Three votive monoliths on the Kingship of Christ:
Infinite in glory, yet emptied in the Incarnation.
One sacrifice, made forever present in the Mass.
Judgment, held with infinite mercy.
Stone, screen, and prayer.
Pilgrim: Shaughnessey Cudmore-Keating
#SacredArt #CatholicArt #StoneCarving #Typography #KingshipOfChrist
Should there be more Latin type in the world? Absolutely.
RISO specimen book of @fontstruct typefaces generated by IU Graphic Design: Typography students.
Participants:
Bryn Pfanschmidt
Luke Dudley
Caydence Johnson
Laela Johnson
Lauren Turner
Jordyn Reens
@angeleeblock
Maya Lowe
@bucky.a_
Printing with @megansmithart ✨
#riso #risoprint #typography #typedesign
Stone Carved, GFX Typographic Specimen:
Part of three votive monoliths that offer a tripartite, non-secuential meditation on the unique antipodal character of the Kingship of Christ.
1. His Glory, being infinite (having no beginning or end), yet emptied of all glory by His temporal incarnation on earth.
2. His Sacrifice, offered once in time, yet made always present in the celebration of the Holy Sacrifice of the Mass.
3. His Judgment, being just and firm, yet balanced by His infinite mercy when we seek to amend our hearts.
#indianalimestone #stonecarving #lettercutting #typography #arduino
Special Thanks: @adafruit@elliottearls
Stone Carved, GFX Typographic Specimen:
Part of three votive monoliths that offer a tripartite, non-secuential meditation on the unique antipodal character of the Kingship of Christ.
1. His Glory, being infinite (having no beginning or end), yet emptied of all glory by His temporal incarnation on earth.
2. His Sacrifice, offered once in time, yet made always present in the celebration of the Holy Sacrifice of the Mass.
3. His Judgment, being just and firm, yet balanced by His infinite mercy when we seek to amend our hearts.
#indianalimestone #stonecarving #lettercutting #typography #arduino
Special Thanks: @adafruit@elliottearls
Stone Carved, GFX Typographic Specimen:
Part of three votive monoliths that offer a tripartite, non-secuential meditation on the unique antipodal character of the Kingship of Christ.
1. His Glory, being infinite (having no beginning or end), yet emptied of all glory by His temporal incarnation on earth.
2. His Sacrifice, offered once in time, yet made always present in the celebration of the Holy Sacrifice of the Mass.
3. His Judgment, being just and firm, yet balanced by His infinite mercy when we seek to amend our hearts.
#indianalimestone #stonecarving #lettercutting #typography #arduino
Special Thanks: @adafruit@elliottearls
Stone Carved, GFX Typographic Specimen:
Part of three votive monoliths that offer a tripartite, non-secuential meditation on the unique antipodal character of the Kingship of Christ.
1. His Glory, being infinite (having no beginning or end), yet emptied of all glory by His temporal incarnation on earth.
2. His Sacrifice, offered once in time, yet made always present in the celebration of the Holy Sacrifice of the Mass.
3. His Judgment, being just and firm, yet balanced by His infinite mercy when we seek to amend our hearts.
#indianalimestone #stonecarving #lettercutting #typography #arduino
Special Thanks: @adafruit@elliottearls
Monumental type specimen for “GFX Maximilian,” an Arduino revival of Johannes Neudörffer’s Fraktur hand (1515 | Holy Roman Empire). The micro computer encased in the monumental type specimen displays the final words of Blessed Fr. Miguel Pro immediately before his execution in 1927 by government officials (1923 | Mexico): “¡Viva Cristo Rey! / Ave Christus Rex!” The specimen highlights Fr. Miguel Pro’s final action, an audible instance somewhere between meleté (meditation) and hesychia (stillness/contemplation) (Desert Fathers | 3–4 c. AD).
#stonecutting #lettercutting #fraktur #arduino #esp32
Reading aid to a monumental type specimen for “GFX Maximilian,” an Arduino revival of Johannes Neudörffer’s Fraktur hand (1515). The monumental type specimen displays the final words of Blessed Fr. Miguel Pro immediately before his execution in 1927 by government officials: “¡Viva Cristo Rey! / Ave Christus Rex!” during the Cristero War south of the border. The specimen highlights Fr. Miguel Pro’s final action—an audible instance somewhere between meleté (meditation) and hesychia (stillness/contemplation).
Monumental type specimen for “GFX Maximilian,” an Arduino revival of Johannes Neudörffer’s Fraktur hand (1515 | Holy Roman Empire). The micro computer encased in the monumental type specimen displays the final words of Blessed Fr. Miguel Pro immediately before his execution in 1927 by government officials (1923 | Mexico): “¡Viva Cristo Rey! / Ave Christus Rex!” The specimen highlights Fr. Miguel Pro’s final action, an audible instance somewhere between meleté (meditation) and hesychia (stillness/contemplation) (Desert Fathers | 3–4 c. AD).
#stonecutting #lettercutting #fraktur #arduino #esp32
Lettercutting for @serato ’s SLAB, a studio-native MIDI Pad Controller that puts sampling, sequencing and performance directly into your hands—bringing the raw feel, instinct, and speed of beat making back to its elements.
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Took an almost impossible job in the middle of the semester to cut a hard-to-see Belgian Black Marble in NYC. Eternally grateful to @letramuertainc for letting me borrow their studio and @megansmithart for being such a dazzling collaborator. Shout out to @a_b__b___a____s for creating such cool work.
