This yearâs Meltdown, and especially Sundayâs lineup, was a homecoming not only for Shannon and the Clams but also for rapper Kreayshawn, who played her first show in a decade.
Rapper Kreayshawn might seem like a sonic departure from the screaming and mumbling punks that dominated the festival to an outside observer, but whatâs more punk than going viral, disappearing from view â much like the lost cat in her song Missing Kitty â putting your record label on blast, then reemerging a decade later on your own terms, performing a banger of a show in a park in your hometown?
âThereâs so many people here, Iâm gonna crash out,â said the musician, proclaiming to be nervous but exuding magnetic confidence and swag.
Kreayshawn is also a descendent of Bay Area punk; her mother, Elka Zolot, was a member of the 1990s band The Trashwomen. âAll of my momâs old friends are here,â her daughter beamed on Sunday.
Kreayshawn was one of multiple performers who put politics at the forefront. âIâm lookinâ like Madonna, but Iâm flossing like I wanna free Palestine,â she sang on Gucci Gucci, swapping out the original line, âflossing like Ivana Trump.â
Waters also invoked the power of punk to resist authoritarian and far-right politics.
âWeâre defiant in the face of semi-approved demi-gods,â the filmmaker said from the stage. âIâve had 32 COVID shots and they make me horny! Take that, R-F-u-c-K.â
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âđźand đš Natalie Orenstein
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