FORBIDDEN COLOURS
09.04 — 13.06.2026
With a text by Guillaume Oranger
@guillaumeoranger
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From left to right
Ingeborg Lüscher
Untitled
1990
Sulphur, ash, acrylic, glue and cement on wood
Courtesy of the artist & Gallery Bastian
@bastian.gallery
—
Nicolas de Staël
Agrigente
1953
Oil on canvas
—
Ko Murobushi
Ko Murobushi in Hinagata II : Night without night and a few days without day
1978
Photographic print
Courtesy Centre National de la Danse
@le_cnd
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Eugène Boudin
Carlotta Ikeda
Yves Klein
Nika Kutateladze
Ingeborg Lüscher
Fausto Melotti
Ana Mendieta
Leon Spilliaert
Nicolas De Staël
#formaparis
#127ruedeturenne
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@nicolas__brasseur
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JAMES ENSOR 1889 — 1939
20.10 — 13.12.2025
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James Ensor
La Mort poursuivant le troupeau des Humains
1896
Etching and drypoint
———
#JamesEnsor
#HenriMatisse
#formaparis
#127ruedeturenne
———
JAMES ENSOR 1889 — 1939
20.10 — 13.12.2025
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Aldo Rossi
Cabina dell’Elba
1980
Lacquered wood and brass
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Henri Matisse
Nu au bord de mer
1909
Oil on canvas
———
#JamesEnsor
#HenriMatisse
#formaparis
#127ruedeturenne
———
@nicolas__brasseur
———
JAMES ENSOR 1889 — 1939
20.10 — 13.12.2025
———
James Ensor
Les Bains à Ostende
1899
Etching and drypoint
———
#JamesEnsor
#HenriMatisse
#formaparis
#127ruedeturenne
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WHAT IS MY LIFE BUT PREFERENCE FOR THE GINGER BISCUIT ?
21.05 — 21.06.2025
———
Francis Alÿs
Untitled (nude)
circa 1990
Encaustic on wood
———
#FrancisAlÿs
#SamuelBeckett
#TomasoBinga
#VictorBrauner
#LouiseBourgeois
#SarahAnaïsDesbenoit
#FedericoFellini
#KimTschangYeul
#YumikoNakamura
#TangLin
#KoheiYoshiyuki
#formaparis
#127ruedeturenne
———
WHAT IS MY LIFE BUT PREFERENCE FOR THE GINGER BISCUIT ?
21.05 — 21.06.2025
———
South Netherlands School
Earthly Paradise, Adam & Eve and the animals of the creation
16th Century
Oil on oak panel, four panels
———
#FrancisAlÿs
#SamuelBeckett
#TomasoBinga
#VictorBrauner
#LouiseBourgeois
#SarahAnaïsDesbenoit
#FedericoFellini
#KimTschangYeul
#YumikoNakamura
#TangLin
#KoheiYoshiyuki
#formaparis
#127ruedeturenne
———
@gregorycoprophoto
———
WHAT IS MY LIFE BUT PREFERENCE FOR THE GINGER BISCUIT ?
21.05 — 21.06.2025
———
Kohei Yoshiyuki
Untitled (The Park 1971-73)
2018
Photographic print on paper
———
#FrancisAlÿs
#SamuelBeckett
#TomasoBinga
#VictorBrauner
#LouiseBourgeois
#SarahAnaïsDesbenoit
#FedericoFellini
#KimTschangYeul
#YumikoNakamura
#TangLin
#KoheiYoshiyuki
#formaparis
#127ruedeturenne
———
WHAT IS MY LIFE BUT PREFERENCE FOR THE GINGER BISCUIT ?
21.05 — 21.06.2025
———
Yumiko Nakamura
Samidare, la pluie de Mai
2025
———
#FrancisAlÿs
#SamuelBeckett
#TomasoBinga
#VictorBrauner
#LouiseBourgeois
#SarahAnaïsDesbenoit
#FedericoFellini
#KimTschangYeul
#YumikoNakamura
#TangLin
#KoheiYoshiyuki
#formaparis
#127ruedeturenne
———
@gregorycoprophoto
———
WHAT IS MY LIFE BUT PREFERENCE FOR THE GINGER BISCUIT ?
21.05 — 21.06.2025
———
From left to right
Francis Alÿs
Untitled (nude)
circa 1990
Encaustic on wood
—
Kohei Yoshiyuki
Untitled (The Park 1971-73)
2018
Photographic print on paper
—
Samuel Beckett
Mute
1969
Video with sound, 1:28 min
—
Victor Brauner
Untitled (illustration for “Tir à l’arc” d’Alain Jouffroy 1962) 1961
Ink on paper
———
#FrancisAlÿs
#SamuelBeckett
#TomasoBinga
#VictorBrauner
#LouiseBourgeois
#SarahAnaïsDesbenoit
#FedericoFellini
#KimTschangYeul
#YumikoNakamura
#TangLin
#KoheiYoshiyuki
#formaparis
#127ruedeturenne
———
@gregorycoprophoto
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