🌿🔥 如果悲憤的野獸把你吞下… 你會嚐到什麼味道？If a beast swallowed you whole… what would it taste like? 🔥🌿
By fiona cheng @fc.ctg
待在一頭神話野獸的肚子裡，我們不只是為活而食——我們有感知、記憶、抵抗。每一口都是一個故事，每種味道都藏著生存的力量。從野生植物到可食用的蠟燭，藝術家 Nahla Tabbaa 用食物寫詩，把悲憤熬煮成力量。🌿🥀✨ #抵抗的滋味
Inside this mythical creature’s belly, we didn’t just eat—we felt, remembered, resisted. Every bite held a story, every flavour a fight for survival. From wild leaves to edible candles, artist Nahla Tabbaa @nahlatabbaa turned food into poetry, grief into strength. #Thil #TasteOfResistance
special thanks to @durjoybangladeshfoundation
Artwork 📸 credit: Hussam Hasan @hussam2.0
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#NahlaTabbaa
#DurjoyBangladeshFoundation
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. #食物即記憶 #用味道說故事 #文化不滅 #味覺革命 #食物中的抵抗 #歷史的味道 #藝術與食物 #生存之味 #EatTheStory #FoodAsResistance #EdibleResistance #FlavorsOfSurvival #CulinaryRitual #MythOnAPlate #TasteTheHistory #fionacheng
New writing after a really long time.
It’s about the street, life, walk in 2020 in Patan, Nepal.
Thanks to many friends help this writing! Many many friends but felt little shy to tag them.
To read this article, check the link on my profile.
#patan
#nepal
#nepalart #streetart #muralart #artreview #artcriticism #artwriting #artwriter #pandemicinnepal #pandemic2020 #lalitpur
“ADDA” is a podcast for artist talks from South Asia.
Watch the full video on YouTube (Link in Bio)
2020 年疫情爆發之前，在孟加拉達卡舉辦的大型藝術展達卡藝術峰會（Dhaka Art Summit）的 “Gerobak Cinema”（電影人力車）。“Gerobak Cinema” 是其中一項小活動，在協調人的牽線之下，兩個藝術家團體 Jog Art Space 跟 ruangrupa 一起製作街頭放映機具，要放 18位藝術家的藝術短片。
他們選則一座天橋，一座連接兩個具政治重要意義的公園的天橋上放映。
但在孟加拉，天橋是一個異質空間，而這座天橋到了晚上則會轉化成各種私密的場域⋯⋯
“Gerobak Cinema” is a mobile screening station presented as part of The Collective Body curated by Diana Campbell Betancourt and Kathryn Weir. The Chattogram based collective Jog Art Space and the Jakarta based collective ruangrupa collaborate using a rickshaw, producing screening sessions at Ramna Park Foot-over Bridge around the Bangladesh Shilpakala Academy, taking the energy from inside the venue out into the streets of Dhaka. The equipment was collaboratively created by the community according to local aesthetics to screen their own videos/ short films.
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📻 Subscribe “ADDA” for free with many platforms---> https://bit.ly/adda_0401
📹 Watch the full video
https://youtu.be/OjT1CSufx18 （Link in Bio) . . .
#DhakaArtSummit #JogArtSpace #ruangrupa #Gerobak #StreetCinema #Street #Dhaka #Chittagong #artinitiative #ArtistCollective #artCollective #Rickshaw #artproject #streettheatre
3.
A Study of Uzumaki
Material: 10’ Video
2019
Without Sakurako Nagano, Jin-a Kim, Taeko Kagimoto, I couldn’t make the shooting done! Thanks to curator Kuroda Daisuke and Maruhashi Mitsuo for all the arrangement. Thanks to Nishimatsu Shusuke for camera support, thanks Takigawa san for boat driving, thanks Michael Northam for the music, and thanks Zihan Karim for making the animation for this video.
I haven’t totally understand one Japanese thinker Kojin Karatani’s book History and Repetition but one of his concept in this book haunts me quite a long time. Karatani developed a theory of history based on the repetitive cycle of crises joined by the study of Japan's modern history. One of my friends said that the theory should go further. He thinks the history goes more like a whirl. I remember his words when I looked down from the Manzeki Bridge. So combining the thinking of “exchange”(交流), I started the research of whirl under the Manzeki Bridge. The word of “exchange”(交流) in Chinese and Japanese literally means “the meeting of different streams”.
渦巻き研究
メディア：ビデオ
日本思想家柄谷行人さんの本『歴史と反復』をまだ完全的に理解していなかったが、長い間に彼のコンセプトの一つはしょっちゅう頭の中に頭に浮かんでいる。柄谷さんは日本の近代史の研究を含めて、危機の反復性に基づいて、歴史の理論を展開した。でも私の友人の一人は、その理論がさらに進むべきだと言った。歴史の進む方は渦のように進んでいると彼が考えている。万関橋に立って、下を見っている時に彼のその言葉を思い出した。それに「交流」の意味の再考を重ねて、万関瀬戸の渦を研究して始めた。日本語や中国語の中に、「交流」の意味は文字どおりに「異なる水流が交わる」ということだそうだ。
#tsushimaartfantasia #videoartinstallation #artwork2019 #sitespecificproject #uzumaki #movingimage #badart #badedit #swirls #love #swirllove #swirl #swirling #follow4follow #contemporaryartwork #artwork #artist #contemporaryart #artvideo #artwork #nature #installation #installationart
