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Djibril Drame

@gadaay

Eagle of Cheikh Moussa Toure | Visual Art & Love Spreading | May 16th - June 16th @octobergallerylondon
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Guidées par les envoutantes voix de @black_goddess221 et Zeina, hier, nous avons presenté "Waañ Wi" de @gadaay et Këru Jigeen Ñi à Saint-Louis, dans le cadre de l'off du @festivalsaintlouisjazz . Merci @ndarweesul pour l'accueil et l'organisation du vernissage. L'expo reste ouverte jusqu'à fin juin. Laissez-vous vous emporter par l'esprit d'#AminataFall... Curaté par @diamamdu 📸 @ndarnataal @massow_ka @estrellasenfer
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Developed during a residency in Dëkandoo, Senegal, W a a ñ W i emerges through relational encounters: conversations, meals, songs, and material practice. Dialogue with Absa Guindo, director of Këru Jigeen Ñi, shifted authorship from individual to collective, grounding the project in feminist collaboration. The project resists solitary authorship; women’s hands, instincts, and knowledge shape the works, reflecting collective care and Bugul’s nonlinear narrative approach. Extending Forgotten Icons, Waañ Wi honors under-archived women whose practices inform contemporary resistance and world-making. C o n t r i b u t o r s : Absa Guindo - Këru Jigeen Ñi Mani Kallé - Ban ak Suuf Mamadou Dia / Beleu Boy - Ëttu Gandiol Residency Research : Laura Feal Seynabou Faye - Documentation Moussa Boye - Montage son Massow Ka - Assistant Photo Maguette Diagne - As Aminata Fall Amina Niang - As Aminata Spectrum Curator : Mamadou Dia Show is open from May 14 to June 30, 2026 at Ndar Wessul, Saint Louis Opening acts : Zeyna and Khady Kane Fall Photography : Binta Z Diop
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Waañ wi est l’endroit où l’on cuisine les rêves de demain ou où l’on ravive ceux d’hier, pour les garder bien présents. Lui, il s’y est rendu chaque matin, comme un rituel, nous offrant à nous, voisins de Dëkandoo, des petits-déjeuners riches en couleurs et en rires, servant à préparer avec énergie la journée qui commence. Car Waañ bi, c’est cela. Un espace politique de femmes -de personnes plutôt -, qui se réunissent, se respectent et s’écoutent. Mais aussi qui se plaignent et se lamentent — pour cela existe le jazz. Texte : Laura Féal Vernissage ce 14 mai à @ndarweesul
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4 days ago
Le prochain 14 mai on aura le plaisir de vous présenter l'exposition WAAÑ WI de Djibril Drame @gadaay et Keru Jigeen Ñi (@hahataygandiol ) ❣ Dans le cadre du @festivalsaintlouisjazz nous partagerons ce travail de recherche sur la figure d'#AminataFall dive saintlouisienne de la musique et du cinéma. ❣ À travers une cartographie sensible où la terre, la voix et le geste pictural se rencontrent, Djibril Drame capte l’énergie indomptable d’Aminata Fall — son cri, sa prière, son rire intérieur, sa liberté - et la transforme en matière vivante. Vernissage: 14 mai 2026, à partir de 16h à @ndarweesul
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INHERITING THE FUTURE April 16th to May 16th October Gallery presents a dynamic group exhibition of intriguing works by Zana Masombuka, Eddy Kamuanga Ilunga, Alexis Peskine, and Djibril Dramé. Displaying painting, sculpture and photography, this multilayered exhibition explores how each artist understands their own identity as a function of a specific heritage—blending past histories, cultural traditions and spiritual legacies—while acknowledging the changing environments in which they’ve developed and the disruptive impacts of globalisation. Curated and Powered by @octobergallerylondon 📸 @jonathangreetphotographer
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Over ten months in 2025–26, Pacific traveled to five cities across Africa with the African Film and Media Arts Collective ( @a.f.m.a.c ) documenting the organization's work with local partners and directing a series of social films. In each city — Lagos, Tangier, Nairobi, Dakar, and Cape Town — we collaborated with local photographers to capture the creative communities and daily life of the places they call home. In Dakar, we had the privilege of working with photographer and artist Djibril Dramé. Djibril's practice is rooted in the spiritual ethos of the Baye Fall Sufi brotherhood, weaving poetic and politically engaged approaches to cultural memory with contemporary African aesthetics. Seeing Dakar through his lens was unforgettable. We'll be sharing photos from all five cities in the coming week. AFMAC is a platform championing African filmmakers, media artists, and cultural visionaries across the continent and diaspora. Pacific is honored to work alongside Julie Mehretu, Mehret Mandefro, and @bmwgroupculture on this vital initiative.
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Next week, ‘Inheriting the Future’ opens at October Gallery, bringing together works by Djibril Dramé, Alexis Peskine, Zana Masombuka and Eddy Kamuanga Ilunga. The exhibition introduces photographic works by Djibril Dramé, whose practice weaves poetic and philosophically engaged reflections on cultural memory with contemporary African aesthetics. Through these portraits, he explores the inner beauty and layered identity of the Baye Fall Sufi Brotherhood, in which service to others is understood as a form of spiritual devotion. 🗓️ ‘Inheriting the Future’ runs from 16th April – 16th May, 2026. Featuring: @gadaay @eddykamuanga @alexispeskine @ndebelesuperhero _________________ Djibril Dramé, ‘Ndewendeul Series: Sama Xarit’, 2022. Print on Hahnemühle photorag 308g paper, 120 x 80 cm.
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* Djibril Drame
Forgotten Icons 8, 2021
Giclee Print 
80 x 120 cm
Limited Edition 3/10
 Currently at @dadagallery in Lagos
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1 month ago
SEEING OTHERWISE Seeing Otherwise brings together interlinked exhibitions unfolding across Cape Town, South Africa and Lagos, Nigeria. Conceived as a single structure expressed across two cities, each site approaches photography as a practice of crossing rather than a medium of capture. In the hands of Kelani Abass, Delali Ayivi, Nuits Balnéaires, Djibril Drame, Yagazie Emezi, and Sharon Walters, images do not resolve into evidence; they are worked, layered, and re-situated to operate as passages between the visible and the sensed. What binds each practice is a shared attention to spiritual–material entanglement: an understanding that images are not inert surfaces, and that belief is never detached from the gestures and environments through which it moves. Alongside @nuits_balneaires @abass.kelani @yagazieemezi @london_artist1 @delaliayivi Curated by @thedadagallery
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Djibril Drame Ama Aidoo, 2024 Toile de Jouy Screen Printed On Raabal, Photography Printed on Fabrics 115 x 97 cm Currently at @thedadagallery in Lagos
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Our group exhibition Seeing Otherwise opens tonight in Cape Town❕🌀The exhibition brings together interlinked exhibitions across Cape Town and Lagos. The show in Cape Town features Djibril Drame, Yagazie Emezi and Delali Ayivi. Djibril Dramé is a Senegalese multidisciplinary artist whose practice is rooted in the spiritual ethos of the Baye Fall Sufi brotherhood. His work weaves poetic and politically engaged approaches to cultural memory with contemporary African aesthetics. We are presenting two works from his critically acclaimed ‘Forgotten Icons’ series which celebrates two women Senegalese artists — traditional singer Yande Codou Sene and tassukat Aby Gana Diop. Both women represent a radical shift from the norm in Senegalese music, redefining genres and creating reverbrating impact through their art. Opening Reception 21 February, 6pm Art + Industry Gallery 42 Dorp Street, City Centre Cape Town 8000
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2 months ago
Et si Aminata s’était réincarnée ? Wañ wi, Film Photography ( Nikon F 3 ), Fine Art Print on hahnemule Photo Rag 308G, Gandiol, Sénégal 2025 Size : 80 cm x 120 cm Edition limited : 1/ 3 + 2 Artists proof On view this december 29th during @festivaltaarugandiol | Powered by @dekandoo | organized by @laurafeal
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4 months ago