Florence Scott-Anderton

@florencesa__

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𝓕𝓵𝓸𝓻𝓮𝓷𝓬𝓮 ~ 𝓐 𝓡𝓮𝓺𝓾𝓲𝓮𝓶 𝓯𝓸𝓻 𝓟𝓻𝓲𝓶𝓮 𝓣𝓲𝓶𝓮 𝓣𝓥 (Fleetway Tapes 009) 💘💘💘 An end-of-year prime time special. 𝓕𝓵𝓸𝓻𝓮𝓷𝓬𝓮 𝓢𝓬𝓸𝓽𝓽 𝓐𝓷𝓭𝓮𝓻𝓽𝓸𝓷 you might know from her residency for NTS Sounds on Screen which sees her dive into the sonics of lesbian cinema, explore 𝓢𝓸𝓯𝓲𝓪 𝓒𝓸𝓹𝓹𝓸𝓵𝓪's filmography, curate mixes dedicated 𝓢𝓪𝓽𝓸𝓼𝓱𝓲 𝓚𝓸𝓷, Iranian cinema and much more... she also provides sounds for MUBI's Notebook publication, crafting odes to 𝓓𝓮𝓻𝓮𝓴 𝓙𝓪𝓻𝓶𝓪𝓷, 𝓒𝓱𝓻𝓲𝓼 𝓒𝓾𝓷𝓷𝓲𝓷𝓰𝓱𝓪𝓶 and 𝓒𝓱𝓻𝓲𝓼 𝓜𝓪𝓻𝓴𝓮𝓻 𝓐 𝓡𝓮𝓺𝓾𝓲𝓮𝓶 𝓯𝓸𝓻 𝓟𝓻𝓲𝓶𝓮 𝓣𝓲𝓶𝓮 𝓣𝓥 "pulls us right back to that moment when trip-hop aesthetics bled into Hollywood's mainstream, and before long we’re riding a different train of thought..." Mixtape available from @boomkatonline or get in touch and we'll send you a download 💕
245 14
5 months ago
Thank you @boomkatonline for your cool & kind words for a requiem for prime time TV, my tape that’s just been released on @acolourfulstorm ‘s immaculate tape series fleetway tapes, thank you @moopiedaily 4 your trust n patience (your 1st email dates back nearly 3 yrs ago lol) and for the friendship made along the way. Thank you to my friend Oliver Kay (@oliverpkay ) for the design 🩷 limited copies, now available via boomkat & big love to everyone who has stuck around 2 nosy what I make so far 🌬️💟
60 8
5 months ago
˚ʚ♡ɞ˚ Floating Through This Darkness, my ode to Lynch˚ʚ♡ɞ˚a commission to make over 6 years ago, then life and work things got in the way, then a recent visit to see some of Lynch’s work (just a year after his passing) spurred on the exact correct time to get the thing made. A 2 hour sound work by no means exhaustive but full of moments of joy and melancholy and fear and fun and all the rest from our great American artist ☕️ re listen up on SC and @mubinotebook with the full accompanying essay ~~~
89 4
18 days ago
PTA on the @nts_radio archive
104 5
1 month ago
various stages of #tbt
123 9
2 months ago
🍽️ NO RESERVATIONS 🍽️ @nts_radio archive
118 5
2 months ago
Dimming the lights a little at Arkaoda next Thursday, December 11th, Pattern Recall presents artists based in Dublin and Berlin working across various thresholds of art and music. Just in time for the winter, the night will showcase some deeper shades and jagged edges of electronic music, with live sets from Gweynn, Soria Reilly and Adam Sinclaire and DJ sets from Florence and Cáit as the night heats up. Come by :) Doors 21:00, Music from 22:00 €12 all night long
0 8
5 months ago
🎀SOFIA🎀 Now on the @nts_radio archive inc. everything in the orbit, early music promo and shorts, ads, collabos, hi octane, friends & family OST, textures, sounds and words collaged together >> a time capsule to a different time, the girl that dreamt up our imaginations and ticked all our boxes circa early 2000s 🌸
207 8
5 months ago
STEPHEN KING - a sound work homage from mini TV decadence to auteur work; the shows in shows, the pulp and the reproductions; adaptation after adaptation, with his involvement and special appearances as common as the infamous bitter denouncements of interpretation. No one has had his work so universally shared, moved so many hearts and swept people up into complex worlds made for everyone should they so dive in, and everyone did. Lipstick and powder room floral dressers, guns, gutters, surreal, bizarre, grotesque - grounded in suburban reality; behind it is the heart, lessons and thoughts of childhood and adult life, its beauty and perversion. A soundscape to nod to that, its bursting at the seams and its barely scratching the surface; the good the bad and the ugly, King is a treasure, in all his obsessions, beliefs, hills to die on, pure faith and memories, just stick to the work id say; everything is connected from the art within the geography people and spirits in his work to the actors and directors on screen, providing some of the greatest imagery, performances and of course sounds of the last decades of the 20th century (and still relentlessly into this one) King’s world is an important archive of television and film, imitating the intricate world of his work through production mythology. Popular culture, for everyone, wild and absorbing, terrifying, comforting and hilarious. The less said the better or id be here forever >> on @nts_radio archive
76 2
6 months ago
Chris Cunningham, a Francis Bacon for the rave generation, the UK artist who made our teens unforgettable with his visual output; CUM2DADDY, surveillance states, WARP, Aphex ofc, cold and clinical meets guttural human nature, THE PLAYSTATION GIRL and a deformed af face sniffing a never ending line of gear from a wheelchair doing wheelies in night vision; cunningham turned up to the set of madonnas frozen - walking out of a private jet at LAX with nothing but the pair of dirty as fuck jeans he was wearing and a plastic bag (according to the videos EP who used to be my boss, peak high budget music video as an artform/ brain imprint of popular culture days) - the myth making, the Kubrick days, the days of Spitting Image puppet making (!), the feature film that will probably never happen despite the super fans constant online longing (would it actually be good though?), the way windowlicker still blows my mind n xcites me to this day... this work is a whirlwind dive straight into cunningham’s plastic bag; uncut gems, nissan car & an italian telecom ad feat. Leo Dicaprio with unreleased BoC, PORTISHEAD (apparently only you is his favourite work), WARP, placebo, Gucci perfume, warp, warp, demonic samantha morton going fucking nuts, dialogue from OG 90s telly inc with Bjork, spike jonze, gondry i.e the the directors label motley crew & an awkward press interview ofc, with a crescendo on one of madonna’s greatest moments (william orbit & cunningham, ok!) ‘ Upon finishing and exporting this mix, I began listening back and turned to my boyfriend: “I dunno, I know I always say this about any work at the start, but this one sounds off, you know, a bit weird.” To which I got the most proper response possible: “You are making a Chris Cunningham mix. How else is it meant to sound?” ‘ full essay / tracklist & filmog etc >>> @mubinotebook
190 12
6 months ago
👠🔪BRIAN DE PALMA 🔪👠 “sophisticated, absurdist intelligence… the wickedest baroque sensibility at large in American movies”. From Kael’s 1976 review of Carrie. I went to all corners of De Palma’s oeuvre for this sound work; from TV fuzz, strip clubs and ballet classes, femme fatales and teenage vengeance, the early works, men on mars to off beat post 9/11 drama, 30s noir and always split screen beauties. Works from Pino Donoggio, Sakamoto to high NRG, choral orchestral moments and hellish modern realities, switched up and swapped out ambience and secrets spoken, rain falling, weaved in and out, a sonic homage to De Palmas 🌎>> up on @nts_radio archive
173 8
7 months ago
the final frontier - a eulogy to the western A genre that has co existed since the beginning of cinema, from the early days of the Great Train Robbery the genre manifested into a mythological emblem of the the American Dream and definition of the tension between natures uncontainable wild and social order, for comfort, identity and memory. Silent epics moved into John Fords masterpieces and by the 70s revivals of the genre from New Hollywood to xplotation; a masterpiece like Brokeback Mountain and the Coens hold on the neo Western showed modern grit, Kevin Costner’s decadent homage’s & arthouse erotic (many westerns from Howard Hawks onwards have gay erotic tension) Signalling its times, its elements and struggles. Many actors who came up through the genre end up resurfacing decades later in dutiful nods or directorial efforts (s/o Clint Eastwood). Re watching Joan Crawford in Ray’s Johnny Guitar was a joy, a radical, exuberant wonder. Some of cinemas most beautiful photography is within the gene(s). A genre seemingly constantly up for debate, for many years deemed unfashionable, irrelevant ; hence its revisionist strands, its unafraid to ridicule its tropes and shift paradigms, because it's the classic! (this work explores across genre, this constant discussion of westerns being outmoded in values is a moronic notion, taking away focus from its serious artistry, beauty) Westerns are the “American genre par excellence” (Andre Bazin) - those wide shots, colours and vast open spaces! Classic narratives, complex and poignant. Here is a sound collage from the founding fathers to contemporary embodiments and subversions. From French surrealism with Nico, world westerns, art house, spaghetti, acid, homoerotic, neo and classics - an ode to the wide open space, the dreaming landscapes and final frontiers. A genre deserving of time, understanding, reflection and exploration into its outer realms and appreciation to the classics, truly the great pioneering cinema. Archive on @nts_radio
104 5
8 months ago