Les Frères de Poitrine sont heureux d’annoncer qu’un réseau de distribution international a fièrement été mis en place afin de permettre à l’auditoire de mettre la main sur une copie physique de Vol.I et de Vol.II, vinyle ou CD !
La marchandise sera officiellement disponible le 12 juin chez vos disquaires locaux. Vous pouvez dès maintenant les contacter pour précommander votre copie.
*GLOIRE aux consommateurs enthousiastes de musique insolite!
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De Poitrine Brothers are pleased to announce that an international distribution network has been proudly established to allow audiences worldwide to get their hands on a physical copy of Vol.I and Vol.II, vinyl or CD.
The goods will arrive at your local record stores on June 12th, they’re now ready to take your pre-order.
*****
Quebec: @spectaclesbonzaii
Canada: @fabdistro
USA: @atorecords
ROW: @republicofmusic
Photos by @catherinecote
⚜️ Bibi Club « Amaro » ⚜️
Bibi Club seront à L’Oblique vendredi 27 février à 14h. pour des signatures du nouvel album!
Disponible en vinyle seulement!
@bibiclubmusic@secretcityrecords@fabdistro
Cavan songwriter Lisa O’Neill presents: The Wind Doesn’t Blow This Far Right 12” pressed on imported black vinyl via @roughtraderecords
The six track EP includes the haunting rendition of Bob Dylan’s “All The Tired Horses” that Lisa recorded to soundtrack the closing scene of the final episode of Peaky Blinders, plus “Homeless In The Thousands (Dublin in the Digital Age)” featuring Peter Doherty, released as a stand-alone single in January 2025.
Added to these are a new song, and recent live favourite, ‘Mother Jones’ about the Irish activist who emigrated to America and became a union organiser, and in 1902 was called ‘the most dangerous woman in America’.
Her organising of miners against mine owners lead directly to the introduction of America’s first child labour laws. The EP is completed with a stunning version of the seasonally topical ‘The Bleak Midwinter’ and a moving reading of the James Stevens poem ‘Autumn 1915’.
Tracklist:
The Wind Doesn’t Blow This Far Right
Mother Jones
All The Tired Horses
Homeless In The Thousands (Dublin in The Digital Age)
The Bleak Midwinter
Autumn 1915
Danny L Harle presents his highly-anticipated XL Recordings debut, Cerulean pressed on limited blue vinyl, black vinyl and CD.
Following 2021’s immersive Harlecore project, Harle considers it his true debut. “It really is the big one.” Cerulean is a voyage into vast, alien sonic landscapes where speaker-blowing bass and euphoric trance synths meet classical harmonies, tactile sound design and Harle’s own field recordings of waves lapping against the shore.
It embodies Harle’s pursuit of melancholic euphoria - a blend of megalophobic majesty and raw humanity - inspired by Andrei Tarkovsky’s Stalker, existing “on the threshold between dreams and reality.”
Seeking “the best melodies sung by the best voices,” Harle enlisted an exceptional cast of collaborators, including Dua Lipa, Caroline Polachek, Clairo, Julia Michaels, PinkPantheress, Oklou and MNEK, alongside newer voices like kacha, and even his own daughters. Across 13 tracks, the record balances dancefloor power with emotional resonance to brilliant effect. Cerulean arrives on Imported Limited-Edition Indie Blue, Black Vinyl, and CD.
Tracklist:
Noctilucence
Starlight (feat. PinkPantheress)
Azimuth (feat. Caroline Polachek)
Facing Away (feat. Clairo)
Raft In The Sea (feat. Julia Michaels)
Island (da da da)
Te Re Re (feat. kacha)
Laa
O Now Am I Truly Lost
Two Hearts (Dua Lipa)
Crystallise My Tears (feat. Oklou and MNEK)
On & On (feat. Caroline Polachek)
Teardrop in the Ocean
Out now! Joyce Manor- I Used To Go To This Bar pressed on limited opaque yellow vinyl, black vinyl and CD.
Joyce Manor are California pop-punk legends and “I Used To Go To This Bar” is this epochal band operating at the top of their game. They continue to deliver relentlessly satisfying rock music in a manner that makes it look simply effortless.
Their seventh album finds the group continuing to find rich new veins to tap in their short-and-sweet songcraft without losing an ounce of bite that gained them such repute in the first place. “I Used To Go To This Bar” further situates Joyce Manor in the rich lineage of their influences and inspirations. Think AFI’s rapid-fire burn, Weezer’s indelible power-pop acumen, and the dusky emotionalism of The Smiths while further establishing them as leading lights in the current rock landscape.
The fresh burst of inspiration that fuels “I Used To Go To This Bar” proves that Joyce Manor are far from content to rest on such laurels, moving forward with their sound and style in a way that reminds you of how they got to this point in the first place. Catch them live at Coachella 2026.
Beverly Glenn-Copeland- Laughter In Summer pressed on rose pink vinyl and CD is out now.
Beverly Glenn-Copeland returns with “Laughter In Summer”, a deeply moving new album created alongside his wife and collaborator, Elizabeth. Written during his journey with dementia, the record stands as both a love letter between them and a testament to resilience, memory, and devotion.
Recorded at Montreal’s Hotel2Tango with producer Howard Bilerman (Godspeed You! Black Emperor, Vic Chesnutt), the album captures performances in a single take, featuring contributions from a choir of Canadian and American voices including Helena Deland.
Songs like “Let Us Dance: Movement Two” and “Children’s Anthem” embody the spirit of collaboration, while pieces such as “Harbor” and “Middle Island Lament” draw from personal and ancestral histories. “Laughter In Summer” carries the same transformative power that made “Keyboard Fantasies” and “Transmissions” modern classics, offering music that uplifts, heals, and connects across generations. It is a vital release from a visionary artist whose creative voice only deepens with time.
Lala Lala- Heaven 2 arrives Feb 27 on Loser Edition on ocean blue vinyl and CD
The fourth album and Sub Pop debut by Lala Lala, aka Lillie West, is a punchy, warm, and hook-filled burst of indie-pop for fans of Jay Som, Porches, Dehd, Angel Olsen, Alex G.
West has always made her music in response to an itch to always be moving. But, as she recently experienced a burgeoning desire to settle down, she realized that steadiness can beget creativity. That evolution is what fuels much of her new album as Lala Lala, “Heaven 2”.
For many years, West lived in Chicago, where she established Lala Lala as part of that city’s indie scene, releasing several records on the Sub Pop imprint Hardly Art. Those albums, “The Lamb” and “I Want The Door To Open”, were powerful statements from a curious artist: catchy guitar-pop songs about being stuck in the ups and downs of life, the struggle to stay sober, to leave town, to blow up your life.
Now based in Los Angeles, West produced the album with Jay Som’s Melina Duterte, who provides a strong punchiness as a bed for West’s warm, rounded vocals. The relationship between the two of them was telepathic, and the result is a bold and confident album. Duterte and West performed almost all of the album’s instruments, with a few crucial guests
Gab Bouchard- Encore Encore pressed on black vinyl and CD, available Feb 13 2026 via @bravomusique
Après avoir abordé la peine d’amour dans “Triste pareil” et les divers deuils dans “Grafignes”, le troisième album de Gab Bouchard, “Encore Encore”, évoque le changement de vie motivé par un retour aux sources. L’album, aux sonorités folk-rock couplées à des mélodies accrocheuses, a été enregistré au studio Àcause, que Gab a construit au cours des dernières années à Saint-Prime, au Lac-Saint-Jean. Gab y fait ses débuts en tant que réalisateur, aux côtés de ses complices Olivier Langevin et Mathieu Quenneville.
After exploring heartbreak on “Triste pareil” and various forms of grief on “Grafignes”, Gab Bouchard’s third album, “Encore Encore”, reflects a life change driven by a return to his roots. Featuring folk-rock textures paired with catchy melodies, the album was recorded at Studio Àcause, which Gab built over the past few years in Saint-Prime, in the Lac-Saint-Jean region. The project also marks Gab’s debut as a producer, alongside his longtime collaborators Olivier Langevin and Mathieu Quenneville.
First released: Feb 2, 1996, Mint (Canada), Lookout (USA) and Konkurrent Records (Netherlands)
30th anniversary deluxe reissue released: Feb 2, 2026, Lavasocks Records (USA.)
Deluxe credits:
- “Menu” cover design by Chris Appelgren.
- Liner notes by Nardwuar the Human Serviette (Member of the Order of Canada.)
- Re”Mass”stered by Mass Giorgini.
Kevin “Beez” Beesley- bass
David Carswell - guitar
Bryce Dunn - drums
Grant Lawrence - voice
Nick Thomas - guitar
ALL SIZZLE NO FIZZLE!!!
⭐️ Tyler Ballgame + rééditions vinyles ⭐️
Tyler Ballgame « For the First Time, Again
Vieux Farka Touré « Ali »
Tortoise « Millions Now Living Will Never Die »
Tame Impala « Lonerism » 2LP
Hermanos Gutierrez « El Bueno »
Bar Italia « Some Like it Hot »
Technicien disponible pour réparations et conseils audio.
Venez-nous voir pour une démonstration!
@roughtrade@tyler.ballgame@fabdistro
