Stanton Taylor

Tobias Hohn & Stanton Taylor In the Service of Reality (Mass Death – Militärhistorisches Museum der Bundeswehr, Dresden) 2025–26 layered UV and latex prints on mirror dibond and safety glass, stainless steel artists' frame, distance rings, stainless steel screws 100 x 75 cm From: something that flees the hand, Museum Kurhaus Kleve, curated by @__ostertag__ and @antantantw 📸 Ygor Souza Bahia

Stanton Taylor Perspective Study (D’Abadie) 2025 Laser prints, spray paint, acrylic binder, graphite, pencil, ink and markers on paper 16 1/2 x 11 3/4 inches By these shores I was born Last day to view the exhibition Photos by Marlon Rouse #yartgallery #stantontaylor #trinidad #exhibition #bytheseshoresiwasborn

ON VIEW Tobias Hohn & Stanton Taylor Eat Pay Love until March 7th, 2026 Image 1/2: The Nature of Love, 2026 beech wood, steel, foam, polyvinyl butyral, plexi glass, reflectors, acrylic paint, acrylic lacquer, screws; 30 x 30 x 33 cm Image 3: Reinforcement III, 2025/26 UV cured ink, chrome ink, acrylic paint, acrylic primer, varnish and newspaper on beech panel; 45 x 60 x 3 cm Image 4: Reinforcement IV, 2025/26 UV cured ink, chrome ink, acrylic paint, acrylic primer, varnish and newspaper on beech panel; 45 x 60 x 3 cm Image 5: Reinforcement II, 2025/26 UV cured ink, chrome ink, acrylic paint, acrylic primer, varnish and newspaper on beech panel; 45 x 60 x 3 cm #tobiashohnstantontaylor 📸 Ingo Kniest

ON VIEW Tobias Hohn & Stanton Taylor Eat Pay Love until March 7th, 2026 The exhibition Eat Pay Love transforms the gallery into a space where interaction, feedback, and decision-making can be experienced directly. Through a series of spatial interventions, it both enables and restricts forms of participation, shifting the roles between visitors and other actors. The recent works by Tobias Hohn & Stanton Taylor take their cue from theories of learning developed in early behavioral psychology and cybernetics, where learning is understood less as a subjective phenomenon, and more as the product of predetermined environments and routine interactions. Applied across the exhibition, this logic treats the gallery’s architecture and infrastructure as active material rather than neutral support. #tobiashohnandstantontaylor #tobiashohn #stantontaylor #eatpaylove #galeriemaxmayer 📸 Ingo Kniest

: Tobias Hohn & Stanton Taylor Für die Kinder New Yorks 09.01.2025–21.02.2025 Galerie Khoshbakht New York 📸@danielterna

: Tobias Hohn and Stanton Taylor Overton Windows I–V, 2025 Layered UV prints on mirrored dibond and acrylic glass, PVC foil, aluminium, foam board, plaster, lacquer, spray paint 70 x 50 x 6 cm 📸 @danielterna

Dr Browne in Berlin

Tobias Hohn & Stanton Taylor In the Service of Reality (Berlin, Hufelandstraße I) 2024 layered latex and UV prints on mirror dibond and acrylic glass, stainless steel brackets 35,5 x 25 cm In the Service of Reality (Berlin, Hufelandstraße II) 2024 layered latex and UV prints on mirror dibond and acrylic glass, stainless steel brackets 35,5 x 50 cm 📸 Galerie Max Mayer

Chili sin carne by Tobias Hohn & Stanton Taylor (2024)

Tobias Hohn & Stanton Taylor’s solo exhibition, In the Service of Reality, is on view through April 28. Complete documentation is now available on our website.

Thanks to everyone who came out to the opening reception and artist talk for Tobias Hohn & Stanton Taylor’s solo exhibition, In the Service of Reality. This exhibition has been in the works for a long time and it was such a joy to share it with y’all. In the Service of Reality is on view through April 28th. Gallery open hours are Thursday-Saturday from 1-6PM. For more information visit our website or email us at [email protected].

Baader-Meinhof is thrilled to present “In the Service of Reality”, the first American solo exhibition of artist duo Tobias Hohn & Stanton Taylor. Our delightfully light-filled gallery will host around thirty large-format photographs from the artists’ titular series as well as smaller treasures for the acquisitive eye. Nothing short of a visual feast, these crystalline images boast endlessly immaculate details, a multitude of curiosities, and reflections galore. But wait… so many mannequins, museums, and mirrors; what’s the deal? Our intrepid young artists set out with their cameras to document the storefronts and museums of Germany, worlds suspended between disappearance and posterity. Against the tide of irate pedestrians, not to mention inhospitable owners, they capture their subjects over extended periods of time to ensure no pixel escapes. Theirs is a world behind glass; one in step with an age when we’re seeing more than ever before and probably touching even less; where glazed images tell us precisely who we want to be, though never quite how to achieve it. __________ To read the entire press release and for more information, please visit our website. An opening reception with the artists will be held on Friday, March 8th from 6-9 PM.