JADE GRAIN

@jadegrain

Neo-Eastern | Minimalist | Contemporary Time will tale
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Weeks posts
[ SKINSHIP ] TOUCH. WEAR. LINGER. TO BE KNOWN IS TO BE CHANGED. In objects by Wu Jingwen. - Vessels on jadegrain.com #jadegrain #wujingwen #jingwenwu
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10 days ago
[ SKINSHIP ] TOUCH. WEAR. LINGER. TO BE KNOWN IS TO BE CHANGED. In objects by Wu Jingwen. - Vessels on jadegrain.com #jadegrain #wujingwen #jingwenwu
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11 days ago
[ SKINSHIP ] TOUCH. WEAR. LINGER. TO BE KNOWN IS TO BE CHANGED. In objects by Wu Jingwen. - Vessels on jadegrain.com #jadegrain #wujingwen #jingwenwu
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11 days ago
[ SKINSHIP ] TOUCH. WEAR. LINGER. TO BE KNOWN IS TO BE CHANGED. In objects by Wu Jingwen. - Vessels on jadegrain.com #jadegrain #wujingwen #jingwenwu
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13 days ago
[ SKINSHIP ] TOUCH. WEAR. LINGER. TO BE KNOWN IS TO BE CHANGED. In objects by Wu Jingwen. - Direct & Treatment - Sharon @sharonkrw Photographer - Yi Jun Talent - Alois @alocyp - Vessels on jadegrain.com #jadegrain #wujingwen #jingwenwu
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15 days ago
[ SKINSHIP ] TOUCH. WEAR. LINGER. TO BE KNOWN IS TO BE CHANGED. In objects by Wu Jingwen. - Vessels on jadegrain.com #jadegrain #wujingwen #jingwenwu
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16 days ago
Kensui A perfect roundness, a profound black — Dong Dan’s words for what he pursues, and the most precise description of what arrives. — Dong Dan, Chengdu φ12cm x H13cm jadegrain.com #jadegrain #dongdan
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22 days ago
Tea & Coffeeware In deep black glaze—crafted from Sichuan clay and straw ash—that strikes a delicate balance between gloss and matte. — Dong Dan, Chengdu φ4cm x H5cm φ6.5 x H7.5cm jadegrain.com #jadegrain #dongdan
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22 days ago
Xuan Teapots United by the Xuan principle: one carries a single circular brushstroke at the center — calligraphy’s pursuit of unity and void; the other, white speckles across black, a contemporary reading of the Song Dynasty’s skyful of stars. — Dong Dan, Chengdu φ7.5cm x H8.5cm jadegrain.com #jadegrain #dongdan
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22 days ago
Martin fixed an inner state in graphite — permanent, unchanging. Sasakawa fixes a moment of making in glass — permanent, but never finished. The bubbles keep catching new light. The same vessel at nine in the morning and three in the afternoon are not quite the same object. Two different answers to the same question. Essay at jadegrain.com/read #jadegrain #agnesmartin #kenichisasakawa @k.sasakawa.glass
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1 month ago
“Beauty is the mystery of life. It is in the mind, not in the eye.” The grid may seem like the most impersonal structure but Martin knew it was the most intimate. A line drawn with full presence and one drawn without it are not the same. The person who looks slowly knows the difference. Essay at jadegrain.com/read #jadegrain #agnesmartin
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1 month ago
Agnes Martin (1912–2004) called herself a minimalist’s opposite — her grids were not about form but happiness and innocence. Essay at jadegrain.com/read @jadegrain #jadegrain #agnesmartin
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1 month ago