"Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it, and eventually the confidence will follow.”
I don’t know the original context in which Carrie Fisher said this, but it applies to every step of filmmaking—and distribution is no different.
I don’t claim to have answers or solutions, but I do know that distribution is hard. Like most filmmakers, I’ve realized I can't just wait for a miracle, the "perfect" sales agent, or even a subpar deal.
I have a mini-slate of three films that explore the complexities of family and parenting under unique circumstances:
@foreignpuzzle – Breast cancer and parenting with a young child; using dance to process uncertainty.
@ammaspridefilm – LGBTQ+ family acceptance, trans rights, and marriage equality.
@lovechaoskinmovie – The nuances of openness in transracial domestic adoption. I am distributing them myself. There—I said it out loud.
I have plans and ideas, and I’ve been putting in the work. Through several small skill-share cohorts for writing and workshopping rough cuts, I have gained so much from collectively processing roadblocks. I have also participated in paid distribution cohorts with
@8.above and
@lookylookypictures , and I thank them profusely for helping me shift my mindset. As a member of the
@newdaydocfilms distribution cooperative since 2019, the idea of doing this has been slowly seeping into my veins. This need to do it on my own did not happen overnight; I’ve been building the foundation unintentionally for years. I am coming to this not merely for lack of other solutions, but because there is more to gain: power, autonomy, and sustainability. Frankly, I like being my own boss.
If you are a storyteller who owns your rights and—like me—you aren’t interested in waiting for someone else to open the door, please sign up [link in bio and linktree]. Let’s skill-share the hell out of distribution. Together, we can overcome the distribution fears that stall great films and build a bridge to our audience.