Morc en Lise present Troth & Nein Rodere in a +-60-people-gallery, Salvatore. So so looking forward hearing Troth’s slomo shoegaze-ambient(pop). Hearing Nein’s lo-fi, addictive, broken-and-bare pop anthems. Nein paints too. Scenography: Eva Jacobs! It’s an honour to do a collaborative evening with a mega influential label that we look up to, Morc. Releasing music since 2000, it’s an endless list of stunning releases. Things ranging from lush (doom, drone,...)-psych-folk, to devotional piano, to hypnotic drone-collages, to loner Hood-ish guitar despair. Music to lock yourself in a room forever.
Morc says: we’re inviting two acts, who over the past few years, have spent a lot of time on our turntable. One of the most active and grimy lo-fi musicians of the past decade surprisingly hails from Berlin. David 'Nein' Roeder specializes in broken pop songs that are often dressed in nothing more than a busted mic, a broken amp, and a fractured rhythm.
And yet, he somehow holds it all together in a miraculous way.
His two LPs on
@hornofplentyrecords (also home to Annelies Monseré and Warm Currency, among others) are modern classics.
He also has a direct Morc connection: on the acclaimed Kroppskännedom LP, he makes several guest appearances — including some German-language vocals. And rumor has it there’s a 7” in the works featuring Roxane Métayer.
So make sure to get to Salvatore early.
Yes indeed — a Belgian live debut.
Troth, the duo of Cooper Bowman and Amelia Besseny, are making a brief stop here before heading back to Australia.
Electronics, voice, and a clarinet: that's usually all they need for their foggy and melodic slow-motion blend of ambient, synth-pop, and lo-fi trip-hop.
Their albums have been released on trusted labels like Knekelhuis , Mama's Mysterika’s Jukebox, and A Colourful Storm. A new album coming out in August on independent Glaswegian label Night School (who released that insane Tristwch Y Fenywod one, and is collaborating with Stroom (????) for something later…)
