I made this painting a few years back. It felt like an ode to Ramellzee. A cosmic explosion wrapped in handstyle composition.
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My studio is my sacred place. Where ideas come together, fall apart, or lie in wait. It is my escape, and also where community can converge and celebrate. #gratitude
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A restless tangle of black lines collides and loops across the page, layered over bursts of red that feel like heat, movement, and pressure all at once. Gray dots hold small moments of pause in the chaos.
Gesture vs control. Noise vs structure.
Letting the energy speak.
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Continuing with the themes of collapse and fractured scaffolding. An abstractionist’s narrative to modern strife.
Triptych
Paint on panel
16” x 20”
During Frieze LA @jeffreydeitchgallery@theholenyc and Barry McGee will have a monumental show in the abandoned 99Cent store on Wilshire and Fairfax, a block from LACMA - I have a handful of paintings, amongst a group of amazing artists - opening Feb 22 6-9pm, come through.
opening Sunday, Feb 22 from 6-9pm
6121 Wilshire in the 99cent store
The aisles will be filled with artist flea market and the walls covered in artworks; think of it as an artist healing center and community hangout zone for the week. Zine fair, bands, we’ll post all that soon, see you soon L.A.
This special building at 6121 Wilshire Blvd has been a fixture in the local community for almost forty years and has been a free store supporting the neighborhood since the fires, recently shuttered and awaiting future activation. One block from LACMA, come discover an artist-driven installation that celebrates the outsider and the overlooked, focusing on the human side of the creative process over the commercial
Three paintings having a disagreement.
What started as a system—grids, signals, something pretending to be orderly—didn’t survive the encounter. It fractured, repeated itself, contradicted itself. Color leaks where structure used to behave. Black lines hang on like bad habits.
This triptych isn’t about the moment of contact, but the awkward aftermath. The part where nothing lines up, meaning splinters, and the image refuses to settle into a single read.
One event. Three interpretations.
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