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[Butterfly Hunterz/@ideath_ ][nonobject as image hunting machinery] The butterfly hunter is an old archetype: patient, obsessive, slightly melancholic. Moving through fields with a net, chasing fragments of color that seem almost too delicate to exist. To catch one was to preserve it — but also to end its flight. Collection always carried a trace of destruction. What was once pinned in wooden cabinets is now stored in folders, feeds, archives, endless scrolls. Today, the hunt continues, only the meadow has changed. The internet is a vast, flickering habitat of images: rare, beautiful, strange, constantly appearing and vanishing. Memes, forgotten photographs, obscure screenshots, accidental masterpieces. Digital butterflies. And the modern collector still follows the same instinct — to find, to capture, to classify, to save what might otherwise disappear into the noise. Entire subcultures are built around this pursuit: curators, archivists, mood-boarders, meme historians, aesthetic scavengers. Not creators in the traditional sense, but gatherers of fleeting forms. Yet the paradox remains. The moment an image is saved, reposted, categorized, it changes. It loses some of its wildness. What was once a fleeting encounter becomes an artifact. Preservation can also be domestication. The butterfly hunter has always lived in that tension: between admiration and possession, wonder and control. To collect is to resist disappearance. But it is also to transform the thing collected. And perhaps that is the defining gesture of our time — not simply making images, but hunting them, pinning them to the endless digital board, hoping that by capturing them, we can hold onto a little of their brief, luminous life.
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13 days ago
leftovers (limping towards the edge)
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1 month ago
WHAT HAPPENS WHEN IT’S OVER AND I CAN’T SPEND TIME WITH YOU ANYMORE W/ CHEREE TRUE @chereetrue A birthday mix drawn from ten years of conversations with @laithdemashqieh March 24 | 00:00 GMT Tune in to our bi-monthly show MUSIC FOR PARKING GARAGES @nts_radio in collaboration with @rhizome_parking_garage , featuring music made to be listened to in parking garages, inspired by the parking garage as a symbol of “the inferno of the same” and the agony of uniformity. Artwork by @ideath_ Track: Alessi Brothers – Seabird
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1 month ago
Pornographic-Time, Vol. III: The Horizonless Interface is reviewed in the latest issue of @electronicsoundmag by @martinghewitt Full feature available in the current print issue and for subscribers. @goodchild.promotions
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2 months ago
@th3n04h and I were lucky enough to speak with @__londandy about the 2019 @rhizome_parking_garage show “beneath the beach, seamless paving stones” for the Winter issue of Himmel und Hölle. Very big thanks to @__londandy for the thoughtful and insightful questions. And to the artist involved. Read and download the full issue with fantastic work and writing at https://freight.cargo.site/m/T2826531154198537963614398404531/H-H-ISSUE-3_Winter-2026.pdf
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2 months ago
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3 months ago
WUTHERING HEIGHTS W/ DIEGO V NAVARRO @diegovnavarro Jan 27 | 00:00 GMT Tune in to our bi-monthly show MUSIC FOR PARKING GARAGES @nts_radio in collaboration with @rhizome_parking_garage , featuring music made to be listened to in parking garages, inspired by the parking garage as a symbol of “the inferno of the same” and the agony of uniformity. Artwork by @ideath_ Track: Vladimir Martynov - “Come In!” Movement I
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3 months ago
Black Circle (Pornographic-Time) is a manifesto by Ian Bruner, written for the occasion of Drowned By Locals’ five-year mark and published by Drowned By Public in a hand-numbered run of 100 copies. 🔗 in bio “Nothing, of course, is absolute or whole. Without hope, there can be no project of emancipation. As Han has located, the subject of hope is a WE. Hope is an active process that opens up a gap between intervals of nematomorphic hallucinations. Hope forces a delay in pornographic-time as narration. In hope, we can find the other and, in doing so, allow for a space in which exorcism can occur. Hope is not positivity and passivity; to hope is to be in action against.” Our thoughts are with the artists featured in these pages, and with their families. —Alireza Mohammadi —Amin Akbari —Bardia Salimi —Mahoor Zahraee —Sahar Safarian —Saman Khosravi —Simin Yaghubi Cover design: Giovanni Murolo Black Circle accompanies Pornographic-Time, a three-volume anthology marking five years of Drowned By Locals — out Jan 30.
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3 months ago
Black Circle (Pornographic-Time) is a manifesto by Ian Bruner, written for the occasion of Drowned By Locals’ five-year mark and published by Drowned By Public in a hand-numbered run of 100 copies. 🔗 in bio Abstract: In Pornographic-Time, Bruner describes how the vectoralist class has built an overlaid, parasitic system of power that collapses life into an accelerated, endlessly exposed present. It renders the subject a kind of Tantalus—stripped bare, without interiority, suspended in perpetual visibility. It issues a call for a new poetics capable of grasping the collapse of mediation and the saturation of power in vectoralist society. “Pornographic-time, in its temporal scale of toxicity, will extend beyond humanity. A planetary layer of synthetic persistent matter, the residue of data, and computation, and consumption, a process elongated into a geological time-scale event. Pornographic-time requires the destruction of nature. What is left?” The pages shared here feature works by —Robert Roest —Amanda del Valle —Bora Akinciturk —Alireza Mohammadi —Ruba Al-Sweel 
Cover Design: Giovanni Murolo Black Circle accompanies Pornographic-Time, a three-volume anthology marking five years of Drowned By Locals — Out Jan 30
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4 months ago
Black Circle (Pornographic-Time) is a manifesto by Ian Bruner, written for the occasion of Drowned By Locals’ five-year mark and published by Drowned By Public in a hand-numbered run of 100 copies. 🔗 in bio Abstract: In Pornographic-Time, Bruner describes how the vectoralist class has built an overlaid, parasitic system of power that collapses life into an accelerated, endlessly exposed present. It renders the subject a kind of Tantalus—stripped bare, without interiority, suspended in perpetual visibility. It issues a call for a new poetics capable of grasping the collapse of mediation and the saturation of power in vectoralist society. “Both the targeted individual and the pornographic-Tantalus occupy the time-space of the horizonless interface, hived in algorithmic neurological pathways and pathologies, resulting in a bare life layered with compulsive and neurotic loops of behavior.” The pages shared here feature works by —Zoe Alameda —Daniel Vasconcelos —Laith Demashqieh
Cover Design: Giovanni Murolo Black Circle accompanies Pornographic-Time, a three-volume anthology marking five years of Drowned By Locals — Out Jan 30
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4 months ago
Black Circle (Pornographic-Time) is a manifesto by Ian Bruner, written for the occasion of Drowned By Locals’ five-year mark and published by Drowned By Public in a hand-numbered run of 100 copies. 🔗 in bio Abstract: In Pornographic-Time, Bruner describes how the vectoralist class has built an overlaid, parasitic system of power that collapses life into an accelerated, endlessly exposed present. It renders the subject a kind of Tantalus—stripped bare, without interiority, suspended in perpetual visibility. It issues a call for a new poetics capable of grasping the collapse of mediation and the saturation of power in vectoralist society. “Each gesture toward conclusion makes the object recede. Tantalus stands beneath bowed fruit trees, but as she moves to consume, the branch bends away.” The pages shared here feature works by —Carlos Sáez —0comeups —Gaspar Willmann —Demon Lovers.inc —Ian Bruner —Joey Holder
Cover Design: Giovanni Murolo Black Circle accompanies Pornographic-Time, a three-volume anthology marking five years of Drowned By Locals — Out Jan 30
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4 months ago
Black Circle (Pornographic-Time) is a manifesto by Ian Bruner, written for the occasion of Drowned By Locals’ five-year mark and published by Drowned By Public in a hand-numbered run of 100 copies. 🔗 in bio Abstract: In Pornographic-Time, Bruner describes how the vectoralist class has built an overlaid, parasitic system of power that collapses life into an accelerated, endlessly exposed present. It renders the subject a kind of Tantalus—stripped bare, without interiority, suspended in perpetual visibility. It issues a call for a new poetics capable of grasping the collapse of mediation and the saturation of power in vectoralist society. “Because of its accelerated pace, pornographic-time both appears and vanishes instantly—a cybernetic loop, a continuous present. Overfull and empty. Life collapses into micro-moments that disappear as soon as they arrive.” The pages shared here feature works by
—Demon Lovers.inc —Ruba Al-Sweel
—Joey Holder —Ian Bruner —Alireza Mohammadi Cover Design: Giovanni Murolo Black Circle accompanies Pornographic-Time, a three-volume anthology marking five years of Drowned By Locals — Out Jan 30
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4 months ago