Max Petts

@jaymaksim

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Weeks posts
I’ve been thinking a lot about these films I made circa 2012/13 that document three of my wisdom teeth being removed. Shown here are stills/excerpts from parts 1-3 but there was a fourth film I never finished. These enamel lumps are forever fascinating to me as markers of care, as well as the genetic and socioeconomic privileges they imply. Most crucially they’re curious eruptions where the inside pokes out and the structure shows. The hard bits that will be around longer than the soft bits.
42 4
20 days ago
Two televisions in the audience for Garry Kasparov vs. Deep Blue, 1997 ‘Garry Kasparov, then-world champion in chess, played a pair of six-game matches against Deep Blue, a supercomputer by IBM. Kasparov won the first match, held in Philadelphia in 1996, by 4–2. Deep Blue won a contentious 1997 rematch held in New York City by 3½–2½. The match received enormous media coverage, much of which emphasised the notion that Kasparov was defending humanity’s honour.’ Separate note: Hard recommend the 2001 ‘Kasparov vs Machine’ Super Bowl XXXV Pepsi commercial (last slide)
36 0
4 months ago
Pam is currently in good company @sketchbook.ldn Sketchbook 2 Sept 28 - Oct II Anna Higgins, Max Petts, Jesse Rivers, and Rebecca Willing Talk Sunday 5 October 2pm Image Dead Kitchen (mise-en-scène - Thomas versus John - give me drama for I need to justify these feelings - RIP Pam), 2025 Acrylic, pine, emulsion, mdf, steel, nylon, masking tape, panel pins, crayon, paper, graphite, coloured pencil, giclée print, tempera craft paint, newsprint 80.4 x 110.9 x 1.8 cm
114 7
7 months ago
Dead Ranks Dead Files (calligraphy border - 8 - a pictorial or ornamental fortress is an all too human move - lo lascio al giudito del mondo), 2025 Pencil, craft paint, flip chart paper, giclée prints, crayon, acrylic, tape, mirror corner clips 56.4 x 42.6 x 0.9 cm Last few days to catch ‘Echoes of Opacity’ @stowaway_la curated by David Shamie Totally pleasure to be included in this alongside Laura Figa, Georgina Hill, Marie-Alix Isdahl, Nick Rose and Michael St. John and Moritz Tibes Merci @dead_labour @___dylanriley
113 4
8 months ago
Batte, 2020 Wood, varnish 5 x 5 x 86cm Image 4: Installation view, Salon Sauvage, Gnossienne Gallery, 2025 w/ Katie Shannon, Moritz Tibes, Polly Plowden, Jonah Alexander, and Oberon Parry Laidler Grazie @gnossiennegallery @sahandnzm Photo: @m8r8s.studio
77 4
10 months ago
Dead Ranks Dead Files (calligraphy border - 8 - a pictorial or ornamental fortress is an all too human move - lo lascio al giudito del mondo), 2025 Pencil, craft paint, flip chart paper, giclée prints, crayon, acrylic, tape, mirror corner clips 56.4 x 42.6 x 0.9 cm Image 4: Installation view, Salon Sauvage, Gnossienne Gallery, 2025 w/ Katie Shannon, Moritz Tibes, Polly Plowden, Jonah Alexander, and Oberon Parry Laidler Grazie @gnossiennegallery @sahandnzm Photo (the good ones): @m8r8s.studio
93 4
11 months ago
Final week to see Proscenium @xxijrahii_ Image Cookie - Bird - Alphabet (once it’s gone it’s gone - edible non food - these luxury goods are killing me but I just can’t get enough), 2025 Fortified Wheat Flour (Wheat Flour, Calcium Carbonate, Iron, Niacin, Thiamin), Belgian Milk Chocolate Chunks (28%) (Sugar, Whole Cows’ Milk Powder, Cocoa Butter, Cocoa Mass, Emulsifier: Soya Lecithin; Flavouring), Sugar, Palm Oil, Rapeseed Oil, Salted Butter (Butter (Cows’ Milk), Salt), Water, Humectant: Vegetable Glycerine; Partially Inverted Refiners Syrup, Wheat Flour, Coconut Oil, Raising Agents: Sodium Bicarbonate, Disodium Diphosphate; Molasses, Flavouring, Emulsifier: Mono- and Diglycerides of Fatty Acids, Bronze 27.5 x 11 x 11 cm (variable) ____________ The central prop in the exhibition, ‘Cookie - Bird - Alphabet’ is a stack of ultra processed supermarket bought cookies secured upon a bronze armature: a semi-polished cast of a 3d printed replica of Constantin Brancusi’s iconic bronze work ‘Bird in Space’. It changes as the exhibition unfolds, entering a performative cycle of decay and refreshment. This absurd act prioritises the essential structural support required for the work to function, and explores the tensions between the seen and unseen, mass culture and art, ‘real’ things and copies, difficulty and ease. These tensions bring about an ambiguity of the material agency and its reference to environment, histories, trust and the resulting facts and/or fictions.
85 4
1 year ago
Final two weekends to see Proscenium @xxijrahii_ Friday - Saturday 12-6pm Exhibitions continues until Saturday 17 May Image Dead Proscenium i (the curse), 2025
Acrylic, emulsion, mdf, steel, pine, nylon, masking tape, panel pins, graphite, watercolour, crayon, coloured pencil, tempera craft paint, coffee, paper, giclée print
80.4 x 110.9 x 1.8 cm
81 4
1 year ago
The crackle of an intercom that can’t switch off The acceleration of a semi dormant escalator The ripe cough of a child; interjecting The therapeutic hour I’m really ready for winter to be done now please and thank you. Image Dead Ranks Dead Files (just keep swimming - obnoxious sun beams on mysterious conjunctions - cloud - 5 - a fanciful notion to say the least but the proficiency to sink is not to be fucked with) 2024 Pencil, craft paint, flip chart paper, giclée prints, crayon, acrylic, tape, stickers, mirror corner clips 59 x 34 x 0.9 cm
87 4
1 year ago
god on kilburn high road
101 7
1 year ago
Clwon C or B or A or D 2021 PETG plastic, mdf, craft paint, pencil, sticker, inkjet print, varnish 53 x 76 x 1.5cm approx.
54 2
1 year ago
Dear Best Friend, Impatience. Love, Best Friend
40 1
1 year ago