The best work usually comes from people who see things differently.
Lorcan Finnegan has built a reputation for stories that are funny, sharp, awkward, moving, and always memorable.
Here is his latest Bank of Ireland campaign.
Credits:
Client: Bank of Ireland
Agency: Folk VLM Dublin
Production Company: Butter
Director: @lorcanfinnegan
Partnering with Ernest Desumbilia/Sauvage.TV in APAC region.
Welcome to the Pepsi Football Nation. Where fans make the rules.
Client: PEPSICO Global
Agency: @bigtimecreativeshop
PRODUCTION COMPANY: SAUVAGE.TV
Director: @ernest_desumbila
EP: Eva Laffitte
Producer: Isidor Arjona
DP: Jeff Bierrman
POST COMPANY; SAUVAGE.TV
ECD: @ernest_desumbila
EP: Eva Laffitte
Producer: @yukiosco
Creative Director &VFX Supervisor:
@Albert_mvera , Nico Zarza
PS: fun little fact – the horse you see in our moving card was created by Eadweard Muybridge in 1878, who made the world’s very first piece of cinema. He invented a groundbreaking new device called the ‘zoopraxiscope’ to do it; using sequences of horse-riding photographs to create motion. All hail the original GIF-maker! “He was an artist, he was a salesman, he was an adventurer. He wasn’t afraid of the world” – Shannon Perich, the Smithsonian’s curator of photography at the National Museum of American History.
Client - Tourism Fiji
Agency - Host Havas
CD - Sebastian Vizor
Creatives - Nigel Clark and Adrian Ely
Agency Producer - Stephanie Cameron
Australian Prod Company - Filmgraphics
Director/DP - Michael Lawrence
Fiji Prod Company - Welcome Fiji
Post Production - White Chocolate
Colourist - Fergus Rotherham
Casting - Toni Higginbotham and Welcome Fiji
Music composition and design - Massive Music
Latest spot directed by @mrmlawrence through Dissidence and Supercontinental direct with UNIVRS. New Club in Ibiza. Represented by Filmgraphics in Australia/NZ.
2025 is off to a flying start with this project for Nissan. Thanks so much to the lovely Anna Fawcett for having me and well done to the amazing crew that helped pull this one together.
Director’s cut 45
Client - Nissan
Senior Manager - Alison Clancey
Marketing Comm Manager - Callum Maynes
Agency - TBWA
Cluster Director - Cameron Green
Creative Director - Stephanie Gwee
Creative Team - Mark Jones/Rob Hibbert
Agency Producer - Maria Borowski
Project Director - Andreas Yena
Production Company - Filmgraphics Entertainment @filmgraphics
EP/Producer - Anna Fawcett @the_fawc
PM - @cathyrechichi
Director - @juzmac
Paraglider - Coralie Werbrouck
DOP - Steve Windon @dpsteve
Andrew Buckley - 2nd camera - VFX supervisor @short_films_
First AC Rhys Nicholson @rhys_lightning
First AD - Adam Smilie @adamsmillie
Drones - Heliguy @heliguy.tv
Tracking Vehicle - Scorpio Ops @scorpio_ops
Grip - @joshshamill
Volume stage - @mushang_vfx_lab
Post - The Editors Melbourne @the_editors65
Editor - Shannon Michaelas
Executive Producer - Charlotte Griffiths
Colorist - Trish Cahill
Sound - Squeaky Clean @squeakecleanstudios
Casting @tonihigginbothamcasting
Story boards @jameshusbandsillustrator
(1/3) Introducing the launch of Max in Asia, featuring our actors integrated into popular films and TV series. Directed by Matt Murphy through Filmgraphics Entertainment, produced by @the_fawc , and filmed in Bangkok, with post-production by @cuttingedgepost
A group of humans turn into seagulls when the Tassal prawns come out on a sunny summers day.
Client - Tassal
Agency - Havas Australia
Prod Co - Filmgraphics
Director - Josh Logue
EP - @the_fawc
DP - Mike Roberts
Editor - Charles Ivory
Post - White Chocolate
Sound - Electric Sheep
Michael Lawrence represented by Filmgraphics in Australasia, has created the Savusavu Village Film Workshops - fostering development while teaching storytelling and media skills in the remote islands of Fiji.
