Jonas Lund

Our solo presentation of @jonaslund at Zero 10, as part of @artbasel in Hong Kong, brings together key works from Network Maintenance, alongside the generative software work Optimized Trajectory and the video The Future of Growth. Across sculptural devices, software, and moving image, the presentation treats maintenance not as background labour but as a condition—continuous upkeep, calibration, and adjustment as the quiet work that keeps complex systems running. In parallel, it stays with the pressure to optimise and scale: growth as a structural demand that reshapes behaviour, responsibility, and perception. Rather than offering a single narrative, the booth unfolds as a sequence of encounters—showing stability as something actively produced, and “progress” as an unstable process that generates new dependencies, frictions, and forms of care. 📍Art Basel Hong Kong - Zero10 Jonas Lund Presented by OFFICE IMPART 28–30 March 2026 Hong Kong Convention and Exhibition Centre Preview Days: 26–27 March 2026 #ArtBaselHongKong #Zero10 #JonasLund #OfficeImpart #DigitalArt

⭐️ Here some documentation from my latest show, Studio Visit. How to Make Art in the Age of Algorithms at Francisco Carolinum @fc_linz curated by @anika So happy with how this show came together, finally got to spend some time with my works! :) 🗓 24 August – 25 September 2022 📍 Francisco Carolinum Linz (@fc_linz ), UNESCO City of Media Arts Thank you @anika @alfred_weidinger @office_impart @paulbilledotcom @albagallery.io @aorist.art LundiMardi among others #jonaslund #studiovisit #redtelephone #hotline #jonaslundtoken

Very happy to announce that Smart Burn Contract #11 – Hoarder has been acquired by Centre Pompidou. @centrepompidou — It's especially nice, as a right-wing talking point is often that Centre Pompidou should be self-funded by selling their collection, and now they are no longer able to do so, the perfect answer to this suggestion – "We are contractually obliged to not sell any of our works" Smart Burn Contracts is a series of contractual agreements that the owner enters upon purchase of the NFT piece. If the terms written on the piece are not fulfilled, the Artist will burn the NFT and thus destroy it and remove it from the owners wallet.

What kinds of decisions are handed over to the system? @jonaslund speaks about delegation, control, and the distribution of decision-making within Performance Review. Performance Review on view through 29 May 2026 #JonasLund #PerformanceReview #OfficeImpart #DigitalArt

What does AGENT actually do? A short explanation by @jonaslund on the role of AGENT within Performance Review — not as a metaphor around the exhibition, but as part of its operative structure. #JonasLund #PerformanceReview #OfficeImpart #DigitalArt

Q: What is the current show Performance review basically about? On view right now @office_impart

In Performance Review @jonaslund turns the exhibition into a live infrastructure. During opening hours, AGENT generates and directs tasks, while human workers on site carry out the practical, material, and administrative actions required to keep the system running. Through this process, artworks do not simply appear as finished objects, but emerge from a structure of instruction, execution, review, and decision-making. Selected parts of this activity can also be followed via the project’s public interface: performance-review.jonaslund.com Jonas Lund Performance Review through 29 May 2026 Opening Hours during Gallery Weekend: Friday & Saturday, 01. & 02. May 2026, 12-6 pm Sunday, 03. May 2026, 12-4 pm #JonasLund #PerformanceReview #OfficeImpart #DigitalArt

PR-TRAINING-IMAGE-020 A figure in training. Or a figure performing readiness. This painting sits inside the exhibition’s larger system of delegated authorship, evaluation, and display. The body reads as confident at first, but the image is really about learned presentation: how authority is staged, rehearsed, and repeated until it starts to detach from the person performing it. #JonasLund #PerformanceReview #Painting #ContemporaryArt

I let an AI agent take over my exhibition. It decides what gets made, what gets rejected, how people work, and how the show talks about itself. These are the first 3 days of Performance Review. Come see it at @office_impart in Berlin and check out the live-stream Wed–Friday 12:00–18:00 CEST – link in bio

Day 1 of production. The system is running. Workers are in the studio. Paint is moving. Instructions are becoming objects. At Performance Review, production is not hidden behind the exhibition. It is the exhibition. Link in bio to Livestream @office_impart April 16 – May 29

Now on view: Performance Review, a solo exhibition by @jonaslund With Performance Review, the gallery becomes part of an AI-governed production system. Directed by the autonomous agent AGENT, the exhibition unfolds as a continuous loop of production, labour, evaluation, and selective public visibility. During opening hours, parts of the system’s activity can also be followed live via the project website. / On view through 29 May 2026 Wed - Fri 3-6m OFFICE IMPART, Berlin #JonasLund #PerformanceReview #OfficeImpart #DigitalArt

This Thursday we open Performance Review, Jonas Lund’s upcoming solo exhibition at OFFICE IMPART. In Performance Review, the gallery becomes part of an AI-governed production system. At its center is an autonomous agent that directs the creation, evaluation, and circulation of artworks in real time — deciding what is produced, what is approved, and how it is presented. But the system does not stop at artistic output: labor, procurement, communication, and resource management also become part of the work’s logic. Extending questions Lund explored in Studio Practice (2016), the exhibition turns the gallery into a live feedback loop in which artworks, labor, and infrastructure are subjected to the same conditions of measurement, adjustment, and control. Opening Thursday, April 16, 2026 6–9 pm Performance Review @jonaslund April 16 – May 29, 2026 #JonasLund #PerformanceReview #OfficeImpart #ai #digitalart