770 delegates. 56 cities. Main stage at ADFEST 2026.
We talked about something I've been thinking about for a long time:
Pre-production is where the real creative battle happens. Not on set. Not in post. Before any of that.
AI doesn't just help you visualize an idea faster. It changes the approval process entirely. When a client can *see* the concept before a single camera rolls — the conversation shifts from "trust me" to "yes, let's go."
That's not a small thing. That's the whole game.
@gengis_ai@gangdol_mom@iantaejeon
#ADFEST2026 #GengisAI #VirtualProduction #AIFilmmaking #CreativeTech
We officially launched GENGIS AI this week.
Built to do one thing properly.
Integrate AI into real film and production workflows, under real constraints.
Not demos. Not experiments.
Real shoots, real crews, real delivery.
Grateful to be building this with an incredible team and partners in Singapore.
The work starts now.
Thrilled to announce that Spirit Slayer will have its World Premiere at Screamfest LA 2025!
Endless thanks to my incredible cast, crew and Yishun for bringing my love letter to old Hong Kong cinema to life, and to Screamfest for giving it a home on the big screen.
📍 Los Angeles, here we come… #ScreamfestLA #WorldPremiere #HorrorFilm #IndieFilm #FilmFestival
We are so pleased to launch the trailer for our short film Spirit Slayer written & directed by @joellimstudios and featuring talented @honghuifang@sunnypang72@andrewluadj@gracetjx An ode to the old school Shaw Brothers Spiritual Horror! LINK TO WEBSITE IN BIO #icvfx #sgfilms #virtualproduction
Here’s a sneak peek into a new project coming soon, the first of many. Who wants to see post apocalyptic Singapore 😉
#virtualproduction #postapocalyptic
When the brief is do whatever you want, I bring out my full campy side...
Directors cut of Super Model Me Opening Titles
Director: me
DP: Alan Yap
Stylist: @martyzwong
Art: Kenneth Kee
Production: @refinerymedia
Post Production: @editlounge
A decade and a half after my first fashion editorial, I didn’t imagine I would be standing on the edge of an aircraft ramp at 10000ft directing an F-15 SG on a formation flight and to perform BFM manouvers meters from me. This was also the shoot where I met the amazing Roz, @midgvale and was invited to work with @thepfilm as a director. The BTS you see was them working their shots on that ramp. All in all a very emotional moment where I found my passion to grind on, as payoffs like this were so worth it. I want to thank @kencankencan , @calibrepics , @weareblkjhavas and @thersaf for making this happen and trusting me with the campaign and a multi million dollar jet. More RSAF content to come.
