Through the design of a creative model for a specific spatial site (a newly generated, fluid alternative space), the space is used to explore the paradigm of archiving and attribution of responsibility.
Screening mechanism for creators by letting them filling out forms, work logs, and time sheets.
我们通过对一特定空间场地
（一个新生成的、流动的替代空间的开幕展）
进行创作模式的设计
借由空间以探讨归档与归责的范式
其中通过表格、工作日志、考勤表
进行创作者的筛选机制及“规则部分”的呈现
最终以6组艺术家
5位写作艺评的形式
线上呈现了这场“无览之展”
*过程最终成为实体的展览
我们通过对一特定空间场地
（一个新生成的、
流动的替代空间的开幕展）
进行创作模式的设计
借由空间以探讨
归档与归责的范式
其中通过表格、工作日志、考勤表
进行创作者的筛选机制及“规则部分”的呈现
最终以6组艺术家
5位写作艺评的形式
线上呈现了这场“无览之展”
*过程最终成为实体的展览
Through the design of a creative model for a specific spatial site (a newly generated, fluid alternative space), the space is used to explore the paradigm of archiving and attribution of responsibility.
Screening mechanism for creators by letting them filling out forms, work logs, and time sheets.
#contemporayart #exhibition #archive #mechanism #curation
Urban planning, contingencies and commercial practices squeeze clusters in plots of land, and from there contract and spread. How do we invade and penetrate a field that has been suspended? One way of practice is to read and paraphrase ruins.
In the "Triathlon" series "Every Ruin Deserves an Exhibition", we advocate that the creators detach themselves from the typical landscape of exploring ruins, archive traces of the everyday and slices of history, create and curate their own exhibitions, and heterodoxize the universal narrative logic that has become the stronghold of trophies on social media.
