Two half’s, one self.
I crafted the gradient room from scratch essentially. Photoshop allows me to still be extremely flexible with my choice of color and build. Easily one of my favorite shots yet.
The whole process is genuinely fun to me… it feels like being a kid again, tweaking sliders in GTA just to get the right color for the car customization or spending hours adjusting jerseys and characters in old games. That same feeling of shaping something until it finally clicks.
EX-VOTO, the curation of a forbidden prayer, the tension between faith, humanity and deviance, between the divine and the manipulation.
Directed by Maxime Ernult, in collaboration with @feremony .
Where emptiness becomes image.
#ai #aicommunity
No Hero concept video. 3-day turnaround.
Had fun experimenting with some new workflows on this one. While the concept didn’t come out exactly how I envisioned, I’m proud of pushing for shots that are still hard to pull off even by today’s AI standards.
Some moments feel a bit off, but that’s part of the process each attempt is homework, helping me sharpen the craft.
Had a free day yesterday so I decided to create something with no script, just letting the sound design lead me into the next shots. Only had about a single day to get this done so efficiency was crucial. In hindsight, I think scripting still brings more efficiency. No prep definitely invites more hiccups along the way. But I trusted the sound and just ran with what was in front of me. There are 63 audio layers in this one some of which hold multiple sounds within a single file. I know most real film scores probably use far more, and even a simple song might have 10-20 layers. But doing my homework on this one gave me a deeper appreciation for how layered and intentional sound really is.
Best experienced with headphones :)
