Fidelis

@fidelis_studio

fidelisjoseph.com
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Weeks posts
Thank you 📸 @johnguzmanstudio for capturing this moment.
140 15
23 hours ago
Detention series
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1 month ago
“…the weather is the totality of our environments; the weather is the total climate; and that climate is antiblack.” — Dr. Christina Sharpe “Weathering is about hopeful, hardworking, responsible, skilled, and resilient people dying from the physical toll of constant stress on their bodies, paying with their health because they live in a rigged, degrading, and exploitative system.” — Dr. Arline T. Geronimus In Borderlands, abstraction operates as a material analogue to weathering, tracing how oppressive climates are lived, metabolized, and transmitted across generations. Distorted forms, porous edges, and shifting surfaces mirror the instability of weather itself, mapping patterns of erosion, improvisation, and adaptation across systems. #AmandaRusshellWallace visualizes her ongoing research into the environmental, social, and economic impacts of the 1930s oil boom on Black families. Working as both researcher and subject, she activates her family cemetery in Tatum, Texas as a site for tracing “biological weathering” within her lineage. Layering photographs and narratives from her family’s medical archives with images of oil infrastructure, Wallace reveals chronic illness and trauma as embodied legacies of extraction and structural inequality. @fidelis_studio examines the borderlands between wealth and poverty, freedom and confinement in Nigeria, tracing disparities between the country’s North and South shaped by British colonial extraction, uneven development, and unequal access to resources. Inspired by Elechi Amadi’s Sunset in Biafra (1973), he questions whose stories enter the historical record. In Stephen (2024) and Detention Series 1 (2023), obscured figures visualize trauma accumulating under systemic inequality. @cease.and.perish ’s biomorphic, hand-crocheted sculptures explore borderlands between feminist infrastructures of care and institutional systems that shape inequitable health outcomes. In ascension model for gauze web I (2024), she stitches disparate elements into tales of vulnerability, trauma and healing. Its porous membranes expose the fragility of human existence, and its scars bear witness to accumulated stress, like weathering itself.
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2 months ago
𝑺𝒂𝒏𝒄𝒕𝒖𝒂𝒓𝒚 closes Saturday, March 7. Visit us Tuesday – Saturday, 11am-6pm.  The exhibition title references “sanctuary cities” like New York, and the broader idea of sanctuary as both a physical and emotional refuge. 𝐅𝐢𝐝𝐞𝐥𝐢𝐬 𝐉𝐨𝐬𝐞𝐩𝐡 ( @fidelis_studio )’s painting speaks to growth and decay, resilience and power. Rooted in the ongoing conflict in northeastern Nigeria between cattle herders and farmers, the work takes its title from his grandfather’s cow, Jandabba. ————————— Joseph was a studio fellow at NXTHVN. In 2023, he earned his MFA in painting from Cranbrook Academy of Art, where he won the Cranbrook Museum Purchase Prize. In 2017, he graduated with a BFA from the esteemed Zaria Art School in Nigeria. ————————— Fidelis Joseph, 𝘑𝘢𝘯𝘥𝘢𝘣𝘣𝘢, 2024, Oil and spray paint on canvas, 60 x 96 in.
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2 months ago
After the Northeast, in the permanent collection of the Cranbrook Art Museum 📸 Akea Brionne
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3 months ago
,Jerome Lagarrigue (right), Fidelis (left). Installation 📸 from the Untitled ArtFairs, Miami, 2024 presented by Fridman Gallery, NY.
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3 months ago
SANCTUARY is currently on view at FRIDMAN GALLERY 169 BOWERY New York City. JANUARY 28 - MARCH 7, 2026 Featuring: CYNTHIA ALBERTO ALIBABA AWRANG HEATHER DEWEY-HAGBORG ALEXA KUMIKO HATANAKA LEWINALE HAVETTE FIDELIS JOSEPH LESIA KHOMENKO HELENA KOZUCHOWICZ JEROME LAGARRIGUE SPANDITA MALIK WILL MAXEN DINDGA MCCANNON JARED OWENS PHOTOBRIDGE PROJECT AURA SATZ SAMITA SINHA #fidelisjoseph
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3 months ago
Seen/Scene: Artwork from the Jennifer Gilbert Collection Curated by Nick Cave and Laura Mott October 5, 2025 — January 10, 2026.
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5 months ago
Group show, THIS IS NOT A RETREAT! NXTHVN Through the Years at the Ford Foundation Gallery, New York.
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11 months ago