Thank you to everyone who came over to @magentaplains gallery last Thursday evening and who have come through the gallery these past days♥️ Enormous thanks to the loveliest most generous directors and staff for your support and guidance these past two years. I love working with you all. My heart is full. ♥️ The show is up until June 20th. I'd love to meet you there. 🍓
Today is the last day of My Little Pony @kaufmannrepetto in Milano.
Thank you to everyone who made this happen and to everyone who came by. And your most gracious generous hospitality in Milano. Thank you @fabio_cherstich for the incredible text that accompanied the show. Heart is full♥️
New York artist Jane Swavely has been painting for more than 50 years, which is perhaps why she now finds it “second nature” to rough up her works and let the “objectness of the painting” show through. “I don’t want to have any [real-life] reference whatsoever,” she says. “I want to pare it down, make it reductive — still painterly, but reductive.”
@janeswave 's work is currently on display at the @curriermuseum as part of a retrospective on Jules Olitski, a midcentury color field master. "Corrected Painting #9“ and "My Little Pony“ are currently on view at @kaufmannrepetto .
“Corrected Painting #9” and “My Little Pony” shot by @dariolasagni . “Green Screen #8” by Nic Massey. More by @noelaundry at the link in bio.
I love everyone @kaufmannrepetto ♥️ thank you for the opportunity to exhibit my new paintings and pastels in your beautiful space in Milano and for being the most exquisite hosts. I miss Milan and My Little Pony already. And thank you @fabio_cherstich for the exquisite text. All a dream♥️
Repost from @kaufmannrepetto save the date
we are pleased to announce
Jane Swavely @janeswave
“My Little Pony”
opening wednesday march 4th, 6-9pm
kaufmann repetto milan
What makes Jane Swavely’s work so necessary today is precisely this capacity to hold together genealogy and vulnerability, discipline and risk, history and desire. Her paintings do not declare their sources; they activate them. They do not ask to be deciphered, but to be traversed.
-Fabio Cherstich @fabio_cherstich
#janeswavely #mylittlepony #kaufmannrepetto #milan
![New York artist Jane Swavely has been painting for more than 50 years, which is perhaps why she now finds it “second nature” to rough up her works and let the “objectness of the painting” show through. “I don’t want to have any [real-life] reference whatsoever,” she says. “I want to pare it down, make it reductive — still painterly, but reductive.”@janeswave's work is currently on display at the @curriermuseum as part of a retrospective on Jules Olitski, a midcentury color field master. "Corrected Painting #9“ and "My Little Pony“ are currently on view at @kaufmannrepetto.“Corrected Painting #9” and “My Little Pony” shot by @dariolasagni. “Green Screen #8” by Nic Massey. More by @noelaundry at the link in bio.](https://sp1.picnob.com/p/pt_6747451956155057334329_0_f7333631e9005284a2da57c01009a9f2.jpg?o=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&h=4bbad3309b927856a1c99d3ef94486ba)
