Carlos Antonio’s sculptural work reflects a quiet intensity where form, material, and memory converge. His Desierto series distills the shifting atmosphere of the desert into tactile compositions of clay, travertine powder, marble powder, and natural pigments, each surface hand-applied and left to cure outdoors. Meditative and organic, the works unfold slowly, shaped by process and ritual. Inquiries and custom work available through GRAYE.
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Inspired by the nautical world, the Sailor Float combines architectural structure with refined materiality. Steel uprights and keel-shaped shelves create a modular composition that feels both functional and sculptural, while wood, aluminum, and glass details bring warmth and contrast to the system. Available to configurate for your space at GRAYE.
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The Floyd Hi Bed is defined by its lowered headboard, where large, soft cushions rest to create a subtle interplay of height, junctions, and texture. This layered composition brings a sense of depth while maintaining clean, pure lines throughout. On view at GRAYE.
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Benjamin Juhel’s Nuit Américaine captures Los Angeles through light and darkness across urban roads and wild landscapes, inviting reflection through texture, shadow, and atmosphere. Each work is a digital color pigment print, framed in museum glass and part of an edition of 15, signed, titled, dated, and numbered. The exhibition is on view at GRAYE through May 26. For inquiries, please contact GRAYE.
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A current look inside GRAYE, where collectible design and thoughtful composition shape the gallery floor. Centered within the space, the Tube Chandelier by Michael Anastassiades creates a quiet focal point, functioning as both lighting and sculptural presence. Its vertical form brings structure, rhythm, and a sense of balance to the gallery.
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The Raki Tub Chair combines a soft, sculptural form with precise construction. Its one-piece curved plywood shell is padded for comfort and finished with fully removable fabric or leather upholstery. Designed for everyday use, it balances warmth and structure through durable materials and thoughtful detailing. Now available at GRAYE.
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The Horizon and Davis by Frigerio sit in dialogue within our sample sale, facing each other as if in conversation. Designed for modern living and the growing need for multifunctional spaces, they share a common language of comfort, versatility, and refined simplicity, shaping interiors where flexibility and ease define how we live today.
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The Extrasoft Sofa arrives at GRAYE in reflective specchio fabric, defined by a high-gloss, leather-like surface that catches and shifts with light. Its modular, soft forms create relaxed configurations, balancing comfort with a bold, luminous presence.
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Now in our gallery, Peaks arrives as a triple pendant configuration. Composed of elongated cones, its sculptural form is defined by subtle graded shading that transforms when illuminated, casting directional light across curved surfaces. When off, it reads as a minimal geometric composition; when on, it becomes a shifting study of light and form.
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Now in our gallery, the Extrasoft Sofa in luscious olive-green leather with new wooden table module.
Modular, soft, and inviting, its cozy seats can be arranged in geometric or irregular configurations. Paired with a tobacco-stained oak storage table, it brings both comfort and functionality to your space.
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Discover the Agetti chair, now in our gallery in custom fabric. Compact and architectural, it combines sharp lines with unexpected comfort. Expertly crafted seams, reinforced support, and tactile fabrics make it a sculptural and cozy addition to any space.
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Designed as more than storage, Porro’s closet system transforms organization into an architectural element. At GRAYE, it is approached as a fully tailored process, with every material, finish, configuration, and lighting detail customizable to suit each space. Its modular structure allows for personalized compositions that balance display and concealment, creating a seamless sense of space defined by function, flexibility, and visual clarity.
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