@courtneyakemp breaks down how Netflix has completely changed the way TV is written đź‘€
From completion rates to binge culture, Nemesis was designed differently because Netflix measures EVERYTHING:
“Do people watch the whole thing? Do they make it past the first two minutes?”
A fascinating look into modern television storytelling from the creator of Power and Netflix’s Nemesis.
Nemesis is OUT NOW on Netflix!
#CourtneyAKemp #Nemesis #Netflix #PowerUniverse #TVWriting #Showrunner #Screenwriting #StreamingWars #FilmPodcast #BusinessOfFilm #Hollywood #Television #NetflixSeries #WriterLife
How do you build a compelling TV character?
@courtneyakemp says it starts with a universal question.
For Power, it was: “Does my past dictate my future?” From there, every character conflict grows organically from that core theme. This is the kind of storytelling philosophy that turns characters into icons.
From Power to Nemesis (OUT on Netflix TODAY), Courtney breaks down how great television starts from the inside out.
#CourtneyAKemp #Nemesis #Power #Netflix #TVWriting #Screenwriting #Showrunner #CharacterDevelopment #Storytelling #FilmTok #WriterTok #Screenwriter #Television #BusinessOfFilm #CrimeDrama
“There’s nothing more terrifying than writing a script you’re not ready to write.”
Eva Anderson breaks down the importance of mapping character arcs and fully understanding a season before jumping into pages — a process she learned from You’re the Worst creator Stephen Falk.
One of the best lessons for aspiring television writers: preparation IS writing.
#TVWriting #Screenwriting #WritersRoom #Storytelling #MargosGotMoneyTroubles #AppleTV #Showrunner #WriterTok #FilmTok #Television #StephenFalk #A24 #TVWriter #Screenwriter #BusinessOfFilm
One of the smartest adaptation decisions?
Not trying to recreate the book word-for-word.
Eva Anderson explains how novelist Rufi Thorpe encouraged the Margot’s Got Money Troubles team to evolve the material for television, while still grounding the series in years of research into wrestling culture, digital sex work, and online identity.
A fascinating look at what great adaptations actually do.
#MargosGotMoneyTroubles #AppleTV #Screenwriting #Adaptation #TVWriting
“We had to write the entire season before we knew who was playing Jinx.”
Eva Anderson shares a fascinating behind-the-scenes look at how casting actively changes the writing process, and how the writers started hearing Nick Offerman’s voice in the character before casting was even finalized.
One of the coolest realities of television writing: characters evolve as actors step into the role.
#MargosGotMoneyTroubles #NickOfferman #AppleTV #TVWriting #Screenwriting #Showrunner #A24 #WritersRoom #Storytelling #Television #DavidEKelley #ElleFanning #MichellePfeiffer #BusinessOfFilm
Not every TV show approaches controversial subjects with nuance.
Eva Anderson explains why Margo’s Got Money Troubles refuses to judge its characters, while still showing real consequences and emotional stakes.
One of the most interesting conversations right now about modern TV writing, character empathy, and storytelling.
#MargosGotMoneyTroubles #AppleTV #TVWriting #Screenwriting #OnlyFans #DavidEKelley #A24 #TVWriter #Showrunner #FilmTok #WriterTok #Television #Screenwriter #Storytelling #FilmIndustry #WritersRoom #IndieFilm #BusinessOfFilm #ElleFanning #MichellePfeiffer
“You have to write the sample YOU would want to watch.”
Eva Anderson shares one of the best pieces of advice for aspiring TV writers: stop trying to imitate the market and write something only YOU could write.
The industry remembers voice.
#Screenwriting #TVWriting #WriterTok #FilmTok #WritersRoom #Showrunner #AppleTV #MargotsGotMoneyTroubles #Storytelling #TVWriter #Screenwriter #FilmIndustry #WritingAdvice #A24 #BusinessOfFilm
Your friends saying your script is “so good” doesn’t matter.
In this episode of The Business of Film Podcast, Glenn Cockburn (Founder of Meridian Artists) breaks down a hard truth for writers: if your sample isn’t getting you meetings, it’s not ready. The market decides, not your friends.
Tough feedback, but the kind that actually moves your career forward.
#screenwriting #screenwriter #writingtips #filmmaking #filmindustry #screenplay #writerslife #storytelling #howtowrite #scriptwriting #filmcareer #creatives #indiefilm #writingcommunity #film
The #1 thing Hollywood is actually looking for?
Your voice.
In this episode of The Business of Film Podcast, Glenn Cockburn (Founder of Meridian Artists) explains why voice isn’t just perspective or POV. It’s how you write. It’s why great writers are instantly recognizable.
If you pulled a random page from their scripts, you’d know exactly who wrote it.
That’s the level.
#screenwriting #screenwriter #writingtips #screenplay #filmmaking #filmindustry #storytelling #writerslife #filmcareer #creatives #writingcommunity #indiefilm
They tested some of the most expensive lenses in the world… and still chose the cheaper ones.
Because at the end of the day, it’s about what actually looks better on screen.
Director Andy Palmer breaks down how creative decisions beat budget every time.
🎬 Last Shot was the opening night film at the Dallas International Film Festival and is coming to more festivals near you 👀
@hemlockcircle@directorandypalmer
#filmmaking #cinematography #indiefilm #filmmaker #filmgear #directing #filmproduction #directorlife #camera #lens #businessoffilm #diffdallas
Michael Rapaport going OFF… and Todd Friedman, writer and producer of Last Shot, is the one holding him back!
And yeah… living that moment on set? Unreal.
Last Shot premieres TONIGHT as the opening night film at the Dallas Film Festival
đź—“ April 23, 2026
đź“Ť Texas Theater, 7:00 PM
@hemlockcircle@directorandypalmer@wearediffdallas
#LastShot #DallasFilmFestival #MichaelRapaport #Filmmaking #BehindTheScenes #IndieFilm #FilmIndustry #ActorLife #DirectorLife #ProducerLife #OnSet #BasketballFilm #DIFFDallas #DIFF2026
