FITZ & CO

@fitzandco

The trusted partner to museums, galleries, cultural organizations, artists, and brands who seek impactful and tangible guidance in the art world.
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As 2025 draws to a close, FITZ & CO marks thirty years of building partnerships around the world. Here's what that journey looks like, by the numbers: 500+ clients; 32 countries; 158 cities; and 75,000 followers. This year brought another chapter of ambitious work, from the development and launch of Art Basel's Zero 10, to the grand opening of Dib Bangkok, to BMW's Art Car World Tour. From Jeddah to Johannesburg, Los Angeles to London, New York to Nanjing, Seoul to Shanghai, we advanced our clients' objectives while building meaningful, lasting connections with audiences. Looking ahead, we carry forward deep gratitude for the partnerships that shaped these last three decades, guided always by our ethos: Strategize. Elevate. Transform.
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4 months ago
D Lan Galleries’ (@dlangalleries ) Significant is now open across Melbourne, Sydney, and New York City. The flagship exhibition of secondary-market Australian Indigenous First Nations art, brings together nearly 60 museum-quality works spanning rare early Papunya masterpieces from 1971–72 to major contemporary works by artists including Emily Kam Kngwarray, Sally Gabori, and Nyapanyapa Yunupiŋu. Now in its second decade, Significant continues to offer collectors and institutions access to works of exceptional historical and cultural importance. On view through 27 June 2026 Images 1-3: BOBBY WEST TJUPURRULA Untitled Detail 2001 synthetic polymer paint on linen 153 x 183 cm(60.2x 72 inches) WALTER (TALPULPA) TJAMPITJINPA Water Dreaming 1972 synthetic polymer paint on composition board 42 × 22.5 cm (16.6 × 8.9 inches) WARLIMPIRRNGA TJAPALTJARRI Untitled–Two Boys Dreaming at Marawa Detail 1991 synthetic polymer paint on linen 92 x 151 cm(36.2 x 59.4 inches)
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1 day ago
Check out what Team FITZ saw in Venice last week. The 61st edition of La Biennale di Venezia 2026 welcomed visitors on May 9, alongside presentations surrounding the Biennale across the city. This season, FITZ & CO worked with Go For Kogei (@Goforkogei ), Bangkok Art Biennale (@Bangkokartbiennale ), the Korean Pavilion (@Korean_pavilion ), Jewel (@Jewel ), and Wallace Chan (@Wallacechanart ). Swipe through for a look at opening week. Images: 1. Goen Choi, “Meridian,” 2026. Installation view of presentation in “Liberation Space:Fortress/Nest.” Photo by Donghwan Kam. 2. Wallace Chan, “Vessels of other Worlds,” at Chapel of Santa Maria della Pieta. 4-5. Go For Kogei, "Ethnography of the Body and Material - Slowness and Depth in an Accelerated Society,” at Palazzo Pisani S. Marina. 7. Jewel, “Matriclysm: An Archeology of Connections Lost,” at Salone Verde. 8. Ruangsak Anuwatwimon, “Excavated Gods,” 2021. At Bangkok Art Biennale.
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1 day ago
Matriclysm: An Archeology of Connections Lost has officially premiered in Venice ✨ Created in association with @crystalbridgesmuseum and curated by Joe Thompson, this deeply personal body of work explores motherhood, feminine power, and what is lost when that power is diminished. Featuring new paintings, sculptures, tapestry, installations, and sound pieces, this is my largest visual art presentation to date. On view now until November 22, 2026. To learn more about the exhibit go to jeweljk.com/venice 🎥: @matthewtakes
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1 day ago
Find 300+ Exhibitions during Art Week on Contxt NYC. Ask Contxt about artists, exhibitors or topics. Use the Map or start with @fitzandco ‘s curated sections. -> contxt.art/nyc
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2 days ago
“The Spirits of Maritime Crossing 2026,” is now on view through August 2, 2026. Presented by Bangkok Art Biennale Foundation (@bkkartbiennale ) at Palazzo Rocca Contarini Corfù. The group exhibition brings together 20 artists from Southeast Asia, Ireland, Serbia, and beyond exploring identity, diaspora, and spiritual resilience through performance, film, installation, painting, and sculpture. Images 1-7: 1. Yasmin Jaidin, "Titih (Harvest)," 2024. Tulle, Height 170 cm. 2. "The Spirits of Maritime Crossing II," 2024. Single screening, performed by Marina Abramović, Pichet Klunchun, Pimdao Panichsamai, Amanda Coogan and Aleksandar Timotić, directed by Apinan Poshyananda, stereo, 42 min. Still from video. Courtesy the Artists © Bangkok Art Biennale Foundation. 3. Marina Abramovic, "Sea Punishing," 2006. Performance for video Courtesy of the Marina Abramović Archives. Installation view at Palazzo Rocca Contarini Corfu. 4. Parada Wiratsawee, "Imagination of the Merchant's Child," 2019. Mixed media, silicone, resin, wooden crate, zinc crate, oil paint, motor, 85 x 95 x 110 cm. 5. Wasinburee Supanichvoraparch, "Monumentale: Ode to the Forgotten Voyage" 6. "The Spirits of Maritime Crossing II," 2024. Single screening, stereo, 42 min. 7. Torlarp Larpjaroensook, "Insignificant Meaningful," 2019.
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2 days ago
Discover Contxt NYC – your guide to art in New York, with curated selections from FITZ & CO. Learn more at the link in bio.
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3 days ago
@Friezeofficial is back in New York. Swipe through to view a selection of what's on view inside the fair and throughout the city. @dlangalleries : “Significant” May 14 - June 27, 2026 Image: Emily Kam Kngwarray, “Untitled,” 1993. @gagosian : “Presentation of Paintings, Sculptures, and Photographs Juxtaposes Contemporary Approaches to Abstraction and Nature” May 13 - May 17, 2026 Image: Richard Diebenkorn “Untitled,” 1952. © 2026 Richard Diebenkorn Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway. Courtesy Gagosian. @whitneymuseum : “magic hour–golden time” May 15, 2026, 6-9 pm ; May 16 & 17, 2026, 4-7 pm. Image: Jonathan González, “magic hour–golden time C. [Heights],” 2026. @joniweyl “The Paula Cooper Effect” March 5 – May 22, 2026 Image: Installation view of “The Paula Cooper Effect”, 2026. @sarahcrown_ny : “Bu Shi: The Lighthouse” April 24 - May 30, 2026 Image: Bu Shi, “Island of Reality,” 2026 @dbfineart : “20th Century Masters” April 9 - May 14, 2026 Image: Mary Abbott, “Untitled,” ca. 1960. Copyright The Artist.
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3 days ago
Gemini G.E.L. (@Geminigel ) presents Tacita Dean: Eclipse Drawings, a suite of twelve screenprints created from Dean's observations of the 2024 total solar eclipse in Eagle Pass, Texas, each rendered in up to eighteen colors. Tacita Dean: Eclipse Drawings is on view at Gemini G.E.L., Los Angeles May 9 through September 4, 2026. Opening reception Saturday, May 9, 5–8PM. Images 1-4: 1.Tacita Dean, “Eclipse Drawings #11,” 2025. 2.Tacita Dean, “Eclipse Drawings #1,” 2025. 3.Tacita Dean, “Eclipse Drawings #5,” 2025. 4.Tacita Dean, “Eclipse Drawings #2,” 2025. #FITZClient
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8 days ago
“Liberation Space: Fortress/Nest” is now open at the Korean Pavilion (@korean_pavilion ). Curated by Binna Choi, Goen Choi and Hyeree Ro bring opposing sculptural approaches to the Pavilion, one rupturing its architecture and the other building a sanctuary within it, in a living monument to liberation. On view at the 61st International Art Exhibition of La Biennale di Venezia through November 22, 2026. Images 1-5: 1.Exterior view of “Liberation Space: Fortress/Nest,” Korean Pavilion, 2026. Photo by Donghwan Kam. 2,4-5.Exhibition view of “Liberation Space: Fortress/Nest,” Korean Pavilion, 2026. Photo by Donghwan Kam. 3.Hyeree Ro, “Bearing,” 2026. Installation view of presentation in “Liberation Space:Fortress/Nest.” Photo byDonghwan Kam.
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8 days ago
Gemini G.E.L. (@Geminigel ) presents Analia Saban: Data Center, new woodcuts in which Saban turns to one of the oldest printmaking processes to render the invisible infrastructure of the digital world in physical form. Analia Saban: Data Center 2026 is on view at Gemini G.E.L., Los Angeles May 9 through September 4, 2026. Opening reception Saturday, May 9, 5–8PM. Images 1-4: 1.Analia Saban, “Pie Chart (11%, 14%, 19%, 6%, 11%, 7%, 16%, 16%),” 2026. 2.Analia Saban, “Pie Chart (40%, 60%),” 2026. 3.Analia Saban, “Pie Chart (3%, 8%, 11%, 11%, 67%),” 2026. 4.Analia Saban, “Pie Chart (1%, 99%),” 2026. #FITZClient
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9 days ago
The 61st International Art Edition of @la_biennale di Venezia has arrived, and with it an exciting new exhibition schedule! Founder and CEO of FITZ & CO, Sara Fitzmaurice, shares her picks for what to see in Venice. From the moment I touch down in Venice, the pace is extraordinary! FITZ & CO is proud to support an outstanding series of artists and curators from around the world as they converge in Venice. Here’s a glimpse at my week... • @Wallacechanart transforms the Pietà Chapel with sparkling titanium sculptures. Plus @thelongmuseum in Shanghai will host the second part of this exhibition, opening in July. • Stop by Bangkok Art Biennale (@bkkartbiennale ) at the Palazzo Rocca Contarini Corfù, where you can see works by 20 artists from Southeast Asia, as well as artists from Ireland, Serbia, and beyond. • Multi-disciplinary artist @Jewel presents a striking commentary at @saloneverde on femininity with “Matriclysm: An Archeology of Connections Lost.” • See nearly 100 works rooted in materiality at @goforkogei ’s exhibition of Japanese craft, “Ethnography of the Body and Material — Slowness and Depth in an Accelerated Society.” Designed by architect Kulapat Yantrasast of WHY Architecture and @dibbangkok , the exhibition design introduces temporary scaffolding that encourages multiple perspectives. • The National Pavilions are always a highlight, and the @korean_pavilion exhibition “Liberation Space: Fortress/Nest” is sure to be worth the wait. Having a game plan is vital to seeing all that Venice has to offer, which is why we’ve partnered with CONTXT. FITZ & CO tapped our agency’s thirty years of unparalleled experience to create bespoke recommendations for the “must-sees” in Venice. Check out the guide: @contxt_ai Pictured: • Images 1-2: Installation view of “Vessels of Other Worlds.” Courtesy of Wallace Chan. • Image 3: Installation view of “The Spirits of Maritime Crossing 2026.” Artwork by Wasinburee Supanichvoraparch, “Monumentale: Ode to the Forgotten Voyage.” Courtesy of Bangkok Art Biennale. • Images 4-8 continued in the comments
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10 days ago