Cross Wiring, explores a world of ambient, experimental, and hypnotic sounds through audio-visual performances featuring only live sets by producers in collaboration with visual artists.
A live set from Portuguese producer @_apart__ , who created some of the tracks for this series to provide an emotional listening journey with his only unreleased music. He collaborated with London-based visual artist @insa_visuals , who crafted a liquid colour visual performance that she recorded live, resulting in a complete audio-visual experience for you.
Watch the full experience on my YouTube channel.đŞź
A very special experience that I am very grateful to have been part of. Big thanks to @gabriel_rai_ and @florencerayrichards behind the @may.i.you.may . I feel very lucky to have been able to contribute visuals to such a beautifully curated project with so much attention to detail and genuine care and thoughts towards the experience of their crowd.
Very much looking forward to seeing what comes next from them!
And thank you to @houseofgaffe for hosting.
Excited to reveal what is next â¤ď¸
At the FAVE Records takeover at the Bush Stage during @bloomingreenfestival , the visuals werenât digital files or pre-rendered loops. They were alive. @insa_visuals transformed the stage into an evolving surface of liquid light. What unfolded felt less like projection and more like an organism, expanding with the low frequencies, dissolving into the highs, stretching and melting in sync with the vinyl-driven sets.
Her practice is entirely analog and handcrafted, rooted in the liquid light experiments of the 1960s and reinterpreted through a contemporary underground lens. Using an overhead projector and a Petri dish as her canvas, she works with food dyes, oil- and alcohol-based pigments, water, and mineral oils, substances that resist, merge, separate, and collide in real time.
With sprays, droplets, and air bubbles, she sets textures into motion, colours blooming and collapsing, translucent layers drifting like psychedelic weather systems. Every movement is immediate and irreversible.
Three perspective, one moment.
1. Original petri dish (40 cm)
2. Projection on the wall (150 cm)
3. Close-up of the projection â 15 cm on the wall from a 2 cm detail in the dish
Iâm still quite speechless about what happened at @transumare.fest đâ¤ď¸
I feel deeply grateful to have been able to produce visuals for this admirable and inspiring festival.
A big thank you to the whole team and their hard work! Itâs been soo beautiful to see how the festivalâs concept and teamwork translated into reality.
Creating the visuals for âLâOrigineâ stage- designed by @luigiferr__ and @valerio_difesta , has been both a personal and beautiful challenge. Though on different paths, their stage design and the visuals came together like brushstrokes on a canvas.
After months of creative rollercoaster process, it was truly moving to see everything finally unfold on this stage.
And lastly, a special thank you to @nickymacha for believing in me, soothing my self-doubt and guiding me to this moment. Forever thankful â¤ď¸
Ogni incontro ha un punto da cui partire.
Per Transumare 2025, questo punto è uno spazio che accoglie, connette e si trasforma.
LâOrigine è unâarena modulare, costruita con elementi temporanei e riutilizzabili: un luogo capace di creare unione, dove il pubblico si ritrova e condivide.
Di giorno appare come un peristilio industriale, essenziale e aperto; di notte diventa un spazio concentrico di luci e suoni, che avvolge vibra e risuona.
Le immagini e i colori che lo attraverseranno nascono dalla ricerca visiva di Aurelia Insa, visual artist e designer che lavora con la tecnica della luce liquida, intrecciando movimento, musica e pittura.
Lo stage è progettato da Valerio Di Festa e Luigi Ferretti, architetti abruzzesi che vivono e lavorano a Rotterdam e condividono una passione per ciò che è temporaneo, effimero, in costante trasformazione.
Anna Wall - âThe Unknownâ đ
The video was created by dear friend Aurelia Insa aka Insa Visuals. Her technique is inspired by the liquid light shows of the 1960âs, with a technique that combines liquid colours, movement, and painting to create flowing visuals that feel alive, with the music as her companion.
âThe Unknownâ was made with digital synths run through various VST tape machines, including the Studer A800.
Out now via Dream Theory. Link in bio đŤ§
