Hans Schabus

Opening today: „Lebt und arbeitet in Wien“ @kunsthallewien 1.5.–26.10.2026 Happy to be part of this ❤️

HAPPY EASTER Welt, 2008 stamps, loose-leaf stock pages; framed (123 frames) 93 x 1025 cm I reorganized my childhood stamp collection—about 6,000 stamps in total—by color. Along the horizontal central axis are the pure hues, arranged in a gradient from yellow, orange, red, violet, turquoise, and green, becoming lighter above and darker below. Each stamp finds its place—regardless of size, value, motif, year or country… collection of: @nmnmonaco Installationshot of the exhibition: Nichts geht mehr, 2011 @iacvilleurbanne by @blaiseadilon

Gegenstand der Verhandlung @verein.fortuna ❤️ 19.02. – 01.03.2026 slide 1, 4, 5 Fortsein im Hiersein, 2026 Aluminium, Holz, Schrauben 193 x 233 x 13 cm slide 2, 3 Rolltreppe, 2026 Kopie Werkliste (Ausstellung) und Setlist (Original gefunden nach dem Konzert der Band Rolltreppe am Fuzzstock 2025) 29,7 x 21 cm slide 6 Fortuna, 2026 Horn einer Gailtaler Kuh, Nagel 18,2 x 11,7 x 6,3 cm slide 7 Becher (S,M,L), 2015 Porzellan 6, 10, 17 x Ø 8,3 cm A, 2015 Bierflasche, Korrekturflüssigkeit, Lack 26 x Ø 6,5 cm slide 8 Get-together (Flyer), 2021 Pigmentdruck auf Büttenpapier, Graphit, Klebeband, Acrylbox-Rahmen 27,7 x 21,2 x 3,1 cm slide 9 Türschild, 2022 Türschild, Pigmentdruck auf Büttenpapier 21,5 x 15,3 x 1,3 cm slide 10 Aus der Serie ich weiß mir keinen Helfer (Fortuna), 2026 Autoaufkleber 8 x 8 cm Photos: @luxstlux

Acum-Zdaj, 2026 Publication 32 pages 3 postcards 14,8 x 10,7 cm Print Run: 100 Layout: @dorotheabrunialti The word „Now“ in 31 European languages Presentation of the publication March 7th, 7pm @fotogaleriewien together with opening of Display Cabinet by @annalerch and finisage/catalog presentation of @hiroshitakizawa0118

Opening @verein.fortuna on Thursday 19th of February, from 6 to 10 pm Photo: @ingoingobingo

Il Grande Cretto di Gibellina Alberto Burri 1984-1989/2015 Finally visiting this incredible place and walking the empty roads during a rainy afternoon. ❤️ Spanning 300 x 300 meter, the Grande Cretto by Alberto Burri (Città di Castello, 1915 - Nice, 1995) covers the ruins of the city of Gibellina which was destroyed during the night between 14th and 15th January 1968 with huge blocks of white cement. The work echoes in part the road network of the city, to preserve its memory for future generations, and sits in the landscape like a grand set design relating to the natural surroundings and in recognition of Segesta and Selinunte monuments which inspired Burri’s work. Defined by Ludovico Corrao (the post-earthquake mayor who commissioned its creation, after the 1970 appeal to artists) as a polysemantic, symbolic, dreamlike, socially aware work, the Cretto is today one of the largest and well known works of Land art (environmental art) in the world, and has preserved and amplified the story of this small Sicilian farming region. It was built in a first phase between 1984 and 1989 and then it’s been completed in 2015. (Text: Info board) 7. Ghosthand @globalinternational_2020 10. Gibellina on the morning after the earthquake in the night of 14th January 1968 (ph. Giaramidaro) #terremoto #gibellina #albertoburri #crettodiburri

Triumph of Death, 1440s‘ Palazzo Abatellis, Palermo ❤️ Unknown artist of French-Flemish School of painting. This fresco was executed on the southern wall of the inner courtyard of the late 14th - 15‘ century Palazzo Sclafani. Early in the 15“ century this building was converted into a „great new hospital“, by King Alfonso il Magnanimo. In the 1940s‘, owing to the heavy bombings, the fresco was taken out with part of the original masonry. It was placed on a stand on wheels and brought to a safer place. When, in 1954 Carlo Scarpa replanned the Palazzo Abatellis, he made the Triumph of death the focal point of the objects on display. Placed on the farthest wall of the presbytery of the original church, the fresco is visible both from below and from above, so that many significant details can be appreciated. From the upper floor where the complexity of the whole subject is unified by the central ghastly figure of Death riding a skeletal horse, the viewer can thoroughly enjoy its dramatic impact. (Exhibition text) #palazzoabatellis #scarpa #palermo #sicily

Wintertime with Trees and Logs

Some of my favorite records from 2025 (in alphabetical order) Autor - Kommen und Gehen Big Thief - Double Infinity DJ Koze - Music Can Hear Us Doechii - Alligator Bites Never Heal Die Heiterkeit - Schwarze Magie John Maus - Later than You Think Naked Lunch - Lights And A Silght Taste Of Death The New Eves - The New Eve Is Rising Jeb Loy Nichols - The house is empty without you Pauls Jets - Morgen sind wir fantasy Rosalia - Lux Vereter - Ihr seit alle ❤️ Happy New Year ❤️ @substance_recordstore @raveuprecordsvienna @sissysound @altneu.recordstore

Nur weil ich Paranoia habe heisst das noch lange nicht dass mich niemand verfolgt (Just because I’m paranoid doesn’t mean nobody’s following me) 2000 Galerie Luis Campaña, Cologne Verfolger, 2000 250 x 235 x 40 cm Shelf, photograph, wood,  lacquer, mirror, fluorescent lamp, glass Das Wissen vom Ende der Nacht, 2000 each 300 x 450 cm Printed Velvet Loch, 1999/2000 Video, 6 min 10 sek Aus der Serie: Ich weiß mir keinen Helfer (Campaña), 2000 Leather shoes Anderer Versuch über den Grenzwert, 2000 115 x 78 x 205 cm Wood   Installationshots: Bernhard Schaub #GalerieCampana #Paranoia #Forest #Hole #Digging

Hi, How Are You, 2025 Risograph print on paper 29,7 x 42 cm Edition of 12 part of and made for: PARCOURS D’ART EN VITRINES outside {In local businesses across the Pays de Montbéliard and Héricourt} 13 October - 14 November 2025 @le19crac In 2025, Le 19, Crac celebrates 30 years of exhibitions within its walls. To mark this milestone, the center is partnering with 10 local shopkeepers and Hérilab, the makerspace at the Héricourt media library, to present works by 11 artists who have played a key role in its history. This autumn, discover 11 brand-new artworks created specially for the occasion and displayed in local shops—inviting you into a poetic and unexpected encounter with art. #hihowareyou #danieljohnston #walkingthecow #risograph #kurtcobain

Atelier, 2000 Passagier, 2000 Throwback part of: I repeat myself when under stress, 2009 @mocadetroit Installationshots: @corine_vermeulen Curated by: @presenttense99 @thomas.d.trummer Atelier, 2000 room height x 10,51 x 18,65 m cabletray, railtracks, wire, clock, monitor, DVD-Player collection: @iacvilleurbanne Passagier, 2000 Video, 66 min 53 sec #studio #atelier #floorplan #detroit #fordism #repetition #motown #publictransport #passenger #iggypop