Home ged4sPosts

Gediminas Rimeika

@ged4s

Theatre Actor/Director based in Vilnius @teatras.lt @mmlaboratorija @lowair_theatre @airosdancetheatre part time dj aka sekta
Followers
1,271
Following
820
Account Insight
Score
26.46%
Index
Health Rate
%
Users Ratio
2:1
Weeks posts
👻 casper visited
12 0
2 hours ago
Link in soundcloud bio:::::Whispers of the Asylum — Patient 004: urttttttte @urttttttte Admission Record Patient 004 does not enter through the main corridor. She arrives through sound itself. Urttttttte was trained in structure - violin, precision, repetition, discipline. Notes placed exactly where they belong. Emotion controlled, shaped, contained. But exposure began early. Clubs replaced rehearsal rooms. Patterns broke. The body learned rhythm before permission was given. Initial influence traced back to Patient 001 - Arkhad. First contact with underground frequencies resulted in genre detachment syndrome: refusal to remain within one sound identity. Her condition presents as global. She does not isolate styles - she collects them. Fragments of electro, distant rhythms, unfamiliar scales, textures from places the Asylum cannot map. Everything enters. Nothing stays pure. When her session begins, the ward loses its borders. Strings are no longer instruments - they become tension in the air. Rhythms arrive from different directions, not asking to align. Patients report confusion at first, followed by curiosity, then surrender. This is not control. This is flow. Mid-session, the structure dissolves completely. The Asylum stops behaving like an institution. It becomes a crossing point - cultures, memories, and sounds overlapping without hierarchy. Staff cannot categorize the frequencies. Protocol fails. Urttttttte does not force the room. She opens it. Some patients feel lost. Others feel, for the first time, that they are not confined. By the end, nothing returns to its original place. Not the sound. Not the listeners. Diagnosis: Genre fluidity / boundary collapse Trigger: Early exposure to underground signal Condition: Uncontainable Status: Expanding Cover design by E III I @kochuem
35 0
6 days ago
Sekta, ankstyvųjų 2000-ųjų underground electro dvasia alsuojanti selekcija. Lėti breakbeat ritmai, iškraipytos bosinės linijos ir sodriai prisotintos tekstūros, balansuojančios tarp nu electro ir distopinio dub skambesio. Čia susilieja keistos, tarsi iškreiptos melodijos, „nusidėvėję“ sintezatorių garsai ir vaiduokliški vokalų fragmentai, kuriantys nepatogią, bet įtraukiančią atmosferą. Skaitmeninių archyvų ir kasečių kolekcionierius, nuolat ieškantis, kas slypi tarp laiko paveiktų įrašų ir pamirštų formatų. - A selection infused with the spirit of early 2000s underground electro. Slow breakbeat rhythms, distorted basslines, and richly saturated textures balancing between nu electro and dystopian dub aesthetics. Here, strange, almost warped melodies merge with worn-out synthesizer tones and ghostly vocal fragments, creating an uneasy yet immersive atmosphere. A collector of digital archives and cassettes, constantly searching for what lies hidden within time-worn recordings and forgotten formats.
34 0
12 days ago
number of the beast @sirdukas13
20 0
20 days ago
birthday myth tells of Odin hanging from Yggdrasil for nine days and nights to gain knowledge of the runes. 📸 @kochuem
46 0
1 month ago
As dj sekta, yesterday was a 3-year celebration on @radiovilnius . This first picture represents what you can actually hear each time you tune in to my shows, but mostly everything happens in a cemetery. Most of my music circles around electro, nu electro, post-punk, dystopian dub, and slowed drum & bass, with some samples from cassettes, sooooo i invite all listeners to take a deep dive into a dark, sometimes unsettling journey of my taste in music, which will be honest and true first to myself, and then to listeners all around. Thank you @radiovilnius for the trust and freedom, for letting the waves of electricity flow. And thanx to all the listeners and support! Snippets in next slides
52 6
1 month ago
we slowly rot 🐸🌿
30 2
1 month ago
Hi Electro Techno Lovers. This is Bunkerlau dj set 027. This time we have @ged4s Gediminas Rimeika, DJ SEKTA 35 years of age Vilnius-based artist from Lithuania, his creative work moves between theatre and electronic music. With a background deeply rooted in stagecraft. Electronic music has been a constant presence throughout HIS life, shaping a style that is intuitive yet deliberate SEKTA invites you to a journey through gritty basslines, off-grid electro breaks, and stark atmospheres that privilege attitude over nostalgia. The aesthetic stays firmly underground intimate, nocturnal, and uncompromising connecting past electro mutations with present-day machine funk. Thank you so much for sharing your music, your integrity and your word, and for being so great! NON STOP!!!! Ful mix on Soundcloud /bunkerlaw/sekta #electro #techno #dj #set #thanks
37 3
1 month ago
sinners 📸olympus
76 4
1 month ago
Every detail in every track is a special movement. It’s what you feel when you walk out into a dark city full of flickering lights, trees passing by, sounds coming out of bars, and the party you just walked out of - following you through car alarms and phone vibrations. Unwanted aliens and shimmering river. Cold and warm. Flashbacks of memories kick in and you ravel. @radiovilnius /gediminasr/radiovilnius-2-23-sekta A mixtape for anyone from sekta — from electro Lemon Shaden – 6 AM Ballad to L.F.T., to Boreal Massif, to Lithuanian underground punk darlings IVTKYGYG. cover from Blair Witch Project #electro #darkelectro #undergroundelectro #industrialelectro #rawelectro
26 0
2 months ago
The Asylum remembers Digimas. @d.digimas Before the walls had names, before the wards were mapped, there were nights without permission illegal raves stitched together by generators, sweat, and borrowed electricity. Digimas comes from those nights. Years spent organizing illegal raves in the UK, witnessing scenes that burned themselves into memory euphoria, collapse, unity, chaos. He learned early that sound could hold people together when everything else fell apart. Now he lives far from the city, in the countryside. Digimas started dragging ravers out of cities, expanding rave culture and dreaming about rave tourism, keeping the fire alive when silence threatened to win. From this impulse, Alchemikai was born gatherings in Rokiškis where electro still burns raw, honest, and necessary. The Session begins There is no warning tone, no soft entry. A current runs through the ward as Digimas connects to the system a familiar, unauthorized power source. The lights flicker, then stabilize. The Asylum recognizes him. This patient does not display psychosis. Instead, he presents chronic rhythms— an incurable condition marked by repetition, gathering behavior, and an abnormal resistance to silence. As the music progresses, the ward responds. Patients stop walking. Murmurs align into tempo. Sound synchronized. The architecture itself seems to remember illegal nights and concrete corridors, sealed doors, spaces never meant to hold this many bodies at once. Subjects report smelling smoke in abandoned rooms, seeing flashes of UK warehouse interiors, and experiencing deja vu linked to unlicensed gatherings. These visions are not distressing. On the contrary, they appear stabilizing. Wide frequencies. Open space. The ward feels less enclosed, as if the walls have moved back a few meters. Digimas is no longer responding to institutional parameters. Patients follow without instruction. The Asylum shifts from containment facility to temporary autonomous zone. Session termination does not result in collapse. No screaming, no barking just only realization that the disease is not madness but the refusal to let the rave die. Cover @kochuem Status: Ongoing. Containment: Failed
20 0
3 months ago
Interpretuodami klasikinę Pedro Calderóno de la Barcos pjesę, spektaklio „Gyvenimas – tai sapnas“ kūrėjai analizuoja konfliktą tarp laisvos valios ir lemties, nagrinėja teisingumo ir išminties klausimus. Olesio Makukhino scenografija, Sandros Straukaitės kostiumai, Paweło Sakowicziaus choreografija ir Agnės Matulevičiūtės muzika prisideda prie aktorių kuriamų gyvų sapniškų paveikslų. Artimiausias rodymas – sekmadienį, sausio 11 d., 19 val.! Bilietai: www.teatras.lt
55 1
4 months ago