Jack Goldstein

@jack.goldstein

⁺˚*・༓☾ my name is my band ☽༓・*˚⁺‧͙ click below for ✩₊˚.⋆ ALBUM + TEES ☾⋆⁺₊✧ ꩜♡꩜♡꩜♡꩜♡꩜♡꩜♡꩜♡꩜♡ ꩜♡꩜
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Weeks posts
sarah jones appreciation post 💘𓍢ִ໋`🌿:✧˚
0 17
9 days ago
Tune into @margateradio at 6pm today for the fourth episode of THE MOVIEGOER 🎥 The third episode focuses on Robert Forster 🍿 The Moviegoer uses sonic collages to explore the lives and careers of some of my favourite actors. Robert Forster, born on July 13, 1941, in Rochester, New York, initially pursued a career in law before a chance encounter at a casting audition changed his trajectory. John Huston cast him in Reflections in a Golden Eye as the handsome army private who becomes the object of desire for both Elizabeth Taylor and Marlon Brando’s characters. By the late sixties, Forster had become the next big thing. In 1968, he appeared opposite Gregory Peck in Robert Mulligan’s 1968 suspense Western The Stalking Moon. The next year, he starred in Haskell Wexler’s 1969 counter-culture classic Medium Cool as a disgruntled news cameraman. In 1970, he was offered a TV series, Banyon, about a private investigator in 1930s Los Angeles. While the show was cancelled after one season, Quentin Tarantino remembered Forster’s role in it when he was casting Jackie Brown more than two decades later. By the 1970s, Forster wasn’t auditioning for A-list productions any more. Eager to work, he embraced any role or film that came his way. Indeed he gained a reputation for his B-movies, be it a crime story, action movie, disaster tale, or combat film. In 1997, his vast experience playing shady detectives and honest crooks paid off when Quentin Tarantino cast him as the world-weary bail bondsman, Max Cherry, in Jackie Brown. His poignant performance of a middle-aged man rediscovering his passion for life garnered him both critical acclaim and an Academy Award nomination for Best Supporting Actor. Forster, who had neither an agent nor manager at the time, suddenly was back in demand. He died on October 11, 2019, at age 78 in Los Angeles. He passed away at home, surrounded by family, on the same day his last film was released. #robertforster
0 0
14 days ago
The next Keeno will take place on Friday, May 8th at @bigshotdiner at 7pm. We take a look at the infraordinary—the routines, ceremonies, and often overlooked details of daily Palestinian life. This focus arises not only from the inherent artistry of film, which transforms these moments into poignant expressions, adding layers of significance to their meaning, but also from the unavoidable awareness of the broader sociopolitical context and history of Palestine. Regardless of how infraordinary the events depicted may be, we remain acutely conscious of the occupation and ongoing genocide. The films to watch ahead of the discussion at next month’s Keeno are: 𝐖𝐞𝐝𝐝𝐢𝐧𝐠 𝐈𝐧 𝐆𝐚𝐥𝐢𝐥𝐞𝐞 The film takes place in a Galilean Palestinian village following the 1948 Arab-Israeli War. The village muktar, Abu Adel, wants to celebrate his son Adel’s wedding with a traditional and elaborate ceremony. However, this is inhibited by a curfew imposed on the town by the Israeli military authorities. Abu Adel must ask the Israeli military governor for permission to celebrate his son Adel’s marriage past night fall. The governor grants the muktar’s request on the condition that he and his staff attend the ceremonies. 𝐓𝐡𝐞 𝐍𝐢𝐠𝐡𝐭 In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man’s history by mixing echoes of his mother’s memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city’s destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.
0 0
21 days ago
2MORROW NITE (thurs) 𓃗✰ FIRST SHOW OF 2026 w/ @dean.rodney.jr.and.the.cowboys 𐚁𓄀✮⋆˙
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25 days ago
🐄 SUPPORT THE SUPPORT: @jack.goldstein for @dean.rodney.jr.and.the.cowboys 🤠 Buckle up! We’re living in the ultimate cowboy fever dream with local wrangler / pop musician Jack Goldstein joining Dean Rodney Jr and The Cowboys next Thursday 👢🐍 Louder Than War magazine describe Goldstein as ‘high octane outlaw pop with a Lynchian sense of the bizarre channeling the spirits of Brian Wilson, Andy Kaufman and Reeves & Mortimer’.
76 2
1 month ago
My first zine dedicated to cinema writing will be available at the Margate Zine Fair at Marine Studios this weekend. Titled “Cannibal Holocaust, Calamity Jane, and On Golden Pond: Writings on Cinema and Confabulations of My Deceased Parents,” this collection reflects on three videotapes I frequently watched during my childhood. My parents built an extensive VHS collection that sprawled across the entire upstairs landing, encroaching upon a significant portion of the downstairs living room wall. This collection included many of my videotapes as well, primarily pre-certificate horrors that I collected at the time. The three films featured in this zine are interwoven with memories and confabulations of my parents, capturing my experiences between the ages of approximately nine and nineteen. One of my earliest memories associated with cinema is of my parents’ ex-rental big box VHS of On Golden Pond. It was one of their favourite films. I often looked at the VHS, yet for some unknown reason, I never once inserted it into the player and pressed play myself. My parents took me to see an amateur dramatic stage production of Calamity Jane in Bladon Village Hall when I was around eight or nine years old age, It was one of my dad’s favourite movies. When I was 11 years old, the underrated and largely forgotten British film magazine Neon published a September 1997 issue entirely devoted to movie violence. This issue featured Cannibal Holocaust along with a number of films, typically low-budget horror or exploitation titles, that were included in the notorious Video Nasty list. A centre-fold poster of Cannibal Holocaust was included, and after reading all about the film, I immediately put it up on my pre-teen bedroom wall. Margate Zine Fair Marine Studios 11/12 April 11am-3pm @thisisdarkentries @marinestudios_margate #zine #cinema #cannibalholocaust #calamityjane #ongoldenpond
0 13
1 month ago
Tune into @margateradio at 6pm today for the third episode of THE MOVIEGOER 🎥 The third episode focuses on Marisa Tomei 🍿 The Moviegoer uses sonic collages to explore the lives and careers of some of my favourite actors. Marisa Tomei is an American actress known for her versatility and dynamic performances across film, television, and theater. Born on December 4, 1964, in Brooklyn, New York, Tomei began her career in the late 1980s, gaining recognition for her role as Lisa in the television series “As the World Turns.” Her breakthrough came with the 1992 film “My Cousin Vinny,” where she won an Academy Award for Best Supporting Actress for her portrayal of Mona Lisa Vito. Over the years, she has showcased her talent in a diverse range of films, including “The Wrestler,” “In the Bedroom,” and the “Spider-Man” franchise, establishing herself as a prominent figure in Hollywood. In addition to her film work, Tomei has garnered critical acclaim for her performances on stage, earning multiple Tony Award nominations. She is known for her commitment to her craft, often immersing herself in her roles to deliver authentic portrayals. Throughout her career, Tomei has collaborated with renowned directors, showcasing her ability to transition seamlessly between drama and comedy. She is a vocal proponent of feminism, women’s empowerment, and gender equality within Hollywood and society. She supports initiatives like V-Day for women, advocates for reproductive rights through Equality Now, and often tells female-driven stories to highlight women’s experiences and voices. @marisatomei #marisatomei
0 2
1 month ago
0 0
1 month ago
most tension-filled five minutes of cinema ever… @winnebagodeal 🔪
0 2
1 month ago
The next Keeno will take place on Wednesday, April 8th at @bigshotdiner at 7pm The films to watch ahead of the discussion at next month’s Keeno are: 𝐅𝐫𝐚𝐧 After a tumultuous divorce, a newly single mother navigates the challenges of raising her children while trying to balance her love life, and as she seeks something more fulfilling, she unexpectedly finds herself drawn to a charismatic barman. 𝐁𝐚𝐛𝐲𝐦𝐨𝐭𝐡𝐞𝐫 Anita’s boyfriend pressures her to abandon her aspirations of launching a career in Reggae and Dancehall, insisting that she dedicate herself to raising their children while he embarks on extensive tours. In defiance of his demands, she forms an all-girl reggae group with her friends, renaming themselves Neeta, Sweeta, & Nastie.
0 0
1 month ago
Chocolate sponge drizzled with miso maple, topped with crushed walnuts, pickled rose petals, and accompanied by a Kentish cherry 🍒
0 10
1 month ago
A delicately light Honey and Almond Sponge Cake, drizzled with fragrant Wildflower Honey… followed by the upscaled larger version, topped with Amaretto-Roasted Nuts 🍯
0 6
2 months ago