The Piaget Polo was never designed to follow convention. Introduced in 1979, it blurred the line between watchmaking and jewelry so completely that Yves Piaget famously described it as “a bracelet featuring a watch.”
This mid-sized round example captures that original vision perfectly. The uninterrupted rhythm of polished, diamond set, gadroons and brushed gold surfaces flows seamlessly from case to bracelet, while the hidden crown and slim profile reinforce the illusion that the watch simply belongs on the wrist rather than sits upon it.
Few watches capture the atmosphere of late 20th century luxury quite like an early Polo. Elegant without trying to impress, technically refined without appearing complicated, and unmistakably Piaget in every detail.
The Cartier Tank Louis remains one of the few watch designs that transcends eras without ever needing reinvention. This example, paired with an 18 carat yellow gold beaded bracelet, shifts the Tank from pure horology into the world of jewellery and object design. The rigid geometry of the case sits against the softness of the bracelet with remarkable balance.
A piece that speaks quietly, but with absolute confidence. Cartier understood better than most that true luxury rarely needs excess.
Available on the website now. Click the link to add this to your collection
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The original Range Rover remains one of the great industrial designs of the late twentieth century. Functional, restrained, and unmistakably British, it blurred the line between utility vehicle and luxury object long before the modern SUV existed.
This sculptural crystal interpretation was produced in France by Daum and designed by Claude Nicolas, whose work moved between the worlds of fashion, decorative arts, and industrial design. Cast in clear crystal with frosted detailing, the model transforms the familiar silhouette into something closer to modernist sculpture than traditional automobilia.
An unusual intersection of automotive history and French decorative arts, retaining its original presentation box from Kan International. Quietly extravagant in the way only the late twentieth century could produce. Now on the website.
The Cartier Santos Carrée remains one of the most important expressions of late 20th century watch design. Originally conceived from the codes established by Louis Cartier in the early 1900s, the Carrée refined the Santos into something sharper, more architectural, and unmistakably of its era.
This “ghost dial” configuration is among the most elusive variations of the reference. The slate grey surface shifts constantly depending on light, moving from charcoal to soft metallic graphite, while the faded signature and monochromatic palette give the watch an almost industrial restraint. Against the brushed steel and yellow gold case, the effect is subtle but remarkably modern.
Few watches from the 1980s feel as relevant today as the Santos Carrée. This example reminds you why.
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The bicycle was one of the great symbols of progress at the turn of the 20th century. It offered speed, independence, and a new sense of freedom to everyday life. For many women in particular, it became a quietly radical object, representing movement on one’s own terms.
This fabulous pin, or brooch, crafted in 15 carat gold, transforms that modern machine into something enduring. A miniature tribute to an age defined by optimism, ingenuity, and change.
An object of charm, but also of meaning.
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A gentleman’s flask was once considered as essential as a watch or cufflinks. Kept in a coat pocket for a cold day, a long journey, or a discreet toast, they were both practical objects and reflections of personal style.
This example stands apart for its unusual pear-shaped form and removable cup, a thoughtful detail that speaks to the elegance of its era. Compact, beautifully made, and easy to carry, it has the sort of charm that only comes with age and use.
A wonderful piece of antique Victorian silver that feels just as relevant today, whether kept on a bar, packed for a weekend away, or slipped into a coat pocket for the right occasion.
Now on the website. Click the link to learn more.
Not every Gérald Genta watch was designed to be sporty or restrained. The Success and Octagonal collections gave him room to be more expressive, combining stepped octagonal cases, integrated bracelets and highly decorative complications into something far more architectural.
This example is a perfect reflection of that period. The yellow gold case and bracelet have a softness to them that feels closer to jewellery than traditional watchmaking, while the calendar display is his own unique twist to it. Gérald Genta was one of the first to use hardstone dials and unusual materials in serious watchmaking, and pieces like this show just how far ahead of his time he really was.
An overlooked and highly distinctive chapter in the Gérald Genta story.
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A study in surface and light.
The hematite signet is all precision. A material long favoured for intaglio work, its dense, mirror-like surface allows for crisp engraving and a quiet, almost architectural presence. It speaks in a restrained tone, rooted in centuries of tradition.
Beside it, the tiger’s eye offers something altogether different. Set in a stepped Art Deco mount, the stone shifts with movement, its bands of golden brown catching the light with a soft, fluid depth. Favoured historically as both ornament and talisman, it carries a sense of strength and protection, while the mounting gives it a stage-like presence.
Two distinct expressions of the signet. One defined by line, the other by motion.
Now on the website. Click the links to add these to your spring rotation.
A stunning bracelet with plenty of presence.
Crafted in 18 carat gold, this striking multi-link bracelet combines yellow and white gold to create a rich two-tone effect across the wrist. The alternating colours highlight the sculptural form of the links while giving the piece depth and movement.
Multi-link bracelets became especially popular in the mid-20th century as jewellers explored bold gold designs that balanced strength with fluidity. The interlocking construction allows the bracelet to drape comfortably while still carrying the visual weight that makes pieces like this so appealing.
A confident bracelet that pairs beautifully with a watch or stands perfectly well on its own.
Now on the website.
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A good summer look often comes down to the details. The right pieces of jewellery add texture, colour and character without feeling heavy or overworked.
Braided gold has a long tradition in jewellery, drawing on the visual language of woven chains and rope work that date back to antiquity. These 18 carat gold cufflinks wrap that idea into a sculptural form, with the braided gold coiling elegantly around itself to create depth and movement.
For a touch of colour, turquoise has been prized for thousands of years for its vivid blue tone. Set into a bold stepped signet ring in 14 carat gold, the stone provides a striking contrast to the warm gold and brings a relaxed confidence that suits the season perfectly.
Two very different pieces, but together they make an easy way to step up your summer jewellery game.
Now on the website.
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A classic that never goes out of style. This handsome graduated soft curb link necklace is crafted in solid fourteen carat yellow gold, with each link gently graduating in size toward the centre. The soft curb construction allows the chain to sit smoothly against the neck, giving it a fluid, easy drape that feels as good as it looks.
The curb link itself has its roots in equestrian tack, where the flattened interlocking links of curb chains were prized for their strength and flexibility. By the Victorian era the same design had been adopted by goldsmiths for pocket watch chains and gentleman’s jewellery, prized for its durability and refined simplicity.
More than a century later the design remains largely unchanged. Pieces like this show exactly why. Clean, balanced and endlessly wearable.
Now on the website. Click the link to learn more.
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The Panthère is one of Cartier’s most recognisable creations. Introduced in 1983, it perfectly captures the maison’s ability to blur the line between jewellery and watchmaking. Designed to sit on the wrist like a bracelet rather than a conventional watch, the Panthère quickly became a symbol of understated luxury.
This example features the classic three-row bracelet in stainless steel and 18-carat yellow gold. The supple brick links articulate beautifully on the wrist, giving the watch its distinctive fluidity. Paired with the signature square case, Roman numerals, blued steel hands and sapphire cabochon crown, it is unmistakably Cartier.
Elegant, refined and effortlessly wearable, the Panthère remains one of the great jewellery watches of the late twentieth century.
Now on the website. Click the link to learn more.
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