Don't miss your chance to see "The Classroom" by James Bouché! Please join us today (Saturday) during Gallery Hours from 1-5pm or tomorrow (Sunday) for the Closing Reception & Artist Talk from 4-6pm!
Exhibit Runs: April 17 - May 17, 2025
Opening Reception: April 17, 7-10pm
Closing Reception: May 17, 4-6pm
Photos by @vivianmariephoto
“Angel FM 21-77” and “Angel FM23-35”, military survival manuals, angel tuning forks, surgical steel, aluminum, each 9x6x5in, 2024
On view @currentspace til May 17th
📸 @vivianmariephoto
Current Space is proud to present "The Classroom" by James Bouché, on view through May 17th!
See it during gallery hours on Saturdays from 1-5pm, at the Closing Reception & Artist talk on Sunday, May 17 from 4-6pm, or anytime you're at Current Space for an event in the courtyard.
“And now, we have no option. We can’t say ‘maybe’ ‘it’s possible’ ‘it looks very probable…’ No way! We have to say this is what the Bible teaches! This is fact! May 21,2011 is the day of Rapture, it is the day that Judgement Day begins…”
-Harold Camping
“This we can be sure that the whole world, with the exception of those who are presently saved (the elect), are under the judgement of God, will be annihilated together with the whole physical world on October 21, 2011, on the last day of the present five months period.”
-Harold Camping
James Bouché (b. 1990) is a sculptor and printmaker living and working in Brooklyn, New York. He graduated from the Maryland Institute College of Art in 2012 with a BFA in Printmaking and Book Arts. Recent exhibitions include Low Rites (Dudd Haus, Philadelphia) Sue God for Her Wild Strawberries (Pretty Gritty, San Francisco), Exquisite Corpse (Frederick’s & Mae, New York), Intimacy & Isolation (Chainmail, Brooklyn), and The World Will End on January 26th, 2023 (St John’s University, Queens).
Bouché’s work explores overlaps in parapsychology, doomsday cults, and new age spiritual communities. Combining hand printmaking techniques and digital machining, his sculptures and wall works become artifacts of a larger mysterious narrative. Pamphlets left behind by accident or for recruitment, ceremonial tools intentionally placed, a room emptied mid ritual.
“Level Above / Problems on the Road to Truth”, enamel screen print on Formica and anodized aluminum, plastic coil, wood, 22x18in, 2026
Gallery hours @currentspace from 1-5pm today
📸 @vivianmariephoto
“Behavioral Guidelines No. 1-17”, enamel screen print on anodized aluminum tube, maple ply, extruded aluminum, steel hardware, 24x48x18in, 2025
The Classroom is on view @currentspace till May 17th
📸 @vivianmariephoto
Thank you to everyone who made it last night to the opening of my show, The Classroom. @currentspace is so special and I love them dearly. This was truly a beautiful weekend to be back in Baltimore ❤️. The show closes on May 17th with an artist talk. Hope to see you there! Documentation of my weird little room coming soon. Xoxo
📸 @paulagatelytillman
Looking forward to my installation @currentspace opening April 17th 7-10pm! Showing a lot of new sculptures and prints. Current has a special place in my heart and I’m excited to go back to Baltimore for a bit! Hope to see you there ❤️
Low Rites opens tomorrow at @duddhaus in Philly! @realm.obj ’s furniture is soooo siq I’m excited to be showing with them. Stop by tomorrow evening from 6-9 and say hi.
“Level Above / Out of the Palm of Your Hand”
enamel screenprint on Formica and anodized aluminum, plastic coil, wood. 20x13in, 2026
