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Fivos Petr

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๐˜โ€™๐˜ฎ ๐˜ฉ๐˜ฐ๐˜ฏ๐˜ฐ๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ด๐˜ฉ๐˜ข๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ๐˜ง๐˜ถ๐˜ญ, ๐˜ด๐˜ค๐˜ช๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ง๐˜ช๐˜ค๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ฆ๐˜ท๐˜ฐ๐˜ค๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ด๐˜ฆ๐˜ญ๐˜บ ๐˜ธ๐˜ณ๐˜ช๐˜ต๐˜ต๐˜ฆ๐˜ฏ ๐˜ต๐˜ฆ๐˜น๐˜ต ๐˜ฃ๐˜บ ๐˜›๐˜ฆ๐˜ฎ๐˜ณ๐˜ข ๐˜—๐˜ข๐˜ท๐˜ญ๐˜ฐ๐˜ท๐˜ชฤ‡ @temrqp ๐˜ฐ๐˜ฏ @writing_tangents ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฉ๐˜ฐ๐˜ธ ๐˜๐˜ฆ๐˜ข๐˜ณ๐˜ต ๐˜‰๐˜ณ๐˜ข๐˜ฌ๐˜ฆ, ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ฅ ๐˜ข๐˜ต ๐˜๐˜ณ๐˜ข๐˜ด๐˜ค๐˜ข๐˜ต๐˜ช ๐˜ญ๐˜ข๐˜ด๐˜ต ๐˜‹๐˜ฆ๐˜ค๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ 2025. ๐˜›๐˜ฉ๐˜ฆ ๐˜ธ๐˜ณ๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ค๐˜ถ๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ณ๐˜ฆ ๐˜ฐ๐˜ง ๐˜๐˜ฆ๐˜ข๐˜ณ๐˜ต ๐˜‰๐˜ณ๐˜ข๐˜ฌ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ๐˜ด ๐˜ฎ๐˜ฆ, ๐˜ช๐˜ฏ ๐˜ข ๐˜ฎ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ณ๐˜ฐ๐˜ฑ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ด ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ญ๐˜ฆ๐˜ต๐˜ฆ๐˜ญ๐˜บ ๐˜ญ๐˜ฐ๐˜ด๐˜ต, ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ค๐˜ฆ๐˜ณ๐˜ต๐˜ข๐˜ช๐˜ฏ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฅ๐˜ดโ€”๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ญ๐˜ฆ๐˜น๐˜ช๐˜ต๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆโ€”๐˜ฎ๐˜ข๐˜บ ๐˜ด๐˜ต๐˜ช๐˜ญ๐˜ญ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฉ๐˜ช๐˜ง๐˜ต ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ๐˜ด. ๐˜›๐˜ฐ ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ด ๐˜ธ๐˜ฆ ๐˜ค๐˜ข๐˜ฏ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญโ€”๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ต๐˜ฐ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ โšก๏ธ @luisamsaraiva @fienamsterdam @foivosp @publik_universal_frxnd @isobel_rd @frascatiamsterdam Read complete text: https://tangents.art/writing/heart-brake #stone #physics #performance #dust
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2 months ago
๐‘ป๐’‰๐’‚๐’๐’Œ๐’” ๐’•๐’ ๐’‚๐’๐’ ๐’‘๐’†๐’๐’‘๐’๐’† ๐’‚๐’๐’… ๐’ƒ๐’†๐’Š๐’๐’ˆ๐’” ๐’‡๐’๐’“ ๐’‘๐’‚๐’“๐’•๐’Š๐’„๐’Š๐’‘๐’‚๐’•๐’Š๐’๐’ˆ โ€” ๐’‡๐’†๐’†๐’๐’Š๐’๐’ˆ ๐’ˆ๐’“๐’‚๐’•๐’†๐’‡๐’–๐’ ๐’•๐’ ๐’”๐’‰๐’‚๐’“๐’† ๐’•๐’‰๐’† ๐’‡๐’Š๐’“๐’”๐’• ๐‘ป๐’‰๐’†๐’‚๐’•๐’†๐’“๐’Œ๐’“๐’‚๐’๐’• ๐’“๐’†๐’—๐’Š๐’†๐’˜ ๐’๐’‡ ๐‘ฏ๐’†๐’‚๐’“๐’• ๐‘ฉ๐’“๐’‚๐’Œ๐’† ๐Ÿ’ฅ ๐˜ ๐˜ฐ๐˜ถ ๐˜ธ๐˜ข๐˜ต๐˜ค๐˜ฉ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ข ๐˜ท๐˜ช๐˜จ๐˜ฏ๐˜ฆ๐˜ต๐˜ต๐˜ฆ๐˜ด ๐˜ง๐˜ถ๐˜ญ๐˜ญ ๐˜ฐ๐˜ง ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ณ๐˜ข๐˜ด๐˜ต ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ด๐˜ฑ๐˜ฆ๐˜ข๐˜ฌ ๐˜ฐ๐˜ง ๐˜ธ๐˜ช๐˜ญ๐˜ญ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข ๐˜ฉ๐˜ข๐˜ณ๐˜ด๐˜ฉ ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ฑ๐˜ฐ๐˜ฆ๐˜ต๐˜ณ๐˜บ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฌ๐˜ฆ๐˜ฆ๐˜ฑ ๐˜บ๐˜ฐ๐˜ถ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ญ๐˜ฐ๐˜ฏ๐˜จ ๐˜ข๐˜ง๐˜ต๐˜ฆ๐˜ณ Weโ€™re still letting our bodies recover, but also feeling deeply energised by the words and reactions weโ€™ve received. Someone called the piece a cri de cล“ur, โ€œa call for revolution.โ€ Another person simply said bomba โ€” โ€œa bomb.โ€ Below is an excerpt from the review by Wendy Lubberding. Thank you for thinking so carefully alongside the performance. Ever grateful for the presence of the rocks, their transmissions, and the ancestral practices weโ€™ve learned from. See you in February! ๊œฐแดœสŸสŸ ส€แด‡แด ษชแด‡แดก ษชษด ส™ษชแด. ๏ฝ…๏ฝ˜๏ฝ”๏ฝ’๏ฝ๏ฝƒ๏ฝ” (EN):โ€จFrom the moment Damiani and physical artist Luisa Saraรญva appear on stage and hand each other a heavy boulder, the performance builds to a climax of energy in which the largest boulder on the floor has to be destroyed. (...) Some images are of a disturbing beauty. Saraivaโ€™s hands, adorned with rings on every finger, and Damianiโ€™s bare back remind you of the vulnerability and beauty of the body that needs protection. Those who love punk like me will enjoy the pounding on the drum set and the search for the right voice. You watch and listen to a vignettes full of contrast that speak of willpower and a harsh kind of poetry that will keep you thinking long after. Each image casts a shadow until, layer by layer, the powerful core of these women is revealed. These women are unyielding as stone and patient as water. ๐‘ฏ๐’†๐’‚๐’“๐’• ๐‘ฉ๐’“๐’‚๐’Œ๐’† Giulia Damiani ยท Luรญsa Saraiva ยท Leroy Chaar ยท Publik Universal Frxnd @publik_universal_frxnd ยท Fivos Petropoulous ยท Isobel Dryburgh ยท Alberto Damiani ยท Dan Walwin Pictures and video credits: @alesavias @juliasokolnicka Fivos Petropoulous and thanks for the amazing slow mo video Faysal Mroueh @wherethehasbeen
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5 months ago
๐Ÿ”ฅ4 ๐’…๐’‚๐’š๐’” ๐’•๐’ ๐’๐’–๐’“ ๐’”๐’‰๐’๐’˜ ๐‘ฏ๐’†๐’‚๐’“๐’• ๐‘ฉ๐’“๐’‚๐’Œ๐’† ๐’‚๐’• ๐‘ญ๐’“๐’‚๐’”๐’„๐’‚๐’•๐’Š, ๐’๐’‚๐’”๐’• ๐’‡๐’†๐’˜ ๐’•๐’Š๐’„๐’Œ๐’†๐’•๐’” ๐’๐’†๐’‡๐’•! ๐‘บ๐’‘๐’†๐’„๐’Š๐’‚๐’ ๐’…๐’‚๐’š ๐‘ท๐’“๐’†๐’Ž๐’Š๐’†๐’“๐’† 4 ๐‘ซ๐’†๐’„๐’†๐’Ž๐’ƒ๐’†๐’“๐Ÿ”ฅ DISCLAIMER THIS IS NOT A LOVE STORY, BUT OF LOVE FOR: Rocks rocks rocks. They are broken by using pre-existing lines on them. We move with them. We researched the craft of breaking, personally, politically. Long ancestry lines. Different kind of bodies vibrate. Whoโ€™s allowed to give the blow, and who receives it in todayโ€™s society? We make music. We make noise. We queered a repertoire of call and response from old Italian songs sung by men. We hail from the mountains. We meet Gargi Bhattacharyaโ€™s heartbrokeness as a revolutionary political consciousness. In the end, a red light shines through the crack; be careful, it is so warm and beautiful it may blind. Limestone rocks from Belgium perform in this piece, traversing their territories and histories. Their presence is part of the my ongoing exploration of working with rocks, following an ancestral lineage. ๐‘ฏ๐’†๐’‚๐’“๐’• ๐‘ฉ๐’“๐’‚๐’Œ๐’† team โ€จโ€จGiulia Damiani ยท Luรญsa Saraiva ยท Leroy Chaar ยท Publik Universal Frxnd @publik_universal_frxnd ยท Fivos Petropoulous ยท Isobel Dryburgh ยท Alberto Damiani ยท Dan Walwin @kdanielwalwin With support from AFK, Centrale Fies, Mondriaan Fonds, Rozenstraat, Voordekunst & Cultuurfonds. ๐Ÿ“ Frascati 3, Amsterdamโ€จ๐ŸŽŸ๏ธ Tickets going fast โ€” last tickets left, link in bio #politcalwork #music #heartbrokeness
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5 months ago
zZzzzz Behind the scenes of ๐‘ฏ๐’†๐’‚๐’“๐’• ๐‘ฉ๐’“๐’‚๐’Œ๐’†๐Ÿฅโ€จFrascati, Amsterdam โ€” Wed 3 โ†’ Fri 5 Dec @ 20:00 โ€จ๐’•๐’Š๐’„๐’Œ๐’†๐’•๐’” ๐’ˆ๐’๐’Š๐’๐’ˆ ๐’‡๐’‚๐’”๐’•!! The dancing mask this magic beard. The show centres on the forgotten folk saint Sint Ontkommer, also called Wilgefortis of Portugal. Known to be the protector of women who wanted to leave abusive relationships and gender-non-confirm folks. People who existed in the past but of whom thereโ€™s nearly no trace of in official records. This figure is captured in a surreal fun cameo in Freak Orlando by Ulrike Ottinger. We asked ourselves what Wilgefortis would look like today. How would they move and speak. The over-the-top screaming images of Ottinger led us. I brought in my experience of making feminist psycho-fables through my work with the feminist group Le Nemesiache. Weโ€™re in much need of the saint today. While we manually work on rocks for the duration of the piece, we create an operatic tribute to Wilgefortis. Through cracks of the present and the past, a renovated potential to dream and to act speaks louder. ๐‘ฏ๐’†๐’‚๐’“๐’• ๐‘ฉ๐’“๐’‚๐’Œ๐’† team โ€จโ€จGiulia Damiani ยท Luรญsa Saraiva @luisamsaraiva ยท Leroy Chaar @fienamsterdam ยท Publik Universal Frxnd @publik_universal_frxnd ยท Isobel Dryburgh @isobel_rd ยท Fivos Petropoulos @foivosp ยท Alberto Damiani ยท Dan Walwin @kdanielwalwin With support from AFK, Centrale Fies @centrale_fies_official Mondriaan Fonds @mondriaanfonds Rozenstraat @rozenstraat.arose Voordekunst @voordekunst & Cultuurfonds @cultuurfonds ๐Ÿ“ Frascati 3, Amsterdamโ€จ๐ŸŽŸ๏ธ Tickets โ€” link in bio #sintontkommer #wilgefortis #liberata #performance #psychofable #magictheatre #punk vibes
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