A fine follow up to the Behold! kit. Maybe I’ll run them together later…
Fred Briggs’ Invading Cannibal Ladybirds is a big enjoyable mess of a thing. Distortion into delay with starve, filtering, feeeback and oscillation. What’s not to love?
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With so many pedals around it can be hard to keep track. Fortunately we discovered the Black Cat is a direct copy of the Seamoon Fresh Fuzz. Too late to stop the PCB order, but in time to save the bother of building it.
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A doozy of a store addition today. Behold! is a crazy reverb/fuzz mash up, capable of all manner of textural, fuzzed out fun and sopping wet drones. Shame we’re down to our last reverb brick in store. Better get a restock order in…
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Today we have - you guessed it - the Red Spike Fuzz.
Red channel of the Spires, it’s a silicon-based rework of the Dream Crusher. What a delight it is.
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Back to work with a massive bang, after managing most of the weekend off. Still time to list another new kit.
Green Spike Fuzz is based on the Rosac Nu-Fuzz, being one half of the discontinued Spires Dual Fuzz. It’s a beaut.
Wonder what tomorrow will bring….
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Monday brings the much requested RunOffGroove Splitter-Blend to the store.
Split your signal into two separate effects loops and blend them back together. Includes a toggle to flip the phase of one loop in case of cancellation issues.
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Sunday’s new kit is the Deceased Dobbin. A Tube Screamer tweaked to provide the perfect range of boost in front of a high-gain amp for epic chugging.
17 year old me would have loved this.
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Into the weekend with the Citric Magic boost/drive. Lots of tweaking options on this one to perfectly slot into any setup.
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This one’s a beaut for our bass buds. As close as you’ll get to Lemmy’s signature grind in a little 9V powered box. (Also works on guitars).
Bass Engine is in store now.
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Still on a roll and there’s no end in sight…
Today we have the Tube Steak. Based on the Tube Sound Fuzz (Red Llama / Chupacabra), but more…
Way Huge took the Llama design and used it at the back end of the Fat Sandwich, but rather than leave the unused inverters hanging they had three in parallel per gain stage. The result is similar but ‘more’. Harmonically richer and just oomphier. You won’t regret it.
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The Satch will transport you to a studio in the 80s, pushing the preamps on an Akai reel to reel for some dirt. Apparently.
It’s a straight up Super Hard On clone with a master volume (great idea! see our Master Boner), and a bunch of clipping options. That being said, it works really well. Use it with just the cranked gain, or add any combination of the three clipping switches to get your grit just right.
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We were hoping to bring you the Wylie MoonRock / Coyote, but after some playing around we’re simply not convinced enough to bring it to store.
We’ve based it on the embellished design from the good people at DeadEndFx, but it’s just not doing it for us. We’ve tried a stripped back to basics version but it too is lacking.
That’s enough time on this one for now. To be continued when there’s a clean bench.
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