@mbfashionweektbilisi
GOD ERA Fall/Winter 2026
New collection shown at Mercedes-Benz Fashion Week Tbilisi.
08 May · 17:00 · Factory Tbilisi
By invitation only.
FW26
Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.
photos @ruskaosiashvili@nucaosiashvili@rosistudios model @streetscasting@nic0le11111
FW26
Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.
photos @ruskaosiashvili@nucaosiashvili@rosistudios model @streetscasting@christinaa__c
FW26
Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.
photos @ruskaosiashvili@nucaosiashvili@rosistudios model @streetscasting@christinaa__c
FW26
Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.
photos @ruskaosiashvili@nucaosiashvili@rosistudios model @streetscasting@christinaa__c
FW26
Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.
photos @ruskaosiashvili@nucaosiashvili@rosistudios model @streetscasting@nic0le11111
FW26
Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.
photos @ruskaosiashvili@nucaosiashvili@rosistudios model @streetscasting@nic0le11111
FW26
Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.
photos @ruskaosiashvili@nucaosiashvili@rosistudios model @streetscasting@nic0le11111
FW26
Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.
photos @ruskaosiashvili@nucaosiashvili@rosistudios model @streetscasting@nic0le11111
FW26
Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.
photos @ruskaosiashvili@nucaosiashvili@rosistudios model @streetscasting@nic0le11111
