Haoting

@haoting.print

RCA @rcatextiles 2024 Textile art 📮[email protected] Please email or DM for any inquiries
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Weeks posts
Winter Show Artist Focus @haoting.print Haoting Wu ‘Caressing the Anchor’ Exploring fading memory and brain fog, Haoting uses laser engraving, dye, and embroidery to capture fleeting moments inspired by Shui Mo painting: soft, blurred, and deeply intimate. 🎥 The video shows her process and delicate reflection on time and remembrance. Don’t miss it, on view for 3 more weeks!
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4 months ago
A day of staying in the studio preparing my screen prints 2025 is a year of me starting a new long term goal, still getting used to creating on my own, it’s getting more comfortable now🩶 Enjoy festive time🎄 #textileprint #vlog #artprocessreel #workvlog #dayinmylife❤️
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4 months ago
🪁FRC22 - link in bio🪁 Haoting Wu Caressing the Anchor - 3, 2025 Laser engraving, acid dye, and screen print 19 5/8 × 9 ¼ in 50 × 23.5 cm $200.00 Haoting Wu is a London-based textile designer and artist, who graduated from the Royal College of Art in London. She has exhibited in the United Kingdom, China, France and Canada. Her practice is motivated by occurrences in life; she treats fabric and print as a visual diary, an intimate space to process memory, and emotional presence. She integrates and combines different materials and techniques to deliver sentiment, includes fabric dyeing, laser engrave and screen printing.
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4 months ago
The award-winning artists’ works from the UK London International Art Competition “Real Illusions — 2025 London Contemporary Art Review Exhibition” are showcased in the media. Canadian Media: DIGITAL JOURNAL Media coverage link: /pr/news/indnewswire/uk-releases-latest-award-information-1893547017.html Featured award-winning artists: Kyle Nathan Brown @kylenathanbrownart Fiona YEH @fionayeh_ GorlayWong @gorlaywongxm Haoting Wu @haoting.print Lael Reiss @lael_reiss_ COOLBYRON @cool.byron.2022 TimothyYufit @yuffitt Shenlu Liu @bluelulemon_ #art #contemporaryart #artcompetition #UKartcompetition #UK #London #artist #USA #France #Europe #gallery #museum #curator #jury #RealIllusions #award #prize
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5 months ago
My work ‘Caressing the Anchor #2’ is participating in @orleanshousegallery Winter Show 2025🩶 Exhibition date: 28 November 2025-1 February 2026 Tuesday to Sunday, 10am-5pm Address: Stables Gallery, Orleans House Gallery TW1 3BL Very appropriate for this opportunity to join such a great exhibition and connecting with a lot of amazing local artists. Please feel free to drop by! #orleanshousegallery #textileart #londonexhibition
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5 months ago
Recently in studio 🔨
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5 months ago
Artist: Haoting Wu @haoting.print Artwork title: Caressing the Anchor #2 Medium: laser engraving, acid dye, embroidery and screen print . Walking through natural scenery while travelling, each seemingly constant landscape is a singular, unrepeatable moment. Brain fog makes my memory of reality gradually softening and blurring. Inspired by Shui Mo (Chinese painting), which captures a scene’s fleeting essence over its precise realism. . #art #artwork #artist #embroideryart #screenprint #luminoirart #luminoirartgallery
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6 months ago
Haoting Wu’s @haoting.print practice create a deep relationship with colour and texture, exploring the interplay between nature, emotion, and atmosphere. Various materials and mediums emerge in her work, including dye, laser cutting, digital embroidery and screen printing. She typically integrates and combines different materials and techniques to deliver emotion. Her goal is to be driven by colour and mood, expressing the deep, hidden emotional and psychological layers that lie beneath the surface of textiles. Caressing the Anchor #5 2025 Laser cutting engraving, acid dye, hand sewing and screen print 50.5 x 29 cm Caressing the Anchor #6 2025 Laser cutting engraving, acid dye, hand sewing and screen print 48 x 28 cm #londonexhibition #contemporaryart #emergingartists #art #textile #print
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7 months ago
‘Caressing the Anchor #4’ Medium: laser engraving, acid dye, and screen print Dimensions: L48cm x W27cm With touching, the engraved surfaces can slowly fade. @delphiangallery #delphianopencall #textileart #textileprint #galleryart #exhibition #memories #shanshui
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8 months ago
‘Caressing the Anchor #3’ Medium: laser cutting engraving, acid dye, hand sewing on wool Dimensions: L50cm x W23.5cm With touching, the engraved surfaces can slowly fade. @delphiangallery #delphianopencall #textileart #textileprint #embroidery
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9 months ago
‘Caressing the Anchor #2’ Medium: laser engraving, acid dye, hand sewing on wool Dimensions: L59cm x W29.3cm With touching, the engraved surfaces can slowly fade. #delphianopencall #textile #woolart #lanscapeart #textileprint #embroidery
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9 months ago
I am participating in the exhibition Becomig of Memory of the @artsarchive_london . Three of my works from my ongoing project are exhibiting alongside many talented and powerful artists. Very grateful for this opportunity to present my work in London and to meet new friends here. Please feel free to drop by🩶 Exhibition Date: 3rd- 8th June 2025 12-5pm Address: 185c Bankside, Part St, London SE1 9BL #artist #textileart #galleryart #londongallery #memoriesforlife #rca
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11 months ago