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@hauptmeier_recker

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time lines - 2023 audiovisual installation in a 60 meter long corridor  10 aluminum plates, electronic valves, water, transducers, beam lights, speakers, subwoofers premiered on May 10th, 2023 in Telliskivi Creative City, Tallinn, Estonia Time Lines reflects on concepts of time and their resulting consequences for society and climate. The spatial installation juxtaposes the fleeting nature of events and the passing of moments with a multidimensional perception of time. It touches upon the impending tipping points of global climate change as well as personal experiences of temporal disorientation. The work explores various notions of time, such as linearity, circularity, multi-temporality, simultaneity, inversion, acceleration, retardation, repetition, alteration, phasing and timelessness. It decouples auditory and visual perception, creating fragile moments of trembling time. Additionally spatial movement, time, and rhythm are melting into a unified experience, blurring the boundaries between them. The piece is composed in a circular form with no beginning or ending. Therefore, the audience is invited to enter at any moment, move freely and stay as long as desired. The audience embarks on a journey through a dreamlike corridor of sound, rhythm, light, and water. The elements create a surreal, dystopian, rainforest-like environment where water drips onto metal plates from a height of six meters, light stretches and reverses the perception of time, and sound passes as musical shadows. Commissioned by Telliskivi Creative City @loomelinnak
70 4
2 years ago
Diaphanous Sound Biennale Musica Venezia – 2022 Augmented Reality Sound Installation by Paul Hauptmeier -full video documentation on our website- Diaphanous Sound is an audio visual installation both anchored in the real and virtual space. The audience, wearing wireless headphones, moves through a darkened space divided into different areas and shapes by walls of projected light. Because of the extremely precise tracking technology the audience can move through the room and listen to virtual sounds that – like in an augmented reality application – are linked to the real space and behave according to the listener’s position and orientation. Not only the sounds change from room to room, but also the “rules” or the mapping between movement and sound. The visitors can create their own individual composition through their behaviour in a complex interactive installation. Through the interference between real and virtual sounds, an interesting dialogue between personal and collective experiences within the installation develops for the audience. CREDITS: artistic concept, composition and programming: PAUL HAUPTMEIER Production: La Biennale di Venezia – CIMM, Centro di Informatica Musicale Multimediale special thanks to: all the team of la Biennale Musica, Laser Entertainment Milano Fotos 3,5,6: Courtesy La Biennale de Venezia @Andrea Avezzù Fotos 1, 2, 4: Diomedi Mattia @labiennale @ronchetti.musica @laserentertainment #augmentedrealityart #soundinstallation #biennalemusica2022 #tracking
101 0
2 years ago
DECAY 2022 – 22424 Soundsculpture DECAY is a sounding sculpture dealing with radioactive decay processes in extreme periods of time, which are beyond our human perception, lifespan and imagination. The sculpture is calculated to play for 20,402 years. By German law radioactive waste must be stored safely for one million years. Through an artistic engagement DECAY aims to arrive at a better understanding of time periods of this extreme extent. DECAY’s pulse generator is a slightly radioactive uranium glass. For each radioactive decay detected by a specially designed geiger counter, a droplet is released from the electronically controlled valve in the head of the column, falls onto the top metal plate and causes it to vibrate. This vibration resonates in the plates below, which are connected by transducers and microphones in a complex network of electroacoustic feedback. As time progresses, the droplet changes the resonant properties of the metal plates. Exposure to oxygen and water causes the metal to begin to rust and dissolve after a calculated time, causing the droplet to hit the plate underneath, which has a different tuning. It is a slow but steady process of decay, the sounds decompose continuously and die slowly. The intended life span of each plate and the resulting total performance time is determined by the metal alloys chosen, the thickness of the material, and the external influences. Part of the sculpture is a score laser engraved in a glass cube. It contains the concept, the general setup, the sonic evolution and the acoustic now-state of the plates, as well as technical details that are important for rebuilding and maintaining the sculpture. CREDITS: artistic concept and realization PAUL HAUPTMEIER & MARTIN RECKER circuits: VICTOR MAZÓN GARDOQUI drawings: ELISABETH LISELOTTE KRAUS initiated and curated by: JULIAN RIEKEN produced by: IMPULS Festival / Netzwerk IMPULS e.V. with support of: Max-Plank-Institute for Iron Research, Didactics of Physics – Humboldt-Universität of Berlin copyright: Hauptmeier | Recker – 2022 @impuls_festival @elisabethliselottekraus
28 0
2 years ago
Tonight at @aspektesalzburg with @kussquartett and @hauptmeier_recker : SONGS FOR THE END OF THE WORLD by @sara_glojnaric
86 2
2 months ago
SONGS FOR THE END OF THE WORLD by Sara Glojnarić
98 0
6 months ago
here some snippets from SCHAUM 🍻 can’t believe we made it!! look at this gorgeous child 💕 i’m so so so proud of everyone involved! Kelly @lidialucian0 Yorkie @andrea.conangla Stammgäste Alessandra, Alma, Josie, Leoni, Lilja, @melina_geo_ , Wesam Choir @queerer_chor_bremen Music @hauptmeier_recker Stage Director @andrea.conangla Text / Production @hornereckhaus Elard Lukaczik & Horner Eck Kollektiv Video and Pictures @haidary_zainab Lights Jan Philipp Bendig Costumes @daniel.angelo.nicola.pantaleo Make-Up Sylvana Lehnhoff Orantes Big shout out to Owen Harris who directed the most beautiful Black Mirror episode - San Junipero - that inspired so much my staging ❤️
0 4
7 months ago
Sofie und ich haben wieder ein Hörspiel gemacht. Wir waren in großen Studios bei @hauptmeier_recker im @z.i.m.m.t und kleinen Studios im @deutschlandfunkkultur , erst im Kopfkino, dann im richtigen Kino bei @achtberlin . @llljlllm llljlllm hat uns eingeladen und mit uns gehirnt, @lisahrdina und @julius_fmr und ganz viele nicht vertaggbare Sprecher:innen haben gesprochen. Manchmal war ich right, manchmal war ich Raith. Es ist toll geworden, heißt Kabel und Container und dreht sich um Beziehungen im Zeitalter von Kabeln und Containern. Link in Bio!
73 6
11 months ago
Vorschau: ✦ RAUM & KLANG ✦ – Spatial Audio Network Conference at ZiMMT ✦ 20. Juni / 15:30 ✦ 𝙇𝙀𝙈𝙈3𝘿 – 𝙖 𝙨𝙥𝙖𝙩𝙞𝙖𝙡 𝙘𝙤𝙢𝙥𝙤𝙨𝙞𝙩𝙞𝙤𝙣 𝙩𝙤𝙤𝙡𝙠𝙞𝙩 (𝙢𝙞𝙩 𝙇𝙞𝙫𝙚-𝘿𝙚𝙢𝙤) mit Martin Recker @hauptmeier_recker In diesem Vortrag präsentiert Martin Recker das Software-Toolkit LEMM3D, das vom Künstlerduo Hauptmeier|Recker entwickelt wurde. Die Software vereint multikanalige Klangsynthese und räumliche Gestaltung in einem intuitiven Live-Elektronik-Setup – ideal für Komposition und Performance mit Spatial Audio. ✦ Thema: Wie lassen sich Klang und Raum zu einem ausdrucksstarken Instrument verbinden? LEMM3D kombiniert Spatialisierungs-Algorithmen des IRCAM mit akusmatischer Ästhetik, DSP-Konzepten und spektromorphologischen Parametermappings zu einem innovativen spatialen Performance-Werkzeug. ✦ Fokus: Echtzeit-Komposition, elektroakustische Improvisation und kreative Raumgestaltung. Live-Demo inklusive! _________EN Preview: ✦ RAUM & KLANG ✦ – Spatial Audio Network Conference at ZiMMT ✦ 20 June / 15:30 ✦ 𝙇𝙀𝙈𝙈3𝘿 – 𝙖 𝙨𝙥𝙖𝙩𝙞𝙖𝙡 𝙘𝙤𝙢𝙥𝙤𝙨𝙞𝙩𝙞𝙤𝙣 𝙩𝙤𝙤𝙡𝙠𝙞𝙩 (𝙢𝙞𝙩 𝙇𝙞𝙫𝙚-𝘿𝙚𝙢𝙤) with Martin Recker @hauptmeier_recker In this session Martin Recker will present the software toolkit LEMM3D, developed by the artist duo Hauptmeier|Recker. The software combines multi-channel sound synthesis and spatial design in an intuitive live electronics setup - ideal for composition and performance with spatial audio. ✦ Topic: How can sound and space be combined to create an expressive instrument? LEMM3D combines IRCAM spatialisation algorithms with acousmatic aesthetics, DSP concepts and spectromorphological parameter mappings to create an innovative spatial performance tool. ✦ Focus: real-time composition, electroacoustic improvisation and creative spatial design. Live demo included! #zimmt #raumundklang #conference #network #Lemm3d #spatialaudio #spatialsound #3daudi #realtime #spatialisation #toolkit
54 2
11 months ago
🗓️ Programm: Hauptmeier|Recker In ihrer jüngsten Einzelausstellung Hydro Logical haben Hauptmeier|Recker die sich verschärfenden Probleme bezüglich Wasser auf der Insel Ibiza untersucht. Diese Probleme stehen direkt oder indirekt mit der globalen Klimakrise in Verbindung. Ähnliche Entwicklungen sind in Küstenregionen weltweit zu beobachten. Angesichts der Tatsache, dass 40 % der Weltbevölkerung in Küstengebieten leben, sind die Wasserprobleme Ibizas nicht isoliert zu betrachten, sondern vielmehr Ausdruck einer globalen Herausforderung. Im Rahmen einer künstlerischen Forschungsresidenz @sesdotzenaus haben sie ein Album aufgenommen, mit dem Ziel, verschiedene Wasserökosysteme sowie moderne und historische Wasserinfrastrukturen der Insel Ibiza musikalisch zu kartieren. Für die Installation im Künstlerhaus Nürnberg wurden diese Klänge ortsspezifisch in eine Mehrkanal-Hörumgebung integriert, die speziell angefertigte Glasspeaker, Ultraschallklangprojektion und Licht nutzt. Durch aktives Zuhören reflektiert die Ausstellung über die vielfältigen Wasserprobleme in Küstengebieten, die durch den globalen Klimawandel verstärkt werden. Klingt interessant? Dann komm zum In Between Ears Festival am 👂20.& 21. 👂 Dezember und lausche selbst. Eintritt frei! 🎟️ Weitere Eindrücke der künstlerischen Arbeit findest du direkt unter /hydro-logical/ Foto @sesdotzenaus / Gestaltung Festival Slide: Studio Gesucht #festival #performance #sound #performancefestival #soundfestival #artindtallation #composition #contemporaryart #electro #klang #globalchange #klimakrise #art #nürnberg #nürnbergevents #nürnbergkultur
60 0
1 year ago
Paul Hauptmeier und Martin Recker arbeiten in den Bereichen Komposition, Klang und multimediale Kunst. Bereits seit mehr als fünfzehn Jahren arbeiten sie als Künstlerduo unter dem Namen Hauptmeier | Recker zusammen. Das Duo ist in verschiedenen Bereichen aktiv, darunter Oper, Live-Elektronik-Performance, Radiokunst, elektroakustische Komposition und ortsspezifische Installationen. Sie sind Mitbegründer und Vorstandsmitglieder des ZiMMT – Zentrum für Immersive Medienkunst, Musik und Technologie in Leipzig. Für das ZiMMT kuratieren sie Veranstaltungen und forschen im Bereich räumliches Hören. Seit 2022 lehrt das Duo Klangkunst an der Kunsthochschule Burg Giebichenstein in Halle. Klingt interessant? Dann komm zum In Between Ears Festival am 👂20.& 21.👂Dezember und lausche selbst. Eintritt frei! 🎫 Weitere Eindrücke der künstlerischen Arbeit von Hauptmeier & Recker findest du direkt bei @hauptmeier_recker Foto 1: David Simmons; Foto 2&4: @sesdotzenaus ,Foto 5: Peter Adamic / Gestaltung Festival Slide: Studio Gesucht #festival #inbetweenears #artinstallation #sound #composition #electro #klang #hauptmeierrecker #nürnberg #nürnbergkultur #künstlerhausnürnberg #contemporaryart
103 2
1 year ago
#Invitation Join us on Saturday, November 23 at 6 PM for the closing event of The Echoing Silences of Metal and Skin. The sound art duo Paul Hauptmeier and Martin Recker will present an immersive audiovisual live performance within the Kosovo Pavilion, transforming the space into a dynamic instrument. Activating the installation’s distinctive 36-channel speaker system, the performance integrates a vibrating floor and precise ultrasonic speakers, creating a multisensory experience. Sounds are generated from digital scans of the sculptures’ 3D shapes and surfaces, projected live onto the pavilion’s wall. In this interplay, the sculptures serve as both sound generators and emitters, becoming the central focus of the performance. The Echoing Silences of Metal and Skin is presented in the National Pavilion of Kosovo at the 60th International Art Exhibition, La Biennale di Venezia, and was awarded a Special Mention at the Awards Ceremony of the 60th Edition of the Art Exhibition. Open: April 20 – November 24, 2024 Tuesday - Sunday 11:00 to 19:00 Artist: Doruntina Kastrati (@doruntinakastrati_ ) Composition and sound installation: Paul Hauptmeier and Martin Recker (@hauptmeier_recker ) Curator: Erëmirë Krasniqi (@eremirekrasniqi ) Commissioner: Hana Halilaj (@halilajhana ) Venue: Museo Storico Navale della Marina Militare (Riva S. Biasio, 2148, 30122 Venezia) Organized by the Ministry of Culture, Youth and Sport of the Republic of Kosovo.
103 1
1 year ago
We are greatful to share our new spatial-audio live-electronic set with this amazingly attentive audience @hellerau_ with @z.i.m.m.t Spatial-Audio Concert 01.11.2024 Very inspiring to talk to everyone involved in this special spatial evening. Hope to see you all soon! @poulholleman @aaronhollowaynahum @brischiiid @mudaki_sound @amelie_nilles @annaschimkat @grapes_3d_audio_control @z.i.m.m.t @hellerau_
54 2
1 year ago