Ur girl locked in her first festival show!!!!!! 😭🍊
Finally some exciting sh*t on the horizon. From big collaborations, new releases, festival bookings and some international shows… well this feels good to post!
Catch me this year for my debut @rabbitseatlettuce AND for my first international show of the year with @hatch_bali
Heaps more exiting shit to announce, stay tuuuuned. Appreciation for those around me who are finally making shit happen @buildingbridges.au 🧡 LFGOOO
Miss me? 🧡👇🏼
I did NOT miss posting. That is until I could finally reveal all I’ve been doing behind the scenes 📸 🍊🧡 It took some time to make some pretty mega changes but here we are!! It’s going to take a while to get my numbers up on my posts and re-enter the algorithm — but you’re just going to have to deal with it.
I gave myself time to step back & give my socials a big re-evaluation. I myself, and I think a lot of other artists, are feeling the heat! The need to perfect every bit of content we post is exhausting. It had a true effect on my personal development toward the end of last year — so I bowed the fuck out for a-bit to re-evaluate how I worked! Sounds stupid right? Wrong.
Social status is now almost (yes, almost) the #1 reason majority of DJ’s are booked for shows these days and has absolutely taken over almost anything else — and for someone who didn’t want to be in front of the camera for a while, or even in front of a mic hell even my studio chair didn’t see me much, I did find this a really hard thing to dedicate myself to or find any balance. So I just didn’t! The break was nice. Kinda.
What you missed? Nothing crazy or out of the normal. But there is a lot incoming for 2026.
But… it’s safe to say that since I last posted I have finally evolved as a human, as an artist, and SO much so musically that it continues to shock me that I’m finally found this level of focus on a daily basis 🐛 < 🦋. I’ve come to terms with what was a pretty hectic & shitty time where I felt so physically & geographically out of whack, so this welcomed physical change feels great, and my happiness to be in front of you all is here again. Hence this post.
So hi, hello. 👋 As much it’s been nice sharing a more personal post with you this is the last of my lengthy BS for now haha.
I’ll go into more detail about some insanely exciting shows I’ve got coming up, more music, and even upcoming travel in my next post.
If you came this far then yeah… wow.
All love,
Fēlēs
Get Your Groove On is back this Friday. 🖤
For this edition we're bringing Feles to UNDRGRND. 150 million streams, Tomorrowland, Afterlife, Awakenings — and she still plays like she has something to prove. That's the headliner we want on our floor.
JoannaDark, Adam Papanek and Alex Sharp take care of the rest. Between them — Drumcode releases, Tomorrowland stages, and the man who built this night. The floor is covered.
One room. Until 07:00. See you there.
📅 Friday, May 15
🕙 23:00 – 07:00
📍 Club John Doe, Amsterdam
🎫 Tickets via RA — link in bio.
—
#GetYourGrooveOn #UNDRGRND #TechnoAmsterdam #AmsterdamTechno #MelodicTechno #UndergroundTechno
SPECIAL GUEST: FĒLĒS
She’s back in Amsterdam with unfinished business, straight off Australian festival szn bringing pure filth & unreleased heat.
We’re excited to showcase @feles___ at our Charity Kingsday Rave.
🗓 April 27 | 14:00
🎟 Sold out. waitlist open
🌱 Hash & weed only zone
Hatch presents FELES.
From Filth on Acid and Armada, FELES is taking over the jungle with a heavy dose of Techno, Melodic, and Progressive. Supporting set by V3 to keep the rhythm locked.
Two rooms, one vibe, and the pure sound of the underground.
Friday, April 24.
Hatch Uluwatu.
Open 5 PM until late.
This one moves different.
This year I made a promise to myself 👩🏼🦰
For YEARS I didn’t use social media. And when I say I didn’t use social media… I think prior to 4 posts ago I didn’t post for 12 months straight.
I had SO much anxiety around posting after that, the months just kept going, I didn’t know how to even post because of the pressure of leaving it so long, I wanted everything to be perfect blah blah fucking blahhhhhhh. My reach is down also and my story views are a lot less than they used to be - but this is all temporary. And I know it. So if you don’t like me showing up multiple times a week (if you even see it) then haha nowwww if your time to remove me. I made a promise to myself that this year I was going to be consistent - not with my production as that is something that comes naturally- but for the first time since before co**d, with my social media.
So here is another post, yes, twice in a week who would have guessed. In here you get to see what I get up to week in, week out. As you can see… I’m just a dork who mostly looks like shit grinding away in her little musical girl cave but I no longer care how you all see me (to an extent 😂)
I hope you enjoy my raw, crappy vids from inside my studio… ps. The spider lived, guys 🕷️
@rabbitseatlettuce … what do I even say! 😭 In my history of music, of all the shows, I must admit this set has had one of the biggest responses I have ever received. From people running up to me the next day to ask who the hell I am, to those that introduced themselves, followed, and shared their experience of my time on stage… well, I’ve been left to feel only one thing and that is truly humbled by it all. I even took a short break off socials (and life to an extent) this week just to let it all sink in. The ultimate feedback so far was that a-lot of people were trying to work out which country I was from, as they didn’t believe I could possibly be from Australia. Now this, this made me SMILE! I don’t normally discuss the inner workings of those I meet & hear from - but to be honest - I’m proud to be typing this feedback out after so many years of what I refer to as my time ‘rotting’ as an artist. I’ve needed this. In no way do I feel like a flog sharing it with you as this project has all been the slowest burn for me. Those who’ve been here with me on this journey will absolutely know what that means. To everyone, including my #1 fan, fiancé & fill in TM @jboumannn , my agency reps @jydn__ / @pri.mmills , the crew @ Rabbits and all the INCREDIBLE people I was blessed to meet &/or mingle with over the course of the weekend… THANKYOU! Thankyou for filling my cup in a way that has not been filled for quite some time now, and in a way that I cannot even tell you was necessary for me to continue moving forward.
This carousel is just small iPhone snippets of what went down, a drip-feed before I received the professional footage which should hopefully be up within the next week. Lastly for those asking for Merch, I’m seriously considering it. But what would I make? What do YOU want?? If you have any suggestions of what YOU would like artists to give out to people - commend here and tell me and I’ll consider it! Nothing but love & gratitude @rabbitseatlettuce family, I literally cannot thank you enough. Fēlēs x
YOUR NEXT FEMALE HEADLINER IS 🔥 @feles___
Well known for her collaboration track “My Gasoline” with Maddix that amassed millions of views across many platforms!
Formerly known as Katt Niall, Fēlēs has gone on to become one of the most streamed artists in our scene with 150+ Million streams collectively, releasing with the likes of Rebūke, Mark Hoffen & more.
Yet she’s only just firing up! Another massive collaboration is dropping soon with a very special Dutch techno powerhouse, and will without a doubt be another hit record… 🤫
We can’t wait for her to grace our stage at DG XXL on June 27th!
Surprise surpriseee 🏎️ ❤️🔥👇🏼
Repping RED today as I can finally announce that I’ll be playing for the Grand Prix after party thanks to @donjuliotequila & Ms Collins alongside @itsdjlevi
Now some pics from from last year… especially the last shot 😂
Catch me playing from 1:30-3:30 ❤️🔥
Hatch presents FELES.
From Filth on Acid and Armada, FELES is taking over the jungle with a heavy dose of Techno, Melodic, and Progressive. Supporting set by V3 to keep the rhythm locked.
Two rooms, one vibe, and the pure sound of the underground.
Friday, April 24.
Hatch Uluwatu.
Open 5 PM until late.
This one moves different.
