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Your guide to entering the FOOH Awards 2026 🏆 Everything you need to know to get your submission ready and make it count - eligibility, the prize and the process. Don’t miss the extended entry deadline on May 27th - this is your final window to submit. Ready to enter? Link in bio.
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10 days ago
This is the FOOH Awards 2026 Jury. The bar just got higher ⬆️ We’ve officially partnered with six of the brightest minds in CGI, motion design, and marketing to judge this year’s awards: @sebastianbondopetit @studiosophiehospes @ginnijoie @thatjordanbrady @albinmerle @look.deva These are the people your work has to impress to make the shortlist this May. We’re looking for the “impossible” creative ideas that actually work for brands. 🐥 Early bird submissions end this Sunday. Don’t wait until the last minute! Submit your best work via the link in our bio 🔗
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3 months ago
Built from machine intelligence and trail DNA. Inspired by computational design, adaptive performance and the future of outdoor movement. Conceptual Synthetic Campaign for Salomon × NVIDIA. These visuals are not affiliated in any way with either brand.
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2 days ago
✅ Charli xcx joins Nothing as investor and global ambassador. Charli xcx has joined London-based tech brand Nothing as its first Global Brand Ambassador and a shareholder. The announcement positions her as more than a campaign face: Nothing is framing the deal as a creative partnership, with Carl Pei saying the campaign is “just the start” of what they are working on together. Charli was apparently part of Nothing’s brand thinking from the very beginning. Nothing’s Chief Brand Officer Charlie Smith told Vogue that Charli xcx was mentioned in the company’s first brand strategy presentation as an “embodiment of rebellious creativity.” That makes the deal feel less like a random celebrity endorsement and more like Nothing finally casting the person it had been moodboarding all along. Source: FAST FORWARD newsletter (link in bio)
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3 days ago
Not every campaign wins an award. But yours just might. You created something impossible to ignore. Now give it the recognition it deserves. Enter the FOOH Awards — celebrating the world’s best CGI & 3D Mixed Reality campaigns. 🏆 🔗 Link in bio.
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4 days ago
CG, VFX & AI studios that are hiring right now 👀 Save this for later & send it to someone job hunting.
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5 days ago
Want the full breakdown of this @nasa x @oakley ad test? Comment ORBIT and we’ll send it over. Would you buy this product?
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8 days ago
These are not for looking ahead. They are built for seeing beyond. Inspired by limitlessness and the visual language of exploration. Conceptual Synthetic Campaign for Oakley x NASA. These visuals are not affiliated in any way with either brand.
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9 days ago
These are not for looking ahead. They are built for seeing beyond. Inspired by limitlessness and the visual language of exploration. Conceptual Synthetic Campaign for Oakley x NASA. These visuals are not affiliated in any way with either brand.
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9 days ago
@adidas just dropped the dream football multiverse. The new World Cup campaign brings together past, present and future — with @leomessi @zidane , @davidbeckham and @alessandrodelpiero sharing the screen with the next generation: @lamineyamal , @judebellingham , @trinity_rodman and more. Add @tchalamet and @badbunnypr into the mix, and suddenly this feels less like a traditional sports ad and more like a cinematic handover between eras. The plot seems simple: a street football setup, a dream-team cast, and the feeling that every generation of the game is somehow playing at once. The purpose is clear too: build early World Cup energy, connect football with culture, and remind everyone that adidas still knows how to make the sport feel big. But from a production perspective, this is where it gets really interesting. The digitally youngified legends are already sparking AI speculation. Beckham and Zidane especially raise the question: how much of this is classic VFX, green screen, body doubles, face replacement, AI-assisted de-aging, or a mix of all of it? We’re keeping an eye on the BTS for this one – stay tuned and follow for the breakdown behind what might already be the biggest FIFA campaign of the year.
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9 days ago
You’ve seen the viral CGI campaigns - now see how they’re made. WHY.CGI just opened their workflow with real project files and a full AI + CGI pipeline, built for artists ready to go from experimenting to real work. 🔗 Check it out via the link in bio and use code “FOOHCOM” for 5% off
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11 days ago
From CGI to AI: Why most AI ads fall apart on full screen. We had a chat with @ame.raaphorst the co-founder of @haiagency.nl on how CGI craft can meet AI and why most AI-generated work still doesn’t hold up and how to do it different.
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12 days ago