Blue (May, 2020)
Music video, digital file with analog VHS processing, 1:42 by
@visualesdekari
Title Track by
@jillesque and
@flat__stan
Kari Cortez’s work treats video editing as a human excavation, revealing life within images, sound, and signal. VHS glitches, tracking errors, chromatic bleed, and temporal slips become the structure itself. Tape noise and dropouts carry the history of signal circulation and duplication, while handheld cameras, TV monitors, and VHS tools leave their marks as part of the edit. Cuts breathe with rhythm, FX stitch together audio and visual seams, and frames respond to sound, thinning, stretching, and folding. Time layers upon itself through playback artifacts, while live, present manipulation moves across the same surface. Preservation emerges through signal exposure, allowing the textures of the patterns to remain visible, resonant, and alive.
(Stumbled across this in the archives and figure posting this is better late than never!! Real people are what makes machines cool!)