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Frame, Reframed
Cyprus, 2023
In the late afternoon sun, amid the dry, overgrown grass reclaiming the land, the skeletal remains of another unfinished concrete structure stood solemnly against the muted sky. During my time making work in Cyprus last year, these abandoned frameworks became a familiar sight. Consistently anonymous, quiet interruptions in the landscape. Coming from London, where every square metre feels accounted for, I found their latent potential deeply compelling: a testament to the enduring human impulse to build, even in the face of uncertainty.
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Kolumba Art Museum
Cologne, 2022
Peter Zumthor
The Kolumba is built over the ruins of the former St. Kolumba church, integrating and animating the remnants rather than isolating or merely preserving them. Here, the ruins partially support the building, merging the past and present into the city’s evolving fabric. Unique bricks, conceived specifically for this project, filter light through shifting hit-and-miss masonry patterns, creating an atmospheric dappled light within the cavernous void. Slender columns rise delicately among the archaeological remains, while the full-height windows that puncture the mass, situate and reframe views back to Cologne.
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The Above Between
Bridges, a recurring subject within my work have always felt like more than just infrastructure to me. They are symbols of connection, thresholds between places, and times. Tension, span, mass. I’m drawn to their sculptural quality, a balance between weight and grace.
My process typically involves returning to a location several times, watching the light shift, waiting for the right alignment of conditions, giving me the reassuring feeling of having worked hard to make a final photo. But this came together on my first visit, after planning only the time of day and direction if the light I thought would work. As the morning light broke through the thick cloud a rare moment revealed itself; a quiet metaphor for connectedness, suspended between earth, water, and sky.
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