In Practice Journal

@inpracticejournal

Field notes and photography from workshops and ateliers around the world published by @mpmagers Discipline. Refinement. Transmission. ↓ Substack
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One of the most memorable experiences of my life was floating in cold water off the coast of Japan, watching a sixty-three-year-old woman disappear beneath the surface with nothing but a mask and a metal chisel. A new essay on the Ama divers of Toba and what survives when a way of life outlives the world that once required it. IPJ 09 | The Ama of Toba
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1 day ago
Not all practice happens in a workshop. Sometimes it looks like returning. Sometimes it looks like friendship. Sometimes it means staying with something long enough to see it clearly. A new essay on repetition, attention and what reveals itself over time. IPJ 08 — Japan, Twenty-Six Trips In Read on Substack.
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16 days ago
IPJ 07 | Moriyasu Kimura, Potter On tenmoku and the limits of control. A visit with one of Kyoto’s great ceramic artists, whose work lives somewhere between tradition, chance and decades of disciplined experimentation. Read on Substack. Link in bio. #inpracticejournal #ceramics #kyoto #japanesecraft #pottery
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1 month ago
IPJ 06 — Tattoo as Craft (Part I) Ukiyo-e translated from paper to skin. Read on Substack.
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1 month ago
2014 — Miyakonojo, Kyushu. Early work from the Shokunin Project. Reimei Yokoyama, bowmaker. IPJ 05 | Under Tension
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1 month ago
Issue 04 of In Practice Journal is now live. “Not Everything Survives” looks at the limits of craft transmission — and the conditions under which forms of work disappear. Featuring blacksmiths and toolmakers photographed in Kyushu, Japan. #japan #craft #shokunin
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2 months ago
I went looking for mastery. I found routine. 12 years later, I hear it differently — less philosophy, more practice. Issue Three — Between Reverence and Routine Link in bio. #japan #shokunin #craft #sakai #knifemaker
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2 months ago
In Practice is a journal exploring the quiet power of process-driven work. At a moment defined by speed and instant output, it turns toward craft, transmission and embodied knowledge — not as nostalgia, but as lived discipline. Issue One (Prologue) and Issue Two featuring @shuji_nakagawa are now live. Subscribe via link in bio. Not paywalled.
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2 months ago