This month we’re celebrating our 21st birthday with the launch of our new website.
It introduces a fresh identity, refined positioning, and new case studies for FutureDeluxe, Brighton & Hove Albion, Love Family Park, Boxhall, and Helm Gallery.
FilthyMedia.com
A design & branding studio.
For thriving cultures & communities.
In Brighton & beyond.
#graphicdesign
#branding
#brighton
#designstudio
Est. 2004
This month we’re celebrating our 21st birthday with the launch of our new website.
It introduces a fresh identity, refined positioning, and new case studies for FutureDeluxe, Brighton & Hove Albion, Love Family Park, Boxhall, and Helm Gallery.
FilthyMedia.com
A design & branding studio.
For thriving cultures & communities.
In Brighton & beyond.
#graphicdesign
#branding
#brighton
#designstudio
Est. 2004
This month we’re celebrating our 21st birthday with the launch of our new website.
It introduces a fresh identity, refined positioning, and new case studies for FutureDeluxe, Brighton & Hove Albion, Love Family Park, Boxhall, and Helm Gallery.
FilthyMedia.com
A design & branding studio.
For thriving cultures & communities.
In Brighton & beyond.
#graphicdesign
#branding
#brighton
#designstudio
Est. 2004
Ordinary Ends Here.
BOXHALL City launched next to Liverpool Street Station, bringing together a collection of dining experiences showcasing the best of London's food scene.
Boxpark partnered with us to create the identity, teaser and launch campaign for their new concept, a refined sibling to their established brand.
Combining both fonts from the Boxpark identity to build the Boxhall logo let the two brands coexist with synergy and distinction, laying the foundation of the brand architecture.
From there, we developed a three-colour palette representing the brand pillars: food, drink and culture. Each offering uses a unique combination, giving every experience its own distinct visual identity within the same system.
For the launch campaign, these elements came together with the scrolling typographic headline "Ordinary Ends Here", alongside original photography from the press launch, running across social media and out-of-home placements throughout London.
FilthyMedia.com
A design & branding studio.
For thriving cultures & communities.
Ordinary Ends Here.
BOXHALL City launched next to Liverpool Street Station, bringing together a collection of dining experiences showcasing the best of London's food scene.
Boxpark partnered with us to create the identity, teaser and launch campaign for their new concept, a refined sibling to their established brand.
Combining both fonts from the Boxpark identity to build the Boxhall logo let the two brands coexist with synergy and distinction, laying the foundation of the brand architecture.
From there, we developed a three-colour palette representing the brand pillars: food, drink and culture. Each offering uses a unique combination, giving every experience its own distinct visual identity within the same system.
For the launch campaign, these elements came together with the scrolling typographic headline "Ordinary Ends Here", alongside original photography from the press launch, running across social media and out-of-home placements throughout London.
FilthyMedia.com
A design & branding studio.
For thriving cultures & communities.
Ordinary Ends Here.
BOXHALL City launched next to Liverpool Street Station, bringing together a collection of dining experiences showcasing the best of London's food scene.
Boxpark partnered with us to create the identity, teaser and launch campaign for their new concept, a refined sibling to their established brand.
Combining both fonts from the Boxpark identity to build the Boxhall logo let the two brands coexist with synergy and distinction, laying the foundation of the brand architecture.
From there, we developed a three-colour palette representing the brand pillars: food, drink and culture. Each offering uses a unique combination, giving every experience its own distinct visual identity within the same system.
For the launch campaign, these elements came together with the scrolling typographic headline "Ordinary Ends Here", alongside original photography from the press launch, running across social media and out-of-home placements throughout London.
FilthyMedia.com
A design & branding studio.
For thriving cultures & communities.
We’re proud to share that, after a competitive pitch process late last year, FilthyMedia has been appointed to transform Brighton & Hove Albion’s Lower West and North Stand concourses with bold new graphic installations.
Work is underway on the Lower West this week, celebrating legendary Albion moments, and will feature our custom typeface, Filthy Seagull Display, more on that soon.
In the meantime, here’s a look at our Upper West Concourse project at the Amex Stadium:
Building on the visual style from the Lower East Concourse, we used fan songs, club colours, and one-metre-tall runs of graphics to create energy, movement, and a fly-poster aesthetic, printed in high-res and heat-sealed into the stadium walls.
The result delivers a cohesive visual language within the concourse, transforming the matchday experience for fans and, with a bit of luck, encouraging them to sing a little louder.
𝐅𝐢𝐥𝐭𝐡𝐲𝐌𝐞𝐝𝐢𝐚
A design & branding studio.
For thriving cultures & communities.
We’re proud to share that, after a competitive pitch process late last year, FilthyMedia has been appointed to transform Brighton & Hove Albion’s Lower West and North Stand concourses with bold new graphic installations.
Work is underway on the Lower West this week, celebrating legendary Albion moments, and will feature our custom typeface, Filthy Seagull Display, more on that soon.
In the meantime, here’s a look at our Upper West Concourse project at the Amex Stadium:
Building on the visual style from the Lower East Concourse, we used fan songs, club colours, and one-metre-tall runs of graphics to create energy, movement, and a fly-poster aesthetic, printed in high-res and heat-sealed into the stadium walls.
The result delivers a cohesive visual language within the concourse, transforming the matchday experience for fans and, with a bit of luck, encouraging them to sing a little louder.
𝐅𝐢𝐥𝐭𝐡𝐲𝐌𝐞𝐝𝐢𝐚
A design & branding studio.
For thriving cultures & communities.
We’re proud to share that, after a competitive pitch process late last year, FilthyMedia has been appointed to transform Brighton & Hove Albion’s Lower West and North Stand concourses with bold new graphic installations.
Work is underway on the Lower West this week, celebrating legendary Albion moments, and will feature our custom typeface, Filthy Seagull Display, more on that soon.
In the meantime, here’s a look at our Upper West Concourse project at the Amex Stadium:
Building on the visual style from the Lower East Concourse, we used fan songs, club colours, and one-metre-tall runs of graphics to create energy, movement, and a fly-poster aesthetic, printed in high-res and heat-sealed into the stadium walls.
The result delivers a cohesive visual language within the concourse, transforming the matchday experience for fans and, with a bit of luck, encouraging them to sing a little louder.
𝐅𝐢𝐥𝐭𝐡𝐲𝐌𝐞𝐝𝐢𝐚
A design & branding studio.
For thriving cultures & communities.
@lovefamilypark was Europe’s first one-day techno festival, founded in 1996. Fast forward 29 years, and we were commissioned to create a fresh identity and marketing campaign for the 2025 edition.
This year, the festival finds a new home in Rebstockgelände, Frankfurt, running across two full days. The brief was to reposition it for a wide European audience and establish it as the go-to open-air techno & house event of the summer.
Our response centred on the concept of Altering Perceptions. The previous identity felt harsh and angular, so we introduced an approachable serif typeface set in lowercase for the logotype, paired with day & night icons to embellish the wider campaign.
We utilised photography from the previous year, twisting and warping the images to align with our concept. A gradient of pinks, oranges & reds created a warm, distinctive identity that worked in both static and motion.
A flexible grid system and simple typographic hierarchy formed a broad set of digital assets, used across nine announcement phases for social media, along with individual artist graphics for DJs to share.
@filthymedia
A design & branding studio.
For thriving cultures & communities.
@lovefamilypark was Europe’s first one-day techno festival, founded in 1996. Fast forward 29 years, and we were commissioned to create a fresh identity and marketing campaign for the 2025 edition.
This year, the festival finds a new home in Rebstockgelände, Frankfurt, running across two full days. The brief was to reposition it for a wide European audience and establish it as the go-to open-air techno & house event of the summer.
Our response centred on the concept of Altering Perceptions. The previous identity felt harsh and angular, so we introduced an approachable serif typeface set in lowercase for the logotype, paired with day & night icons to embellish the wider campaign.
We utilised photography from the previous year, twisting and warping the images to align with our concept. A gradient of pinks, oranges & reds created a warm, distinctive identity that worked in both static and motion.
A flexible grid system and simple typographic hierarchy formed a broad set of digital assets, used across nine announcement phases for social media, along with individual artist graphics for DJs to share.
@filthymedia
A design & branding studio.
For thriving cultures & communities.
@lovefamilypark was Europe’s first one-day techno festival, founded in 1996. Fast forward 29 years, and we were commissioned to create a fresh identity and marketing campaign for the 2025 edition.
This year, the festival finds a new home in Rebstockgelände, Frankfurt, running across two full days. The brief was to reposition it for a wide European audience and establish it as the go-to open-air techno & house event of the summer.
Our response centred on the concept of Altering Perceptions. The previous identity felt harsh and angular, so we introduced an approachable serif typeface set in lowercase for the logotype, paired with day & night icons to embellish the wider campaign.
We utilised photography from the previous year, twisting and warping the images to align with our concept. A gradient of pinks, oranges & reds created a warm, distinctive identity that worked in both static and motion.
A flexible grid system and simple typographic hierarchy formed a broad set of digital assets, used across nine announcement phases for social media, along with individual artist graphics for DJs to share.
@filthymedia
A design & branding studio.
For thriving cultures & communities.
