Gbemi in Ziada : The Archival Journey

@gbemi.sofoworaaj

an ongoing record by @gbemi.sofowora - hand-built forms clay, mixed media for preservation - everyday objects @yeloziada
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Weeks posts
GiZ : entry 152 Her Crown May 2026 Lagos, Nig.
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4 days ago
GiZ : entry 151 Olori’s Mask Apr. 2026 Georgia, US
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19 days ago
GiZ : entry 150 Jaiye December 2025 Lagos, Nig.
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21 days ago
GiZ : entry 149 Jaiye! December 2025 Lagos, Nig.
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21 days ago
GiZ : entry 148 Gift of the Land Jaiye, December 2025 Lagos, Nig.
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21 days ago
GiZ : entry 147 Gift of the Land Earthenware Acrylic 24cmH x 27cm Opening A form that feels like ‘welcome’, you’re welcome home. With its wide generous mouth expanding from a narrow soft neck. The body follows the way Ankara gathers, bends, drops and settles when worn with pride. A vessel with a white base, almost like a clean foundation that allows the other colours to breathe. The exterior carries repeating circular motifs similar to the printed rhythms of Ankara patterns that hold stories of community, unity, and vibrant identity. The bronze shimmer recalls festive wrappers and catching the glint of jewellery at a family gathering. Jaiye, December 2025 Lagos, Nig.
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21 days ago
GiZ : entry 146 Mother of the Earth Jaiye, December 2025 Lagos, Nig.
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21 days ago
GiZ : entry 145 Mother of the Earth Earthenware Acrylic 28cmH x 29cm Opening She rises like the warm silhouette of a woman, a sculptural bust held between waist and chest, opening gently at the top like come home, it might be a long journey but come receive a hug. This vessel carries the palette of sunrise and sunset, the colours of soil, of warmth, of land after rain. These tones intentionally taken from Sanyan, the woven cloth of ceremony, lineage, and honour. The form is wrapped with skin markings, the lines, ila that tell stories of identity and heritage on the body. These markings ripple like the subtle folds of a wrapper when a woman moves through a gathering, dances, bends to greet, or leans in for an embrace Jaiye, December 2025 Lagos, Nig.
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21 days ago
GiZ : entry 144 the Water that Dances Jaiye, December 2025 Lagos, Nig.
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22 days ago
GiZ : entry 143 the Water that Dances Earthenware Acrylic 23cmH x 30cm Opening The inspiration for this vessel is the adire tradition. Its a fabric we wear, a fabric that symbolises family. The true spirit of December, when families return home, Lagos becomes alive. Fabrics move as freely as the people wearing them. I’ve carved into the surface following adire cloth making traditional patterns. • Agbo’lè, the compound motif, honouring the idea of homecoming, shared courtyards, and the warmth of belonging. • Arewa, the northern star, a reminder that no matter how far we travel, we find our way home. • Elewe Merin, the four-leaf form, representing balance, unity, and the easy harmony found when families reunite. Shades of blue are layered across, similar to the way adire artisans dye cloth - dip, lift, dip in a repetitive pattern. So, water, rhythm, repetition. Jaiye, December 2025 Lagos, Nig.
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22 days ago
GiZ : entry 142 Part 2 of 2 Jaiye is inspired by Yoruba sensibilities through form, texture and lineage. Jaiye is choosing to explore the everyday movements we experience during celebration, how fabrics dance, how they are held and folded. These motions become sculpture, captured in clay but remain alive. December 2025 Lagos, Nig.
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22 days ago
GiZ : entry 141 the Bag that Carried Us Jaiye, December 2025 Lagos, Nig.
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22 days ago