Lookback: A winter afternoon on a Saturday in Dresden. You can hear noisy drones. Lasch plays drone synthesizers, creating a solid ground with bassy pads. Mino’s violin, altered by a lot of effects, inhabits the mids and heights. nnooderek adds acoustic elements with her self made open instrument and her dulcimer. Once in a while effected voices coming out of Valentina Kaspari’s cassette recorder. It’s from interviews about abortion. The effects from Lasch’s synthesizers turn them more into musical elements. Samples from Shannon Soundquist’s Sound design add some meadows, forests and some rocky kicks to the sound landscape.
At 28th January 2023 five FLINTA* people of the Dresden experimental electronic live music scene played together at my and Franzi Wenzels finissage at BIAS, the first Dresden feminist art space @bias_flinta_projects :
nooderek (@naxderek , @klasse_carstennicolai )
Lasch (@flimmergrenze )
Mino (@anninaelenamuench )
Valentina Kaspari
Shannon Soundquist (@shannon_soundquist , @prozecco_ , @flimmergrenze , @klasse_aladag )
recordings you can hear here: /flimmergrenze/sets/donnaholung-collab
videos by @fluxxwildly
recordings and film in the background by me
Thanks a lot to @lisa_maria_baier for running the BIAS flinta* art space! And thanks al lot to @christian_silvester_seemann for borrowing me the PA!
#contemporaryartdresden #contemporaryartist #drone #noise #ambient #ambientnoise #dronenoise #feministnoise #femnøise #femnoise #experimentalmusic #femaleexperimentalmusic #femaleexperimentalmusician #feministexperiment #flinta #flintaartist #flintaartists #flintaartistsunited #nooderek #lasch #mino
#valentinakaspari
#shannonsoundquist
