New work for my good friends in @the_unending
Tour poster artwork and design for their western Canada run this summer. Some spooky, ritualistic vibes for this one. I love how the colours came out. Swipe for details.
Happily Never After.
Cover Artwork commission for the incredible guys in @invent_animate for their new single âFall Like Rainâ. I had a blast working with Keaton to bring their vision to life for this. The concept ended up becoming something that feels deeply evocative and emotionally profound to me.
The process was unique to make this one come to life. I staged the scene in Blender, but used several different renders ranging from high detail to some weird, mid-render previews that had lots of imperfections to stack and blend it all together in Photoshop. There were a lot of âhappy accidentsâ that contributed to the final composition. Huge thank you to @inventkeykey for the trust and collaboration. Thank you all for looking.
Happily Never After.
Single Cover artwork for âWombâ the new song from @i.o.n.band grateful for the trust from the band on this. I always love getting to work with bands in my own scene, but this one is special. The band approached Quinn and I last year to work with Overthrone, but shortly after, their vocalist @greggorwilliams was diagnosed with a rare form of spinal cancer. The path forward became uncertain for the band, and they turned their focus towards raising financial support for Greggor while he started treatment.
Iâve been donating my time and skills to give this incredible band the visual excellence they deserve, these songs are amazing and deserve to look as good as they sound. Please go support the band and Greggor, a link to his GoFundMe can be found through their social channels/website, etc.
đ¤
I had the pleasure of working with @fkarayne to bring her vision for the âSuturesâ EP cover art and layout to life. Photography was shot by @meganmagdalena in an actual morgue, and I took her incredible work to build a moody scene and zombified FKA Rayne, complete with fun details like post-mortem examination sutures (see what we did there?). I also crafted a bold, new text logo and icon for her. Really fun project for a lovely human being and talented artist.
Thanks for looking!
Happily Never After.
I had the pleasure of creating these YouTube streaming animated videos for the new @erraband record âsilence outlives the earthâ. I used assets taken from the incredible work @danbarkle did on the album artwork and layout (along with the majority of the other visuals for the record). Crafted in After Effects, this is pretty simple next to some of the insane visual work he did for the record, but Iâm grateful to contribute as well.
Thanks for looking!
I love getting to make cool stuff for my friends đ¤ cover artwork and new logo treatment for âPraise The Sunâ by @madbombband These dudes are my hometown buddies making sad boy emo rock. Iâve known these guys for the better part of a decade in various local music projects. Weâve played a bunch of shows together. My own bandâs vocalist has been in bands with these guys in the past. Thereâs just something special about getting to create with the people youâre close with.
This oneâs for the soulslike nerds. If you know, you know.
âHappy Never Afterâ
An exploration of type, texture and colour. Iâm really enjoying how reticulation texture looks applied to simple colour palettes. Swipe for details.
The phrase started as a clever pun that felt on brand for me when I was exploring a clearer vision for myself as a creative. But sitting with it over the last year, itâs evolved into something more profound. Iâm not chasing a fairy tale ending. I donât want it to end. I want the story to continue, getting lost in side quests while on the journey.
Thanks for looking
The debut EP âSwansongâ from @findthepariah has been out for a week now. This whole project has been a long labour of love. I started sending Quinn cover art concepts for the initial visual direction almost a year ago. It went through some iterations before it became what it is.
Really proud of the whole concept and how it executed. I had to push and challenge myself to learn a bunch of skills in 3D modelling and rendering to make this all happen. It was a project that was discovery along the way while creating it. Thanks always for the trust and collaboration, Quinn. Your creative brain is wicked and itâs cool to always see what comes out of us working together.
