆𝒏 𝒂 π’”π’˜π’‚π’π’π’π’˜π’•π’‚π’Šπ’?》 μ„œλ¬Έ 쀑, 라흰가러리 Vocal landscape [Dde G R R R R], 2025, Oil on canvas, 162.2x112.1cm
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3 months ago
Vocal landscape [Triangular mountain], 2025, Oil on canvas, 15.8 x 22.7cm
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4 months ago
νž˜λ“€μ—ˆλ˜ μˆœκ°„λ„ 기쁘고 μ¦κ±°μ› λ˜ 기얡도 λͺ¨λ‘ μ•ˆκ³  λ§ˆλ¬΄λ¦¬ν•˜λŠ” 2025λ…„. μƒˆν•΄ 볡 많이 λ°›μœΌμ„Έμš”.😊 Vocal landscape [Ppae-due-due-due-due-duek], 2024, Oil on canvas, 162.2x112.1cm
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4 months ago
𝑯𝒂𝒗𝒆 π’šπ’π’– 𝒆𝒗𝒆𝒓 𝒔𝒆𝒆𝒏 𝒂 π’”π’˜π’‚π’π’π’π’˜π’•π’‚π’Šπ’? κ°•μ’…κΈΈ Kang Jonggil 라흰가러리 (@laheen_gallery ) 2025.11.13. - 2025.12.13. ​ Vocal landscape [Triangular mountain], 2025, Oil on canvas, 22.7 x 15.8cm - ​ κ°•μ’…κΈΈ μž‘κ°€μ˜ κ°œμΈμ „ γ€Šπ‘―π’‚π’—π’† π’šπ’π’– 𝒆𝒗𝒆𝒓 𝒔𝒆𝒆𝒏 𝒂 π’”π’˜π’‚π’π’π’π’˜π’•π’‚π’Šπ’?》이 μ˜€λŠ” 11μ›” 13일 (λͺ©)λΆ€ν„° λΌν°μ—μ„œ κ°œμ΅œλ©λ‹ˆλ‹€. - ​ β€˜μ œλΉ„λ…Έμ •κΈ°β€™λ₯Ό λͺ¨ν‹°λΈŒλ‘œ 삼은 이번 μ „μ‹œμ—μ„œ κ°•μ’…κΈΈ μž‘κ°€λŠ” μ œλΉ„μ˜ μ‹œμ„ κ³Ό λΉ„ν–‰μ˜ ꢀ적을 따라, μ†Œλ¦¬μ™€ μ›€μ§μž„μ΄ κ΅μ°¨ν•˜λŠ” μˆœκ°„μ„ ν¬μ°©ν•©λ‹ˆλ‹€. 특히 κ·ΈλŠ” μ œλΉ„κΌ¬λ¦¬μ˜ ν˜•νƒœμ™€ (κ΅­μ•…μ—μ„œ μŒμ„ κΎΈλ―ΈλŠ” 기법인) β€˜μ‹œκΉ€μƒˆβ€™ μ‚¬μ΄μ˜ ꡬ쑰적 μœ μ‚¬μ„±μ„ νšŒν™”μ μœΌλ‘œ μΉ˜ν™˜ν•¨μœΌλ‘œμ¨, 풍경을 β€™κ°κ°μ˜ μΈ΅μœ„κ°€ ν™•μž₯λ˜λŠ” κ²½ν—˜μ˜ μž₯β€˜μœΌλ‘œ μ„ λ³΄μ΄κ³ μž ν•©λ‹ˆλ‹€. κ°•μ’…κΈΈμ˜ νšŒν™”λŠ” 이처럼 좔상과 ꡬ상, μ„œμ‚¬μ™€ 이미지, μ‹œκ°μ„±κ³Ό μ²­κ°μ„±μ˜ 경계에 λ¨Έλ¬Όλ©°, λ―Έλ¬˜ν•œ 진동과 리듬을 μ‹œκ°ν™”ν•˜κ³  μžˆμŠ΅λ‹ˆλ‹€. ​ ​ In this exhibition, inspired by π‘‡β„Žπ‘’ π‘†π‘€π‘Žπ‘™π‘™π‘œπ‘€β€™π‘  π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦ (Excerpt from Pansori π»π‘’π‘’π‘›π‘”π‘π‘œ-π‘”π‘Ž), Kang Jonggil follows the gaze and flight path of the swallow, capturing moments where sound and movement intersect. In particular, he transforms the structural similarity between the shape of a swallow’s tail and sigimsaeβ€”a Korean traditional ornamentation technique in musicβ€”into painterly rhythm, presenting landscape as a ”field of experience where layers of perception expand.β€œ Kang’s paintings thus dwell on the threshold between abstraction and figuration, narrative and image, the visual and the auditory, visualizing subtle vibrations and rhythms. ​ - ​ βœ”οΈŽ κ΄€λžŒ μ‹œκ°„ : (ν™”-ν† ) μ˜€μ „ 11μ‹œ - μ˜€ν›„ 6μ‹œ βœ”οΈŽ μ„œλ¬Έ : ν™©μž¬λ―Ό βœ”οΈŽ κ·Έλž˜ν”½λ””μžμΈ : RW βœ”οΈŽ 사진 : 양이언 βœ”οΈŽ 유료 μ£Όμ°¨ : 삼각지 μž„μ‹œ 곡영 μ£Όμ°¨μž₯, μ›°μ»΄κΈˆμœ΅νƒ€μ›Œ μ£Όμ°¨μž₯ ​ ​ #κ°•μ’…κΈΈ #κ°•μ’…κΈΈμž‘κ°€ #jonggilkang #kangjonggil #라흰 #라흰가러리 #laheengallery #laheen
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5 months ago
𝑯𝒂𝒗𝒆 π’šπ’π’– 𝒆𝒗𝒆𝒓 𝒔𝒆𝒆𝒏 𝒂 π’”π’˜π’‚π’π’π’π’˜π’•π’‚π’Šπ’? κ°•μ’…κΈΈ Kang Jonggil 라흰가러리 (@laheen_gallery ) 2025.11.13. - 2025.12.13. ​ Vocal landscape [Dde G R R R R], 2025, Oil on canvas, 145.5 x 112.1cm - ​ κ°•μ’…κΈΈ μž‘κ°€μ˜ κ°œμΈμ „ γ€Šπ‘―π’‚π’—π’† π’šπ’π’– 𝒆𝒗𝒆𝒓 𝒔𝒆𝒆𝒏 𝒂 π’”π’˜π’‚π’π’π’π’˜π’•π’‚π’Šπ’?》이 μ˜€λŠ” 11μ›” 13일 (λͺ©)λΆ€ν„° λΌν°μ—μ„œ κ°œμ΅œλ©λ‹ˆλ‹€. - ​ β€˜μ œλΉ„λ…Έμ •κΈ°β€™λ₯Ό λͺ¨ν‹°λΈŒλ‘œ 삼은 이번 μ „μ‹œμ—μ„œ κ°•μ’…κΈΈ μž‘κ°€λŠ” μ œλΉ„μ˜ μ‹œμ„ κ³Ό λΉ„ν–‰μ˜ ꢀ적을 따라, μ†Œλ¦¬μ™€ μ›€μ§μž„μ΄ κ΅μ°¨ν•˜λŠ” μˆœκ°„μ„ ν¬μ°©ν•©λ‹ˆλ‹€. 특히 κ·ΈλŠ” μ œλΉ„κΌ¬λ¦¬μ˜ ν˜•νƒœμ™€ (κ΅­μ•…μ—μ„œ μŒμ„ κΎΈλ―ΈλŠ” 기법인) β€˜μ‹œκΉ€μƒˆβ€™ μ‚¬μ΄μ˜ ꡬ쑰적 μœ μ‚¬μ„±μ„ νšŒν™”μ μœΌλ‘œ μΉ˜ν™˜ν•¨μœΌλ‘œμ¨, 풍경을 β€™κ°κ°μ˜ μΈ΅μœ„κ°€ ν™•μž₯λ˜λŠ” κ²½ν—˜μ˜ μž₯β€˜μœΌλ‘œ μ„ λ³΄μ΄κ³ μž ν•©λ‹ˆλ‹€. κ°•μ’…κΈΈμ˜ νšŒν™”λŠ” 이처럼 좔상과 ꡬ상, μ„œμ‚¬μ™€ 이미지, μ‹œκ°μ„±κ³Ό μ²­κ°μ„±μ˜ 경계에 λ¨Έλ¬Όλ©°, λ―Έλ¬˜ν•œ 진동과 리듬을 μ‹œκ°ν™”ν•˜κ³  μžˆμŠ΅λ‹ˆλ‹€. ​ ​ In this exhibition, inspired by π‘‡β„Žπ‘’ π‘†π‘€π‘Žπ‘™π‘™π‘œπ‘€β€™π‘  π½π‘œπ‘’π‘Ÿπ‘›π‘’π‘¦ (Excerpt from Pansori π»π‘’π‘’π‘›π‘”π‘π‘œ-π‘”π‘Ž), Kang Jonggil follows the gaze and flight path of the swallow, capturing moments where sound and movement intersect. In particular, he transforms the structural similarity between the shape of a swallow’s tail and sigimsaeβ€”a Korean traditional ornamentation technique in musicβ€”into painterly rhythm, presenting landscape as a ”field of experience where layers of perception expand.β€œ Kang’s paintings thus dwell on the threshold between abstraction and figuration, narrative and image, the visual and the auditory, visualizing subtle vibrations and rhythms. ​ - ​ βœ”οΈŽ κ΄€λžŒ μ‹œκ°„ : (ν™”-ν† ) μ˜€μ „ 11μ‹œ - μ˜€ν›„ 6μ‹œ βœ”οΈŽ μ„œλ¬Έ : ν™©μž¬λ―Ό βœ”οΈŽ κ·Έλž˜ν”½λ””μžμΈ : RW βœ”οΈŽ 사진 : 양이언 βœ”οΈŽ 유료 μ£Όμ°¨ : 삼각지 μž„μ‹œ 곡영 μ£Όμ°¨μž₯, μ›°μ»΄κΈˆμœ΅νƒ€μ›Œ μ£Όμ°¨μž₯ ​ ​ #κ°•μ’…κΈΈ #κ°•μ’…κΈΈμž‘κ°€ #jonggilkang #kangjonggil #라흰 #라흰가러리 #laheengallery #laheen
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5 months ago