What emerges is not fidelity, but difference: a record of contact between systems, materials, and time. One To One: The Archaeology of a Fabrication Pipeline, May 7, 6:30pm, Pinkcomma Gallery.
These tools are most often directed to do the familiar thing, only faster, only cheaper. We asked instead what they might do on their own terms.
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Filson & Rohrbacher at Pinkcomma Gallery, Boston, May 7.
The surface records a machine’s own movement through form. Each cusp, a pass. Each pass, a mark.
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One To One: The Archaeology of a Fabrication Pipeline — opens May 7, Pinkcomma Gallery, Boston.
G-code is indifferent to what it will meet. In drawing, it encounters the drag of a ballpoint, ink settling into paper fiber. In carving, it meets grain, resistance, and the singular character of each piece of wood.
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One To One, May 7, @pinkcommagallery .
The plotted drawings do not depict toolpaths. They are toolpaths.
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One to One: The Archaeology of a Fabrication Pipeline opens May 7 at @pinkcommagallery
Designed the Heroic Series for these beautiful walnut planks — here, we’re preparing the b-sides for fixturing and hanging.
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♥️🪵🦾@brepettisart
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#machineart #cncmachining #cncwoodworking #fusion360
