𝙹𝙰𝚉𝚉 𝙿𝙾𝚃𝚃𝙴𝚁

Projection collages, series 7, 2025, Mixed Media, 152cm x. 109cm. The process of scanning flattens the objects you place down. I wanted to use the paint as a moveable object in itself. The existence of shadow and colour allow this moment of balance between the marks. @mafabathspa

I am now custodian of the pant story here in Bristol. Thank you to @sannillustrates for bringing such an amazing group of people together for women by women part 3. Was so lush to try something different this time round. If you didn’t make it to the exhibition never fear! You can admire my knickers from here ! Check my main grid 🩲 @womenbywomen_bristol #internationalwomensday❤️ #womenbywomen

Projection collages, Series 7, 2025, Mixed Media, 152cm x 109cm. Close up of the big green abstract piece I submitted for Trimester 1

Unknown blob, 2026, Silicone, acetate, projection. Abstract silicone puppet projected onto dissected and poured silicone. The blue silicone puppet encompassing the space here. Felt absorbed into this one creating a 3D collaged space of sorts incorporating a dancing blob. @mafabathspa

Unknown blob, 2026, Silicone, acetate, projection. Abstract silicone puppet projected onto dissected and poured silicone. A further inspection of the dissected silicone. A collection of slices with their own array of marks and intricacies. @mafabathspa

Unknown blob, 2026, Silicone, acetate, projection. Abstract silicone puppet projected onto dissected and poured silicone. A recent installation for a Crit back in March. I’d become increasingly mesmerised by the materials I interact with in my practice. I have loved exploring the gelatinous wonders of silicone and seeing how far the material can transform and dance in front of my eyes. @mafabathspa

Projection collages, series 7, 2025, Mixed Media, 152cm x 109cm. I’ve found the joys of projecting my collages onto themselves to create these delicious moments of rhythmic marks. An ephemeral moment at the flick of a switch. @mafabathspa

Thank you @alfienicholls.art for such a cute picture in my MA studio 🤗 Just me and my hammer. Never had a more dependable friend 😅 a sense of longing thinking of my studio work whilst a cheeky essay hangs over my head. Happy Spring darlings

I invited the audience to recall and note their own knicker tales or feelings to the wire pants exhibited with my delightful floating pair. I loved seeing people turn reflective or have a good giggle. I know mum would be proud! I can’t wait to check out all your wonderful thoughts more fully. Maybe a small publication will be on the cards. Big love Bristol darlings. Mwah! @womenbywomen_bristol #internationalwomensday #womenbywomen

“Laundry day” Wire and textiles 2026 Knickers are part of our everyday. Pants can be as glorious or as dull as you like. Some we wear on special occasions. We wear some for luck. Some for a rainy day. Others glide past our behinds with satisfying ease. Some don’t fit anymore, but we put up with it. A hole in the wrong place. A sign of discomfort signifies but we’re used to that. Shift and shape. Is that a VPL? A constant thought, a wondering what I did that night. Our once dirty laundry hugs our down there’s. A memory of joy, love, dread, shame and sometimes worry. @womenbywomen_bristol #internationalwomensday #womenbywomen

EP 1 | Studio Sessions x Jazz Potter First up on Studio Sessions is @jazz_potter09 This interview took place on a busy Tuesday afternoon, when the building is buzzing with energy & noise (apologies for the sounds quality)⭐️ Jazz Potter is a mixed media artist currently studying a Masters at BSU on the Paint pathway. A studio space bursting with colour, texture and ideas reflects a practice exploring ephemerality and human connection to the physical world, often transforming overlooked or discarded objects into something entirely new. Found materials sit at the centre of the work - like an egg box, plastic labels and fragments of everyday “rubbish” reimagined through an approach that is simply “make, make, make.”👩🏼‍🎨 Current explorations look at paint as an object, allowing materials to shift, transform and reveal subtle beauty through texture, form and colour. The first addition to the canvas slouch was a piece of pre-loved bright red yarn - a small but mighty material that acts as a sort of tassle to the crossbody. Jazz Potter was also recently featured in @womenbywomen_bristol - an exhibition celebrating inclusivity and international women artists for International Women’s Day. The exhibition perfectly described Jazz’s practice as ‘exploring ephemerality through found materials, creating new transformations of objects while celebrating the delicate nuances of texture, composition and colour’. A personal highlight from the interview came when asked to describe personal style. The immediate response: “ACCEPTABLE PYJAMAS” Honestly… a wardrobe philosophy worth adopting. Jazz’s work, energy, & personality bring a joyful sense of curiosity and creativity - all paired with the most wonderful giggle ⭐️ #artist #discovernewartists #emergingartists #interview

Yet another Women by Women icon joining us for her third year of the exhibition is Jazz Potter @jazz_potter09 ! Jazz Potter is an artist who works across sculpture, paint and print with the motive of exploring themes of ephemerality and our human connection to the physical world. The practice led research follows a free approach to allow for new discoveries. The artist conveys subtle beauty from found materials. She intervenes to create new transformations of the objects in her work. The third instalment of Women by Women sees the artist investigate her more textile based curiosities further. The artist intends to explore emotion through her playful manipulation of materials. Enjoy the delicious nuance of texture and form in her practice. Delight in the deliciousness of her composition and colour. 20% of all proceeds go to Global Fund for Women. Women by Women.3 PV 06/03 6-9pm 07/03-11/03/2026 open daily 11am-6pm Centrespace Gallery, Bristol