Eva Fabbris

For the last weekend of Uri Aran’s “Untitled (I love you)”, @museomadre we celebrate language as an unstable, poetic and material system, with Quinn Latimer, Renato Grieco and Hanne Lippard @littledogslikethese @ql_ql_ql_ql @___knn___ @hannelippard Special thanks to: @alberta_romano_

Con una sala Madre piena di studenti @abanapoli_official che incontrano Liliana Moro, in preparazione di un lab da fare insieme, nel museo 🤍 Con opere di Francesco Jodice appena entrate in collezione esposte in aereoporto, installate a seguito di un workshop con ragazzi delle scuole medie 💎 Foto @videometro.tv

Before Venice or after Venice, dear friends make sure not to miss the affective journey of “Untitled (I love you)” by Uri Aran @museomadre Until May 18th …. we also played with it under the uplifting guidance of Adam Harrison!

Milano Spring Party

Vivono!!! Arte e affetti HIV-AIDS in Italia. 1982-1996 @centropecci con la curatela intelligente e sensibile di @michele_bertolino 🤍

OUT NOW: VAI VAI SAUDADE Following the exhibition “Vai, vai, Saudade” at @museomadre , this volume consolidates and expands a project that intertwined research, memory, and vision to explore more than seventy years of Brazilian art. Curated by Cristiano Raimondi (@cristianoraimondi ), it proposes a rigorous yet personal historiographic perspective, examining how the relationship between modernisms and identity unfolded in Brazil through fractures, contradictions, and reinventions. Organized as a dynamic album of documents, texts, and images, through the extensive research conducted by Mousse in collaboration with Cristina Ambrosio, it traces thematic constellations and unexpected dialogues across generations and geographies. From the radical experiments of Lygia Pape to the visionary testimony of Hélio Melo, from modernist utopias to practices shaped by dictatorship, migration, and resistance, the publication reveals a dense and plural artistic field that exceeds any singular narrative. The book also includes anastatic reproductions and contributions by Jaider Esbell (@jaider_esbell ), Frederico Morais, Hélio Oiticica, Ariano Suassuna, and Adriana Varejão (@adrianavarejao ), further enriching the historiographic and critical framework.

OUT NOW: Edi Hila Edited by Anri Sala “The sequence of images across these pages—which I conceived as a traveling shot across the dimension of transition—shares a single cursor. No matter where each image appears to lead us or where our imagination drifts, what unifies them is the evolution of light. It is as if the entire book unfolded during a single day. But it is a day whose time has been reversed.” —Anri Sala This publication, conceived by @museomadre , is more than a simple book; it is an artists’ book in which Anri Sala interacts with the corpus of paintings by Edi Hila. As Eva Fabbris (@eva.fabbris ), director of @museomadre , points out in her essay, Sala engages Hila’s work in a contemplative and cinematic way, allowing the historical and political consciousness the two share to surface gradually through the sequencing of images. Born thirty years apart in Albania, Hila and Sala share not only a geography but a historical condition. Both were formed at the Academy of Arts in Tirana—Hila as a student and later a professor, and Sala as part of the generation that encountered the institution at the threshold of the regime’s collapse. If Hila’s early career unfolded under the strictures of Socialist Realism and direct censorship, Sala’s began in the vacuum that followed its dissolution. The guiding “cursor” of the book is the evolution of light. It is as if the entire publication takes place within a single day—yet a day whose time has been reversed. It begins at night and retreats through dusk, late afternoon, early afternoon, high noon, late morning, early morning, until sunrise, completing a full, inverted cycle.

“Thanks for allowing me to be a poet” 🤍 John Giorno. The Performative Word curated by @balbi_lorenzo @mambobologna

Cool show Cool weekend

We loved it! Uri Aran Untutled (I love you) @museomadre until May 18th @littledogslikethese #uriaran

This is what we envisioned! The opening of the first Meridiana Prize-winning exhibition was filled with strong energy 🌋 Thank you all for coming through! And major thanks @amicidelmadre for believing in and sharing the wonderful vision that make it possible!

A Berlino per le ultime ore della mostra di Kazuko Miyamoto @kwinstitutefcontemporaryart , dove le string construction sembrano aver trovato il loro spazio mentale e architettonico perfetto. Congratulazioni @emenderby e @skchris_ 🤍 … e altre mostre intense! Mark Lecky @juliastoschekfoundation Delcy Morelos @hamburger_bahnhof Manfred Pernice @galerie_neu Michael Krebber (con Cosima Von Bonin) e Otto Meyer-Amden alla Galerie Buchholz Olga Balema @trautweinherleth Seth Price @isabellabortolozzi … visitate con Lorenzo Scotto di Luzio!